Are Baby Boomers the Last Movie Theater Ticket-Buyers?

Posted on April 24, 2013 at 3:48 pm

Susan Wloszczyna writes in USA Today about teens and 20-somethings’ shift in movie watching from theaters to devices and the resulting focus on older audiences for theatrical releases.

ilms that cater to grown-up tastes are becoming a valuable commodity for studios looking to tap into a growing demographic: ticket-buyers age 50 and up who still adhere to the ritual of seeing the latest releases on the big screen rather than streaming via Netflix or renting from services such as Redbox.

For years, teens and twentysomethings fond of 3-D spectacle and comic-book action have topped the film industry’s most-wanted list of customers. But with increasing competition for entertainment dollars from gadgets, video games and online outlets, Hollywood is courting a more reliable group: the 76 million or so Americans born during the Baby Boom years, 1946 to 1964.

Wlosnczyna notes that an MPAA study shows that more audience members 50 and older fall into the “frequent filmgoer” category.  I was especially intrigued by the impact that the focus on this audience has in casting (Susan Sarandon is more popular than ever) and marketing (AARP magazine).

 

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Understanding Media and Pop Culture

Charting the Age Differences of Movie Star Romances

Posted on April 20, 2013 at 11:02 pm

geresloveinterestEvery year I enjoy voting for the award the Alliance of Women Film Journalists’ “Most Egregious Age Difference Between The Leading Man and The Love Interest Award.” There are always a lot of contenders. Now New York Magazine charts the age disparities over the careers of stars like Denzel Washington, Harrison Ford, George Clooney, and Brad Pitt. If there was an award for the most likely to co-star with an actress in his age group, the winner would be…Tom Hanks

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MPAA’s New Check the Box Ratings

Posted on April 18, 2013 at 2:44 pm

The MPAA ratings board announced some new “check the box” enhancements to the movie ratings system to give parents better and clearer information about the content of the movies, along with an ad campaign, an updated website for checking ratings, and some revisions to the rules about trailers.

I am in favor of any improvement in the information available to parents.  If this means the end of the dreaded, “Rated PG-for thematic elements,” which required a degree in semiotics to parse, that’s very good news.  As I told The Christian Science Monitor,

It is a step, says Nell Minow, film critic for Movie Mom, a website for family entertainment guidance. “But a very small one,” she says, adding that what parents really want is reliable and consistent information about films. The arbitrariness of a ratings system that allocates a PG-13 to a comedy and then an R rating to a drama with essentially the same content “leaves parents not knowing what to trust,” she says.

However, there are inherent limits to an industry-run rating system that defiantly refuses to consider the expertise of child development specialists or teachers in assigning the ratings.  I do not see anything in these announcements that makes me feel any more confident that the arbitrariness so compellingly examined in the Kirby Dick documentary, “This Film is Not Yet Rated” has been addressed.  The MPAA’s absurd view that one or two f-words are permitted in a PG-13 movie as long as they do not refer to sex, the inconsistent standards applied to independent films and documentaries, the appeals process that gives film-makers a chance to ask for reconsideration but not parent groups, and the inclusion of material in a PG-13 comedy that would get an R in a drama are problems that are not addressed by these changes.

It is worth noting that the two key elements of the Boston Marathon bombs were both features of recent movies.  “Four Lions” was about a terrorist attack at a marathon. “Act of Valor” explained how ball bearings could increase the damage from a simple, cheap, easy to make bomb exponentially.  Both movies had strong anti-terrorist messages, but that doesn’t mean that was how they were received by all viewers.

We don’t know if the person or people who planted the bombs in Boston saw those films.  But we do know that there is a multi-billion dollar industry called advertising devoted to the idea that people’s ideas and behavior are influenced by messages in the media.  The MPAA should be a part of the conversation about the best way for parents and moviegoers to understand the context as well as the content of films and make wise decisions about what they want to see.

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What Do You Think About Spoilers?

Posted on April 9, 2013 at 8:00 am

Do you remember a movie that really surprised you?

Do you remember having a big movie surprise spoiled for you?  Did that make the movie less powerful?

Jennifer Richler has an excellent story in The Atlantic about spoilers and why they matter to us.  She points out that there are movies like “Argo” (and “Apollo 13” and “Lincoln”) where we know what is going to happen but still feel the tension.  And plenty of movies are so good that we will watch them over and over again, even if we already know that — spoiler alert — Darth Vader is Luke’s father.  But spoilers take the magic of anticipation away from us.  Film School Rejects wrote an equally fine piece about spoilers, inspired by Richler’s article.  Most important conclusion from both — in the world of social media, they are almost impossible to avoid.  Not to mention these.

 

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Understanding Media and Pop Culture
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