Is Ed O’Neill Pixar’s Ultimate Easter Egg (or April Fool’s Joke?)
Posted on April 1, 2016 at 11:03 am
“Finding Dory” writer/director Andrew Staunton says that we’ve been missing the ultimate Pixar secret hiding in every one of their movies.
Posted on April 1, 2016 at 11:03 am
“Finding Dory” writer/director Andrew Staunton says that we’ve been missing the ultimate Pixar secret hiding in every one of their movies.
Posted on March 31, 2016 at 8:00 am
This week, in honor of Women’s History Month, on rogerebert.com women critics write about film. One featured essay is my appreciation of Nora Ephron, which notes that “Nora Ephron has been portrayed on screen by Diane Keaton, Sandra Dee, Meryl Streep, and Streep’s daughter, Grace Gummer. And that’s just the characters based on her life; her wit and insight are reflected in dozens of other characters she created as well.”
Other highlights include:
Posted on February 26, 2016 at 3:48 pm

You love British television but can’t tell Derbyshire from Yorkshire, or Bath from Bristol? Here’s a map that shows you exactly where all your favorite characters are. Look for “Downton Abbey,” “The Office,” “Poldark,” “Call the Midwife,” and, of course, “Dr. Who.”
Posted on February 26, 2016 at 8:00 am
Science of Us reports on a new paper about the way money, class, and status are portrayed in films for children. It is Benign Inequality: Frames of Poverty and Social Class Inequality in Children’s Movies published in the Journal of Poverty by Dr. Jessi Streib, Miryea Ayala, and Colleen Wixted. Some of the findings:
The films mostly feature wealthy primary characters. The researchers evaluated the films’ content to divide primary characters into five classes, from “upper class” to “poor,” and discovered that more than 56 percent of the films’ primary characters were in the top two categories, upper class or upper middle class (it turns out Santa Claus is upper middle class). So, at least compared to the real-world distribution of wealth, middle- and lower-class characters were significantly underrepresented.
The films mostly make class out to not be a big deal. Streib and her co-authors note that even when characters from lower classes are represented, “their hardships are generally downplayed or erased.”
Of course, these portrayals are not unique to movies. Films like “Cinderella” and “Aladdin” are based on old stories. And fiction for all ages tends to speak to our fantasies about having money and power or by outsmarting those who do. But studies like these provide an important reminder that parents should use what children see as an opportunity to talk to them about their values and let them know that they should ask (privately) any time they have questions about money, class, and status.
Posted on February 24, 2016 at 3:57 pm
Movies are short. They have to fit a whole story into a space that is usually just 90-120 minutes. So every single detail on the screen has to deliver information. This is a great explanation of how our first view of a character can tell us not just about the character but about the world of the story and what the characters will try to accomplish.