Tribute: Robin Williams

Posted on August 11, 2014 at 9:24 pm

The loss of actor Robin Williams is almost unbearably wrenching.  His boundless gifts could not help him battle depression so devastating that it prevented him from understanding how deeply he was loved or perhaps how deserving he was of love.

Williams was a classically trained actor who studied at Juilliard.  He was a gifted dramatic actor, with enormous sensitivity, depth, and naturalism.  I think he was at his best in drama when he played a doctor. He was awarded an Oscar for his sensitive portrayal of a therapist in Good Will Hunting, and was equally good in Awakenings, holding his own with Robert DeNiro, as well as Dead Again with Kenneth Branagh,  and What Dreams May Come.  I am not a fan of “Patch Adams,” but his performance was excellent and now, to see him with his co-star Philip Seymour Hoffman, will always have a special poignance.

He was a teacher who taught students the love of language and poetry and inventing one’s own life in Dead Poets Society.

http://www.youtube.com/watch?v=NBjWHfBHKos http://www.youtube.com/watch?v=SnAyr0kWRGE

He was disturbing as the disturbed, repressed photo clerk in One Hour Photo.  He played a devoted partner and father, letting Nathan Lane be the flamboyant one in “Bird Cage.”

But when we think of Robin Williams, we think first of his uniquely mercurial imagination, so superhuman in his quicksilver, stream-of-consciousness brilliance that it made perfect sense that he came to attention first playing an alien in “Mork and Mindy.”  Only Disney animation could adequately embody and keep up with his unique mix of fluidity and precision.

He was perfectly cast in “Good Morning Vietnam” as a radio personality who brought an outrageously fresh, funny, and honest voice to a troubled time.

Williams was also a man of great kindness and generosity.  He was a devoted friend to his former roommate Christopher Reeve.  He helped to found Comic Relief, which raised more than $50 million for the homeless.

We will see him again in four upcoming films.  But we can only imagine what else he might have done to enchant, amuse, teach, inspire and astonish us.

This afternoon I listened to a segment about the connection between comedy and mental illness on the podcast hosted by Mike Pesca on Slate’s The Gist.  One of the comedians discussed was Williams’ hero and friend Jonathan Winters.  Some of the people quoted on the show said that the vulnerability and sense of being an outsider that are often heightened by mental illness can contribute to the insights that fuel a comic sensibility.  At its best, that comic spirit can help ease the feelings of pressure and despair.  But it is not enough.  Williams struggled with addiction and now it seems that he took his own life.  As we mourn his loss, I hope we reach out to each other to share our grief and to provide loving support to those who are in need.  May his memory be a blessing.

 

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Actors Tribute

Tribute: James Garner

Posted on July 20, 2014 at 10:51 am

One of my favorite actors has left us. James Garner, handsome, wry, effortlessly masculine, all-purpose leading man for decades on television and in movies, has died at age 84. He had consummate skill in comedy, drama, and romance, and even in selling cameras in television commercials. He will be sorely missed.

james garnerBorn James Baumgarner in 1926, he was from Norman, Oklahoma. He named his production company Cherokee Productions in honor of his grandfather. He had a difficult childhood and was left on his own at age 14. He had a number of jobs and went into the military, where he received two Purple Hearts.

Early in his career, he had a non-speaking part as a juror in “The Caine Mutiny” on Broadway. He said it was superb training to be on stage for the entire show, watching the lead actors up close each night. His early film roles included parts in the classic “The Great Escape” with Steve McQueen and “Sayonara” with Marlon Brando.

He was superb at light comedy, often showing an off-beat cynicism that was a refreshing change from the earnestness of the 1950’s and early 60’s. When television was filled with laconic Western heroes, his “Maverick” was true to the name as a easy-natured gambler.

He played similar roles in the delightful Support Your Local Sheriff and Support Your Local Gunfighter. He co-starred with Doris Day in two of her most sparkling comedies, The Thrill of it All! and and Move Over Darling.  And he was the laconic private detective Jim Rockford in ‘The Rockford Files.”

Two of his best films co-starred Julie Andrews. He was a cynical American soldier in The Americanization of Emily and an amiable gangster in love with a cross-cross-dressing performer in Victor/Victoria. He was nominated for an Oscar for the bittersweet romance Murphy’s Romance, with Sally Field.

He made superb television movies, including Barbarians at the Gate and My Name Is Bill W.

He continued to create unforgettable performances into his 70’s, with films like The Notebook. No actor half his age could have played a sweeter love scene.

We bid a sad farewell to this most graceful and appealing of actors. May his memory be a blessing.

