The second-banana status of Go-Bots, a cheap Transformers knockoff, was highlighted by several titles: Jeff Ryan’s “Go-Bots: Revenge of the Trademark;” Shawn McKinnon’s “Go-Bots: Waiting for Our Loud Overlong Movie that Critics Hate;” and Joe Trabucco’s heartbreaking “Go-Bots: Revenge of the Poor Kids.”
Check it out yourself for the magnificent double-feature titles that won the top prize.
Michael Jackson was a complex and tragic figure. It seems that his memory is being splintered into a thousand shards. Always a showman and a shrewd manager of his brand, Jackson reputedly insisted that he be referred to on MTV as “The King of Pop,” and in today’s memorial, it is that part of his persona that will be saluted. But it is certain that we are in for an avalanche of sordid, inflammatory, and self-serving revelations from those around him.
I’ve seen two especially thoughtful commentaries that seem to me to be a counterweight to all of the fraught and overwrought media hysteria. The always-insightful Mark Jenkins wrote about the way the media has overplayed Jackson’s impact.
It’s been a long time since Michael Jackson penned a hit song, but he did write one last nationwide sensation: the script the mainstream media has followed since his death. Jackson, we’re told, was the “king of pop,” who had “the biggest selling album of all time,” and “broke MTV’s color line.” Every one of these dubious factoids was devised by Jackson or his agents.
And Stephen M. Weissman, the author of Chaplin: A Life, commented on Jackson’s fascination with Charlie Chaplin. The photo of Jackson dressed up as Chaplin is haunting.
Like Chaplin, Jackson also went on to literally become a world historical figure and iconically beloved to his worshipful fans and admirers. And, like Chaplin, Jackson eventually became enmeshed in scandals that nearly destroyed his career. And also like Chaplin, the nature of those scandals stemmed from their separate cases of arrested emotional development.
YouTube has a fascinating new section with top reporters explaining how they get, organize, verify, and tell their stories. Katie Couric explains how to conduct an interview. Bob Woodward talks about investigative journalism. NPR’s Scott Simon talks about how to tell a story. Ariana Huffington explains citizen journalism. Tavis Smiley talks about “digging deep and getting more.” This is an outstanding resource for anyone who wants to understand — or make — news.
Digital Literacy and Citizenship: Report from Common Sense Media
Posted on June 30, 2009 at 3:59 pm
Common Sense Media is an outstanding resource for parents and I am proud to be a member of their board of advisers. Their new report, “Digital Literacy and Citizenship in the 21st Century: Educating, Empowering, and Protecting America’s Kids,” and they define digital literacy as the ability to:
1) use technology competently,
2) interpret and understand digital content and assess its credibility, and
3) create, research, and communicate with appropriate tools.
We are separated from the next generation by the deepest technological divide since the 1950’s, when the baby boomers who grew up with television had a very different relationship to media than their parents. And now a whole new world of technology that enables exponentially expanded categories of information and connections has made possible an unprecedented range of risk and opportunity The CSM report notes that today
America’s children are growing up in the center of a technological revolution. Digital media defines their lives in unprecedented ways; they spend more time online, texting, watching TV and movies, and playing video games than they do in school or with their parents. The convergence of portable personal technologies, unfiltered access to information, and user-generated content profoundly impacts how children grow and learn….Our kids know more about this world than most of the adults in their lives do.
It can be difficult for parents to provide oversight and guidance. CSM calls for the creation of school curricula to include digital literacy and citizenship. The report and the specific details of its proposal are well worth reading.
As I was watching Year One, I thought about why the Michael Cera/Jack Black teaming does not work very well. They are both very funny guys, and they have that yin/yang element that propels most comedy teams, with one expansive and impulsive and the other more cerebral and hesitant. But there is not a lot of chemistry between them. That led me to thoughts of some of my favorite comedy teams.
Bob Hope and Bing Crosby This team was unique because it included two mega-stars who were at the top of their fields as solo performers, and yet they made a series of films as a team that rank with any of the best comedy duos of all time. My favorite: Road to Bali, but this number from “Road to Rio” is one of their all-time highlights.
Stan Laurel and Oliver Hardy These adorable goofs were holy fools, with a wonderful innocence and grace. My favorites: “Two Tars” and “Big Business” But this charming dance from Way Out West is another treasure.
Bud Abbott and Lou Costello A classic comedy paring includes a straight man who is a bit slick opposite a comedian who is a bit child-like. My favorite of their movies is “The Time of Their Lives,” but I also love “Buck Privates” and of course their classic “Who’s on first” routine:
The Smothers Brothers Tom and Dick Smothers were also a classic straight man/fool team, but they added in superb music and some barbed political commentary. Their best work was on their television series and I love their CDs, like this one: Sibling Revelry: The Best of the Smothers Brothers
Dean Martin and Jerry Lewis This team began as unknowns and became the most successful performers in America, working in clubs, in the early days of television, in recordings, movies, and even in comic books. Then they split, and each achieved stardom as solo artists. Lewis referred to their act as “a handsome man and a monkey.” They had a wonderful fearlessness and obvious affection for each other and an extraordinary chemistry. I prefer their television work to their movies.
Jerry Stiller and Anne Meara Ben Stiller’s parents were a very successful comedy team before they went their separate ways as actors on television (Stiller played George Costanza’s father on “Seinfeld” and Kevin James’ father-in-law on “King of Queens” and Meara appeared on “Archie Bunker’s Place,” in “Sex and the City,” and in movies like “The Daytrippers”). Their comedy played off their real-life differences, especially their Catholic-Jewish intermarriage.
There are many more worth mentioning, including Mike Nichols and Elaine May (who both had successful careers as movie directors), Tim Reed and Tom Dreeson (the first inter-racial comedy duo, whose book about the experience is called Tim and Tom: An American Comedy in Black and White, Dan Rowan and Dick Martin, whose act was very traditional but whose television show, Laugh-In was innovative and hugely influential, and George Burns and Gracie Allen, whose careers included vaudeville, movies, and a groundbreaking television series.