Far, far away from network storyboarding and big-money business decisions—but not beyond their reaches—I am raising a 16-year-old daughter. She’s a good girl, free-spirited and introspective. Much to her mama’s disappointment, she doesn’t find reading pleasurable, but she doesn’t watch much TV, either, save a sudden interest in VH1’s Love & Hip Hop that developed last year. She doesn’t have to to be infected by the vitriol of reality shows. It’s already ingrained in black youth culture, and in her I see a hostility and distrust of other girls that breaks my heart and makes me doubly regretful about the reality-show facade.
Harris is writing about the special challenges faced by minority families because the opportunities to see reflections of their own experience are so limited in popular culture. All families, though, are challenged to explain appropriate behavior and encourage meaningful goals when “reality” television provides the outrageous, demeaning, and destructive behavior we see on shows from “The Bachelor” to “Honey Boo Boo,” and the issues she raises are important for every parent to think about carefully.
Robert Durst, heir to a vast fortune from New York real estate, has had a life has been punctuated by tragedy. When he was seven years old, his mother was killed when she fell off the roof of their home, a possible suicide. He says he saw it happen, but as with much of what he says, it is not clear whether that is true. The other tragic deaths around him may have been murders he committed, though he has only admitted to one and for that one he was found not guilty by a jury.
Durst’s beautiful young wife, a medical student, disappeared in 1982, and her body has never been found. Eighteen years later, the case was reopened but the key witness was murdered. That case has never been solved. In 2000, Durst moved to Texas and began dressing as a woman, apparently not to transition but just as a disguise. The following year, his neighbor in Texas, an elderly man named Morris Black, was murdered, cut into pieces, and thrown into the bay. Durst, who was later found to have the neighbor’s drivers license, was tried for murder. He acknowledged that he had In 2003, used a paring knife, two saws and an axe to dismember Black’s body before dumping his remains in Galveston Bay, but said he had killed the man in self-defense. The jury found him not guilty.
“The Jinx” is a new HBO documentary series from director Andrew Jarecki (“Capturing the Friedmans”) about the strange and murderous, probably multi-murderous, life of Durst, who was played by Ryan Gosling in All Good Things, also from Jarecki, who spoke to me about making the film. “If people say, ‘Why did you have her do that?’ We can say, ‘It actually happened.’ If they say, ‘It isn’t realistic,’ I say, ‘It happened. What’s your definition of realistic?’”
“The Jinx” is Jarecki’s documentary version of the story, with first-time interviews of Durst and his brother. It premieres tonight, February 8, 2015.
“Saturday Night Live,” once the brash upstart whose cast billed themselves as the “Not Ready for Prime Time Players” is now an established institution. Performers like John Belushi, Dan Aykroyd, Gilda Radner, Chevy Chase, Bill Murray, Al Franken, Eddie Murphy, Martin Short, Billy Crystal, Dana Carvey, Phil Hartman, Chris Farley, Mike Myers, Adam Sandler, Conan O’Brien, Chris Rock, Will Ferrell, Tracy Morgan, Jimmy Fallon, Tina Fey, Amy Poehler, Kristin Wiig, Seth Meyers, Fred Armisen, Bill Hader, Andy Samberg, and many more all had breakthrough performances as writers or members of the cast. Dozens of memes, characters, and catchphrases originating on the show have become a part of our culture.
SNL is celebrating its 40th anniversary with a book and a prime time TV special hosted by Eddie Murphy February 15, 2015, with many of the cast members and special guests including Sarah Palin, Kanye West, and Justin Timberlake.
Saturday Night Live: The Book includes over 2,300 images from SNL’s archives, many previously unpublished, an illustrated breakdown of the 6-day week at SNL through the years, with an expanded section for the live show, a seasons reference guide with complete cast, host, and musical guest lists, and an exclusive interview with founder and executive producer Lorne Michaels.
