Tribute: Leonard Nimoy

Posted on February 28, 2015 at 12:00 pm

We mourn the loss of Leonard Nimoy, who created one of the most iconic characters of all time, “Star Trek’s” half-Vulcan, half-human Mr. Spock, with pointed ears and angled eyebrows perfectly designed to convey a wry sense of irony.  The storylines of the original “Star Trek” were provocative political and cultural allegories, but the heart of the show was the reflection of the internal struggle we all try to reconcile: fire and ice, Athenian and Spartan, id and superego — between the passionate, impetuous Captain Kirk (William Shatner) and the cerebral, deliberate Mr. Spock.

Adam Bernstein wrote in the Washington Post:

Spock was the ultimate outsider — a trait Mr. Nimoy said he understood. He was Jewish and had grown up in an Irish section of Boston. Going to movies as a child during the Depression, he was drawn to actors who specialized in bringing pathos to the grotesque — especially Boris Karloff in “Frankenstein” (1931) and Charles Laughton in “The Hunchback of Notre Dame” (1939).

By most accounts, Mr. Nimoy portrayed the most popular character of the “Star Trek” cast. While some critics thought that Mr. Nimoy’s acting was dour or wooden, fans might have argued that these were precisely the characteristics of the emotion-suppressing, logic-obsessed Spock.

Copyright 1968 Paramount
Copyright 1968 Paramount

Nimoy was a fine actor, and he gave a dry wit to Mr. Spock. The character was fascinating because of his emotionless, stoic, purely rational approach.  Once in a while, his human side showed through. And although most of the time he seemed to conclude (rationally) that the Vulcan approach was superior, he occasionally seemed to envy his human colleagues’ capacity for emotion. And certainly, he showed himself capable of friendship with Captain Kirk.

I loved his father’s explanation of why he married a human: “It seemed the logical thing to do at the time.” Spock also had the enviable ability of telepathy and could immobilize a humanoid enemy with a neck nerve-pinch.

Bernstein’s obituary quoted an interview Nimoy gave to the New York Times:

“I knew that we were not playing a man with no emotions, but a man who had great pride, who had learned to control his emotions and who would deny that he knew what emotions were. In a way, he was more human than anyone else on the ship.”

He added: “In spite of being an outcast, being mixed up, looking different, he maintains his point of view. He can’t be bullied or put on. He’s freaky with dignity. There are very few characters who have that kind of pride, cool and ability to lay it out and walk away. Humphrey Bogart played most of them.”

He spoke to Pharrell Williams about his life and career and developing the character of Spock.

The devotion of “Star Trek’s” fans is legendary, and the subject of documentaries including Trekkies and its sequel, and no character had more fans than Mr. Spock.

A particularly fitting tribute was in an episode of “The Big Bang Theory,” where the hyper-rational Sheldon Cooper (Jim Parsons) has the most emotional reaction in the history of the series because he receives a special gift, a napkin that had been used by Leonard Nimoy.

In another episode, Nimoy provided the voice for Cooper’s Mr. Spock action figure.

Nimoy was the son of Jewish immigrants from what is now Ukraine. It was his idea to use the traditional rabbinic blessing gesture, with the fingers spread apart in a V shape as the Vulcan greeting.

He was also a successful director, not just of “Star Trek” films but also of the popular comedy “Three Men and a Baby” and the Diane Keaton drama “The Good Mother.”

In 1968, Nimoy responded with warmth, generosity, and wisdom to a letter from a biracial girl who identified with his bi-planetary character. He told her to “realize the difference between popularity and true greatness. It has been said that ‘popularity’ is merely the crumbs of greatness. When you think of people who are truly great, and who have improved the world, you can see that they have realized that they are people who do not need popularity because they knew they had something special to offer the world, no matter how small that offering seemed. And they offered it and it was accepted with peace and love.”

He left us with a beautiful final message via Twitter.

