Tom Shales on SNL and Lorne Michaels

Posted on February 20, 2015 at 8:00 am

Of all the tributes and critiques of “Saturday Night Live” as it starts its fifth decade, none is more astute than Tom Shales’ for Daily Beast.  Shales is the co-author of Live From New York: The Complete, Uncensored History of Saturday Night Live as Told by Its Stars, Writers, and Guests. In this column he talks about producer Lorne Michaels, and his original idea that the show should be for the generation who grew up on television. It was media-aware and subversive from the beginning.

In the earliest days of Saturday Night Live it didn’t occur to Michaels, who of course created the show, that they would establish characters and bring them back for repeat sketches, with the conspicuous exception of The Bees, with the “Not Ready for Prime-Time Players” dressed in fat padded bee costumes that had been lying around.

Michaels said later he brought the bees back because the only note he got from network executives after the first show was: “Lose the bees.” So it was that SNL began, defying authority and ever-evolving as a showcase for the best and sometimes bravest American humor. It’s Comedy Mountain.

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Books Critics Television Understanding Media and Pop Culture

On PBS for Black History Month: American Denial

Posted on February 19, 2015 at 3:31 pm

Next Monday, PBS’ Independent Lens series will show “American Denial,” a documentary about where racism comes from and why it is so difficult to overcome.

Follow the story of Swedish researcher Gunnar Myrdal, whose landmark 1944 study, An American Dilemma: The Negro Problem and Modern Democracy, probed deep into the United States’ racial psyche. The film weaves a narrative that exposes some of the potential underlying causes of racial biases still rooted in America’s systems and institutions today.

An intellectual social visionary who later won a Nobel Prize in economics, Myrdal first visited the Jim Crow South at the invitation of the Carnegie Corporation in 1938, where he was “shocked to the core by all the evils saw.” With a team of scholars that included black political scientist Ralph Bunche, Myrdal wrote his massive 1,500-page investigation of race, now considered a classic.

An American Dilemma challenged the veracity of the American creed of equality, justice, and liberty for all. It argued that critically implicit in that creed — which Myrdal called America’s “state religion” — was a more shameful conflict: white Americans explained away the lack of opportunity for blacks by labeling them inferior. Myrdal argued that this view justified practices and policies that openly undermined and oppressed the lives of black citizens. Seventy years later, are we still a society living in this state of denial, in an era marked by the election of the nation’s first black president?

American Denial sheds light on the unconscious political and moral world of modern Americans, using archival footage, newsreels, nightly news reports, and rare southern home movies from the ‘30s and ‘40s, as well as research footage, websites, and YouTube films showing psychological testing of racial attitudes. Exploring “stop-and-frisk” practices, the incarceration crisis, and racially-patterned poverty, the film features a wide array of historians, psychologists, and sociologists who offer expert insight and share their own personal, unsettling stories. The result is a unique and provocative film that challenges our assumptions about who we are and what we really believe.

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Race and Diversity Television

The Best SNL “Breaks” — The Cast Can’t Stop Laughing

Posted on February 16, 2015 at 12:57 pm

One of the highlights of last night’s 40th anniversary celebration of “Saturday Night Live” was the short with Andy Samberg and Adam Sandler singing about all the times members of the cast could not stop laughing and broke character. Here’s a terrific highlight reel showing some of the best examples.

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Television

Replacing Jon Stewart — And Why the New Daily Show Host Should Be a Woman

Posted on February 15, 2015 at 4:08 pm

My friend Nell Scovell has an excellent piece in the New York Times about why the “host of possibilities” that Jon Stewart’s departure from “The Daily Show” opens up should focus on a woman as his replacement.

t will be the sixth time in just over a year that a prominent late-night desk will be up for grabs. All this turnover would seem like a great opportunity to throw a female host into the mix. But it hasn’t happened yet. So next time, right? There’s always next time. Except next time probably won’t be for a long time. Most late-night hosts stay put for decades. It’s the closest thing to a Civil Service job in TV.

Scovell’s list is long and telling.  The departures of Matt Smith (Dr. Who), Craig Ferguson, David Letterman, Stephen Colbert, and Jay Leno all led to calls for women to be considered and replacements who are male.  No question that all of those replacements are enormously talented.  But are they the only talented options?  Or the most talented?

The one solace: Whoever gets Mr. Stewart’s job will do better at hiring women than Jay Leno and Mr. Letterman, but that’s only because you couldn’t do worse. Mr. Leno went off the air with zero female writers; Mr. Letterman is set to bow with just one. (I like the image that together they average half a woman.)

At this point, I’d cheer a host being joined by a female sidekick.

This week’s release “Hot Tub Time Machine 2” has the heroes go into the future.  There are some pretty wild predictions about what lies ahead, but for me, the one that I wish was less of a long shot is the future host of “The Daily Show,” my favorite of its correspondents, Jessica Williams.

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Gender and Diversity Race and Diversity Television

Eugene Levy and Catherine O’Hara Reunite in a New TV Sitcom

Posted on February 11, 2015 at 2:37 pm

Comedy stars Eugene Levy and Catherine O’Hara, who have worked together for decades in SCTV and the Christopher Guest films “Waiting for Guffman,” “For Your Consideration,” and “A Mighty Wind,” are back together again in a new series for the Pop Channel (formerly the TV Guide Channel). The name of the show is “Schitt’s Creek” and it is the story of a vastly wealthy family suddenly vastly poor.  Kind of “Beverly Hillbillies” in reverse.

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Comedy Television
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