Comic-Con 2014

Posted on July 21, 2014 at 8:00 am

Copyright 2014 Nell MinowIt’s here!  San Diego Comic-Con begins Wednesday night in San Diego and I’ll be there.  This is my favorite event of the year, a chance to find out what everyone will be watching, listening to, playing, and otherwise enjoying over the next few years.  As I always say, this is the Iowa caucuses of popular culture.

Scheduled to appear are a dazzling array of stars on and off screen including everyone from Betty White and Quentin Tarantino to Benedict Cumberbatch and John Malkovich (voices from “Penguins of Madagascar”) and Channing Tatum, Ron Perlman, Christina Applegate, plus writer/director Jorge Gutierrez and producer Guillermo del Toro from “Book of Life.”  Voice talent from “The Boxtrolls” film I’ve been writing about will be there, too, including Sir Ben Kingsley and Elle Fanning.  The cast, producers, and/or writers for shows like “The Big Bang Theory,” “Venture Brothers,” “The Blacklist,” “Bates Motel,” and many more will be there, along with some glimpses of new series premiering this fall.  And of course there will be crazy costumes and, as always, lots of surprises.  Stay tuned!

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Understanding Media and Pop Culture

Noel Langley and the Original Script for “The Wizard of Oz”

Posted on July 19, 2014 at 3:47 pm

Wicked author Gregory Maguire has a wonderful essay on the Smithsonian website about the original screenplay for what is probably the greatest family movie of all time, The Wizard of Oz.

By coincidence, I just finished a book by the author of that screenplay, Noel Langley. The book is The Land of Green Ginger and it has a lot of the charm and whimsy Langley brought to his adaptation of L. Frank Baum’s novel. Maguire writes:

The differences between this version and the final shooting script? Hardly a page escapes without crossed-out speeches and handwritten substitutions. Plot points abound that are later abandoned (the Wicked Witch of the West has a son named Bulbo?). Only a couple of scenes refer to singing, and none of the famous lyrics appear. What would become “Over the Rainbow,” which I call America’s unofficial national anthem, is referred to as “the Kansas song.”

What this draft achieves is the compression of choice elements from a best-selling, although rambling, children’s book. In the original novel, the Wicked Witch of the West dies on Page 155, but Dorothy doesn’t leave Oz until 100 pages on. If Langley stuffs in extraneous characters for ballast (a Kansas farmhand and his sweetheart among them), he also abbreviates the trajectory of the story so that the demise of the Wicked Witch of the West kick-starts Dorothy’s return to Kansas.

The American author-illustrator Maurice Sendak believed that The Wizard of Oz film was a rare example of a movie that improves on the original book. I agree with him. Langley consolidates two good witches into one. He eliminates distracting sequences involving populations Dorothy encounters after the Wizard has left in his balloon—the china people (porcelain figures) and the Hammer-Heads (a hard-noggined race).

No one has engaged more deeply with the Oz story than Maguire, whose book about the Wicked Witch of the West inspired the Broadway smash hit. What I thought most interesting were his thoughts on Langley’s choice to make the visit to Oz a dream. Well worth a read. Here’s “Frozen’s” Idina Menzel singing “Defying Gravity” from “Wicked.”

https://www.youtube.com/watch?v=3g4ekwTd6Ig
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Understanding Media and Pop Culture

Academy Originals: Creative Spark — Aline Brosh McKenna

Posted on July 18, 2014 at 3:59 pm

Screenwriter Aline Brosh McKenna (“We Bought a Zoo,” “The Devil Wears Prada”) talks about inspiration in this latest in the terrific Academy Originals series from the Academy of Motion Picture Arts and Sciences.

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Who Should Play Non-White Characters?

Posted on July 13, 2014 at 8:00 am

Amanda Scherker has an excellent piece in the Huffington Post about “whitewashing” in films — ethnically white actors playing non-white characters. We understand now how absurd it was to have John Wayne play Genghis Khan or Katharine Hepburn play “Dragon Seed’s” Chinese peasant. Scherker’s article has a range of examples, but there are still more. Marlon Brando played a Japanese man in “Teahouse of the August Moon” and Alex Guinness played another in “A Majority of one.” Shirley MacLaine played an Indian in “Around the World in 80 Days.”

https://www.youtube.com/watch?v=fazXjqg8Zv0

As I mentioned yesterday, this is especially timely as the trailer for the upcoming film about Moses shows a cast of white actors playing Middle Eastern characters and the director has announced that he will next make a film about David.

I am in favor of color-blind and even gender-blind casting unless it is inconsistent with the storyline. It’s fine to cast a man as a woman in both versions of “Hairspray,” but the racial themes of the film make it impossible to be race-blind in casting. In the case of Biblical stories, I believe every effort should be made to use actors who are ethnically Middle Eastern.

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