A life is like a garden. Perfect moments can be had, but not preserved, except in memory. LLAP

Nimoy gave us many perfect moments.  As long as there are devices to view content, new generations of fans will love and be inspired by Mr. Spock. May his memory be a blessing.

EPIX will pay tribute to Nimoy this weekend.

A Conversation with Leonard Nimoy: AIRING: Friday 2/27 – 11:00PM ET, Saturday 2/28 – 5:40PM ET & 10:00PM ET, Sunday 3/1 – 8:00PM ET 

Leonard Nimoy shares insights and personal anecdotes from his nearly 50-year involvement with the phenomenon that is Star Trek.  

Star Trek Into Darkness: AIRING: Saturday 2/28 – 10:15PM ET, Sunday 3/1 – 8:15PM ET

In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth. In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.

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Actors Television Tribute

New from Daniele Watts: Muted

Posted on February 28, 2015 at 8:00 am

Copyright 2015 HBO
Copyright 2015 HBO

Actress Daniele Watts stars as missing teenager Crystal Gladwell in Muted, winner of the 18th annual American Black Film Festival short film competition, showing on HBO throughout March 2015.

Muted follows Lena Gladwell, played by Chandra Wilson (Grey’s Anatomy), a mother whose world is shattered when her teenage daughter Crystal disappears. Lena attempts to enlist the help of the press and the police. Expecting the full support of law enforcement and local media, Lena quickly learns the painful and tragic lesson that all missing persons are not created equal.

Watts says of the movie, “I appreciate the filmmakers Brandi Ford, Rachel Gould, and Tara Tomlcevic for telling a story about complicated issues that are difficult to talk about. People may not be aware that biased media coverage continues to shape the way people are perceived or not perceived in America. As American society becomes more aware of the ways that a history of racism has shaped, and continues to shape our perceptions, we can open the door for greater clarity, compassion and understanding.”

Muted was written by Brandi Ford, produced by Tara Tomicevic and directed by Rachel Goldberg.

 

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Television

Trailer: A.D. — The Bible Continues

Posted on February 24, 2015 at 8:00 am

This Easter Sunday, April 5th, 2015, A.D. The Bible Continues will premiere on NBC and continue on a 12-week journey through the rise of the Christian Church.  

Executive producers Roma Downey and Mark Burnett continues where there The Bible series left off.   With the Book of Acts and Paul’s letters as its foundation plus some artful use of history, A.D. The Bible Continues starts with the Crucifixion and The Resurrection.  The complicated birth of the early Church was a time filled with enormous faith, persecution, political intrigue, brutal Roman oppression and the Jewish revolt.

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Television Trailers, Previews, and Clips

This Week on Modern Family: An Entire Episode Told On a Computer Screen

Posted on February 23, 2015 at 3:28 pm

This week’s episode of “Modern Family” will be entirely shown the way many of our family interactions increasingly occur — on a computer screen.  Claire (Julie Bowen) is about to get on a plane when she realizes she does not know where her oldest daughter, Haley (Sarah Hyland) is.  Past episodes have shown us the family using Skype to stay in touch but this is the first time that the entire episode will take place on a screen as the family members communicate via FaceTime as Claire checks email and websites.  The staff worked hard to re-create the look of online communication and social media.

The Wrap reports

The idea first came about after show creator and executive producer, Steven Levitan, was working on his computer and his daughters and wife popped up on his computer all at once.  “I realized that on that screen you could tell so much about my life,” Levitan said during a special screening of the episode, which TheWrapattended. “I thought wouldn’t it be cool to do a whole episode ?”

Levtian’s daughter had shown him a 17-minute award-winning student film called “Noah” that takes place on a teenager’s computer screen, a telling commentary on the ways that our ability to communicate obstruct as well as promote communication.