On October 11, 1975 at 11:30 p.m., NBC viewers who tuned in to the network’s new late night show saw a sketch featuring John Belushi repeating, in a thick foreign accent, nonsensical phrases about wolverines being read to him by head writer Michael O’Donohue. Abruptly, O’Donohue clutched his heart and collapsed onto the floor. Belushi paused, raised his eyebrow, and then did the same. Posing as the stage manager, Chevy Chase entered the set and feigned confusion before breaking character and announcing to the camera: “Live from New York, it’s Saturday Night!”
In that instant, television, which had long been out of touch with the young and hip, experienced the first seismic tremors of a major paradigm shift. TV comedy as we know it today owes it all to Saturday Night Live, the show that dared to take risks (not least the fact that it’s broadcast live), challenge the censors, and celebrate the work of offbeat writer-performers. Hundreds of gifted and dedicated people have contributed to Saturday Night Live over the years, and this book pays homage to their groundbreaking work. The list of esteemed alumni, most of whom were complete unknowns when they debuted on SNL, reads like a Who’s Who of the past 4 decades in comedy: John Belushi, Dan Aykroyd, Gilda Radner, Chevy Chase, Bill Murray, Al Franken, Eddie Murphy, Martin Short, Billy Crystal, Dana Carvey, Phil Hartman, Chris Farley, Mike Myers, Adam Sandler, Conan O’Brien, Chris Rock, Will Ferrell, Tracy Morgan, Jimmy Fallon, Tina Fey, Amy Poehler, Kristin Wiig, Seth Meyers, Fred Armisen, and Bill Hader—to name just a few.
Now, as SNL celebrates its 40th anniversary, Tashcen brings you the ultimate tribute to the show. To research this book, editor and author Alison Castle was given not only full access to SNL’s archives, but also the rare opportunity to watch the cast and crew at work. She spent the better part of season 39 in the trenches, learning how everything comes together in just six days for the live performance. Part encyclopedia and part behind-the-scenes tour, Saturday Night Live: The Book covers both the making of the show and its remarkable history.
Cloudy With a Chance of Love: Hallmark Channel Countdown to Valentine’s Day
Posted on February 6, 2015 at 8:00 am
Hallmark Channel’s countdown to Valentine’s Day features some old favorites and some new stories like “Cloudy With a Chance of Love,” premiering on February 8, 2015, at 8 pm (7 central). “Switched at Birth’s” Katie Leclerc stars with Michael Rady, Stacey Dash and Gregory Harrison, in the story of a meteorologist who finds some turbulence when she takes a job reporting on the weather at a television station.
Why We Love Jimmy Fallon’s Lip Synch Contests: Fallon, Ferrell, and Hart Perform “Drunk in Love,” “Let It Go,” “All of Me” (Plus Drew Barrymore)
Posted on February 4, 2015 at 9:22 am
I always enjoy Jimmy Fallon’s lip synch competitions and this is one of the best, with Will Ferrell performing “Drunk in Love” and ‘Let it Go,” Kevin Hart going all out with “All of Me” and “Roar,” and Fallon rocking out to “Since You’ve Been Gone” and “Time of My Life” (with a guest appearance by Drew Barrymore). Hart and Ferrell were there to promote their upcoming comedy “Get Hard.” It is great fun to see stars show themselves as fans. They have to be more than performers to do these numbers — they have to truly love these songs and listen to them so often they know them inside out. Apparently, even enormously talented and successful performers are just like the rest of us when it comes to singing into a hairbrush and imagining ourselves rocking an arena like Beyoncé. I also think part of what makes it fun is the gender and racial fluidity. No one ever hesitates to take on a song by someone of a different race or gender. All three men do more than fully commit to performing songs by women; they embrace the opportunity to pretend to hit those notes with pure joy. Every one of the performers seems to love the chance to do something completely outside his or her normal range or physical type. Who can forget Emma Stone doing “All I Do is Win,” in my opinion the greatest lip synch yet!