Why Does Every Trailer Use the Same Songs?

Posted on August 13, 2010 at 3:59 pm

Ranker has a great list of the most over-used songs in movie trailers. I’d add “Bad to the Bone” and “Carmina Burana.” If you ever get stuck trying to identify a naggingly familiar song in a movie trailer, check Soundtrack.net, which has a terrific list of the 100 most frequently used music cues, where you can see how music associated with one popular movie is used to sell as many as 19 others.

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Understanding Media and Pop Culture

Movie Blogs: Best of the 80’s and You Pick the Classics

Posted on August 12, 2010 at 8:41 am

On The 80’s Movie Project you can weigh in with your thoughts on the best, the worst, and the most outrageous from the decade that included “American Gigolo,” “Anaimalymics,” and “Every Which Way You Can.”
And Baltimore Examiner movie critic Tom Clocker, who is kind enough to comment here from time to time, has undertaken his own version of the “Julie & Julia” experiment. He’s going to watch 365 days of classic films based on suggestions from his readers, and blog about what he sees. Check out his blog and let him know what you think he should watch.

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For Your Netflix Queue Understanding Media and Pop Culture

Protest of MPAA Rating for New Holocaust Film

Posted on August 2, 2010 at 4:10 pm

“A Film Unfinished” is a new Holocaust documentary featuring never-before-shown footage from the Warsaw Ghetto. The MPAA has given it an “R” rating for “disturbing images of holocaust atrocities including graphic nudity.” This means that no one under 17 can see the film without a parent or guardian and restricts its availability to educational venues. Oscilloscope, which is distributing the film, has set the appeal with the MPAA for Thursday, August 5th. If you want to comment, get in touch with:
Joan Graves
MPAA Ratings Board
Los Angeles
15301 Ventura Blvd., Building E
Sherman Oaks, CA 91403
(818) 995-6600 (main)
(818) 285-4403 (fax)
The film, which will be released August 18th in New York and August 20th in Los Angeles followed by a national rollout, documents an unfinished Nazi propaganda film shot in the Warsaw Ghetto in 1942. (The Warsaw Ghetto, part of the Third Reich’s Final Solution, was the largest and most notorious of the unlivable urban ghettos and a last transit point before deportation to the extermination camps.) Discovered in East German archives after World War II and labeled simply “Ghetto”, the footage quickly became a resource for historians seeking an authentic record of the Warsaw Ghetto. However, the later discovery of long-missing film reel complicated earlier readings of the footage and revealed many of the shots to be staged. A FILM UNFINISHED presents the raw footage in its entirety, carefully noting fictionalized sequences (including a staged dinner party) falsely showing “the good life” enjoyed by Jewish urbanites and probes deep into the making of a now-infamous Nazi propaganda film.
A FILM UNFINISHED had its US Premiere at the 2010 Sundance Film Festival where it won the World Cinema Documentary Editing Award, and has gone on to win the top award at Hot Docs Film Festival and the WGA Screenplay Award at AFI’s Silverdocs Film Festival.
Producer (and Beastie Boy) Adam Yauch says, “This is too important of a historical document to ban from classrooms. While there’s no doubt that Holocaust atrocities are displayed, if teachers feel their students are ready to understand what happened, it’s essential that young people are giving the opportunity to see this film. Why deny them the chance to learn about this critical part of our human history? I understand that the MPAA wants to protect children’s eyes from things that are too overwhelming, but they’ve really gone too far this time..”
Abraham H. Foxman, National Director of the Anti-Defamation League and a Holocaust survivor says, “The further away we get from the years of Holocaust the more necessary it is that our current and future generations understand it. What a shame for today’s teenagers who study world history to be denied viewing A Film Unfinished and seeing first hand the Nazi treatment of Jews in the Warsaw Ghetto. It’s depiction of the lengths to which the Nazis would go to dehumanize Jews is an important teaching tool, not only for its historic content, but for its relevance to today’s world.”
As we lose those whose first-hand experience has been essential in bringing this story to the world, it is even more important to make use of the few recordings that can document what happened during the Holocaust to rebut the deniers and carry the lessons of history to future generations. It is absurd that the MPAA will allow “comic” and “action” violence in a PG-13 film, but not the sober portrayal of historical events.
Oscilloscope co-founder David Fenkel said, “This clearly needs to be rectified. The rating is inconsistent with cultural norms and the film does not use the footage in any exploitative way. The rating will tragically would hinder the exhibition of the film to those who most need to see the film: namely students.”

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Commentary Understanding Media and Pop Culture

Harper’s: The Worst Movie Ever?

Posted on July 31, 2010 at 8:00 am

There are a lot of contenders for the title of Worst Movie Ever. But clearly one of the most popular is the 2003 film, “The Room,” written by, directed by, and starring Tommy Wiseau, now a cult favorite at midnight screenings. Audience members line up to see it, many of them carrying plastic spoons.
Harper’s has a superb piece by Tom Bissell about “The Room,” unfortunately behind a firewall and accessible to subscribers only. But this is worth buying the issue or checking it out at the library because it is not only hilarious and oddly heart-warming in its dissection of the film and its weirdly compelling appeal, it is very sharp about the way that “The Room” mangles the very essence of film narrative from a combination of hubris and incompetence.

tried to make a conventional film and wound up with something so inexplicable and casually surreal that no practicing surrealist could ever convincingly ape its form, except by exact imitation. It is the movie that an alien who has never seen a movie might make after having had movies thoroughly explained to him….Wiseau understands the placement and required tone of certain conventions but not at all their underlying meaning. What makes him interesting is the degree to which his art becomes a fun-house mirror version, an inadvertent exposé, of a traditional film.

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After the kids go to bed Understanding Media and Pop Culture
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