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Actors Tribute

Tribute: Carla Laemmle, 104-Year-Old Actress

Posted on July 9, 2014 at 8:00 am

The actress Carla Laemmle has died at age 104.  She is not widely known, but is well worth remembering for her role in film history and her incandescent spirit.  Her uncle Carl Laemmle, whose name she adopted (her given name was Rebekah Isabelle) was the founder of Universal Studios.  She first began performing in his films as a teenager.  She never had a major role, but she did deliver the first spoken line in the first horror movie talkie.

http://www.youtube.com/watch?v=RaVChkMdOqo

The New York Times ran an obituary that can only be described as delightful.  It said that Laemmle

had a modest résumé of bit parts, mostly uncredited, in films of the 1920s and ’30s.

Those roles, according to the Internet Movie Database, included Auction Spectator, Coach Passenger and Oyster Shell. And though it was an oyster shell of spectacular proportions (see below), her credits were not the stuff of which careers are made.

But what made Ms. Laemmle a fan favorite at autograph shows and horror-film conventions in recent years was her durable, genial existence, which encapsulated nearly a century of Hollywood history.

Reared on the Universal Studios lot, she had a charmed cinematic girlhood, with the studio sets her playground and animals from Universal’s in-house zoo her de facto household pets.A wide-eyed beauty, she made her first screen appearance in “The Phantom of the Opera,” the 1925 Lon Chaney silent. After the coming of sound, she uttered the opening line of the 1931 “Dracula,” starring Bela Lugosi.

The naked abandon of Hollywood before the imposition of the Hays Code in 1930 can also be discerned without difficulty in Ms. Laemmle’s early work. (The oyster shell looms large in this.)

…  “I’m so looking forward to Universal’s 100th-anniversary party,” she told an interviewer in 2012, shortly before that event. “I’ll probably be the only one there who’s older than the studio.”

 

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Actors Tribute

Tribute: Mary Rodgers

Posted on June 28, 2014 at 6:16 pm

Mary Rodgers, writer and composer, died on Thursday at age 83.  She was co-creator of the wonderful musical “Once Upon a Mattress,” based on the Princess and the Pea fairy tale.  It was a breakthrough role for Carol Burnett on Broadway.  Here she is singing, “I’m Shy.”

It was remade with Tracy Ullman.

Burnett played the role of the evil Queen.

Rodgers also wrote books for kids that have become classics, especially Freaky Friday, filmed three times, most recently with Lindsay Lohan and Jamie Lee Curtis.

https://www.youtube.com/watch?v=UShtvCen6So

She wrote a two-generation advice column with her mother for McCall’s Magazine and she worked with Leonard Bernstein on his famous series of Young People’s Concerts.

Rodgers was the daughter of one award-winning Broadway composer Richard Rodgers (“South Pacific,” “Pal Joey,” “The Sound of Music”) and the mother of another, Adam Guettel (“Floyd Collins” and “The Light in the Piazza”). The New York Times wrote:

“The Light in the Piazza,” Adam Guettel’s 2005 musical, for which he won a Tony for best score, was based on a 1950s novel by Elizabeth Spencer about an American woman traveling in Italy with her mentally disabled daughter, who falls in love with an Italian man. Years ago, Ms. Rodgers had suggested the story to her father as ripe for musicalizing, but he decided against it. Decades later she passed the idea on to her son.

Why, she was asked in 2003, did she not adapt the work herself?

“I had a pleasant talent but not an incredible talent,” she said in an interview with The New York Times Magazine. “I was not my father or my son. And you have to abandon all kinds of things.”

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Tribute: Eli Wallach

Posted on June 25, 2014 at 9:35 am

One of the all-time great character actors, Eli Wallach, has died at age 98.  He leaves behind an extraordinary range of work, from iconic bad guys (The Magnificent Seven), to sweet old guys (The Holiday).

He appeared with Clark Gable, Montgomery Clift, and Marilyn Monroe in “The Misfits.”

He was already fully at home on screen in his first film role, “Baby Doll” with Carroll Baker.

He appeared opposite Clint Eastwood in “The Good, the Bad, and the Ugly.”

Eastwood later directed him in “Mystic River.”

Wallach often worked with his wife, actress Anne Jackson. Here she toasts him for his honorary Oscar.

His autobiography is The Good, the Bad, and Me: In My Anecdotage. He said the role he got the most fan mail for was Mr. Freeze on the old “Batman” television series. May his memory be a blessing.

https://www.youtube.com/watch?v=fPWvmS_ltk8
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