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Television

Oscars 2015 — Highlights and Low Points, Plus All the Winners

Posted on February 23, 2015 at 12:19 am

It’s kind of unfair that Neil Patrick Harris is so good at so many things, but it sure does make him the ideal Oscar host. Showing the same grace, wit, charm, and star power he brought to the Tony and Emmy awards shows, NPH has made hosting an art form. Opening with a musical number that was almost magical, he appeared in scenes from great movies and not-great ones as well (“Clue?”). Anna Kendrick’s sweet soprano and Jack Black’s “School of Rock” voice-shred provided just the right mix of sugar and spice. As the show went on, he was occasionally out of synch with the mood of the moment, but overall, he did very well.

Best acceptance speeches: J.K. Simmons, for his tender appreciation of his family. He’s right — call home, everyone. And Graham Moore telling all the kids who feel weird that he felt weird, too. It’s always dicey to get political at the Oscars, but it was heartening to see Meryl Streep’s response to Patricia Arquette’s call for pay equity and to hear John Legend and Common on the continuing injustice of our society. Graham Moore’s emotional memory of attempting suicide as a teenager because he felt so isolated and weird was raw, real, and inspiring. Somewhere listening was a kid who feels weird today and will be accepting an Oscar ten years from now who needed to hear that.

Best use of pearls: the dresses of Lupita Nyong’o and Felicity Jones were exquisitely lovely

Best red carpet idea: #Askhermore

Best production number: “Everything is Awesome” lived up to its name. I liked the LEGO Oscars, too. The “Glory” re-creation of the march across the bridge was dignified and powerful.

Best comeback: John Travolta, who was gracious about being ribbed by Neil Patrick Harris and Idina Menzel for the way he bumbled her name last year. “It’s not like it’s going to follow me the rest of my life,” she said. “Tell me about it,” he replied.

Best quote: “Artists are the radical voice of civilization.” Harry Belafonte, quoting Paul Robeson (in a pre-taped segment). Runner-up: “A single person is missing for you and the whole world is empty.” Meryl Streep quoting Joan Didion

Best “I Told You So” moment: Yes, Lady Gaga can sing. And wasn’t it wonderful to hear Julie Andrews say, “Dear Lady Gaga?”

Most touching moment: tears on the cheeks of David Oyelowo and Chris Pine after the very moving “Glory”

Didn’t need to hear about: Neil Patrick Harris’ Oscar predictions and underwhelming reveal

Worst dress: Naomi Watts, especially from the back

Best reference to Michael Keaton’s tighty-whiteys: Alejandro González Iñárritu Worst: Neil Patrick Harris

Best Picture
“Birdman”

Best Director
Alejandro González Iñárritu, “Birdman”

Best Actress
Julianne Moore, “Still Alice”

Best Actor
Eddie Redmayne, “The Theory of Everything”

Best Supporting Actress
Patricia Arquette, “Boyhood”

Best Supporting Actor
J.K. Simmons, “Whiplash”

Best Adapted Screenplay
Graham Moore, “The Imitation Game”

Best Original Screenplay
Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris and Armando Bo, “Birdman”

Best Foreign Language Film
“Ida”

Best Documentary Feature
“CITIZENFOUR”

Best Animated Feature
“Big Hero 6”

Best Film Editing
“Whiplash”

Best Original Song
“Glory” from “Selma” (written by Common and John Legend)

Best Original Score
Alexandre Desplat, “The Grand Budapest Hotel”

Best Cinematography
Emmanuel Lubezki, “Birdman”

Best Costume Design
“The Grand Budapest Hotel”

Best Makeup and Hairstyling
“The Grand Budapest Hotel”

Best Production Design
“The Grand Budapest Hotel”

Best Sound Editing
“American Sniper”

Best Sound Mixing
“Whiplash”

Best Visual Effects
“Interstellar”

Best Short Film, Live Action
“The Phone Call”

Best Short Film, Animated
“Feast”

Best Documentary, Short Subject
“Crisis Hotline: Veterans Press 1”

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