Zoinks! A Halloween Tribute to Scooby-Doo

Posted on October 31, 2012 at 8:00 am

“And I would have gotten away with it if not for you meddling kids!”

Scooby-Doo and his pals are the ultimate in funny-scary.  Created for television by Hanna-Barbera in 1969, the stories of investigations of haunted amusement parks and mysterious monsters.  In early episodes they all turned out to be hoaxes designed to keep people from discovering some sort of skullduggery but later on there were some real paranormal encounters.  The characters were inspired by the popular “Dobie Gillis” television series based on the stores by Max Schulman, with Fred an amiable everyman, Velma the brain, Daphne the rich girl, and Shaggy the goofy one.  The dog breed was unsettled in the planning stages, and sheepdog and German Shepherd were considered before they settled on a Great Dane.  He was originally called “Too Much” and the name Scooby-Doo was inspired by the “doo be doo be doo” part of the Frank Sinatra song, “Strangers in the Night.”  Celebrate Halloween with some tricks and treats from Scooby-Doo.

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Animation Comedy Horror

Secret of the Wings

Posted on October 19, 2012 at 9:32 am

Where do fairies come from?  When a baby laughs, a fairy is born.  And Tinker Bell (Mae Whitman) learns in this sweet animated tale that the baby’s laugh that gave her life must have been extra merry because two fairies appeared.  The Secret of the Wings is that Tink has a sister she never knew she had in a place she has never been.

Tinker Bell is a summer fairy who lives happily with her friends.  But she is curious about the adjoining land of the winter fairies.  Summer fairies send baskets of food across the bridge where the frost fairies live in a land covered with ice and snow.  Animals can cross over, too, but fairies are forbidden from entering each other’s lands by order of Lord Milori (Timothy Dalton), who is the ruler of the winter fairies.  Tinkerbell disobeys the rules and discovers a fairy named Periwinkle (Lucy Hale), who turns out to be her twin.  They instantly bond and are delighted to get to know one another.  “You collect lost things, too?”  “I call them found things!”

But summer fairies can be injured by the cold temperatures.  And when Periwinkle comes to visit Tinker Bell, even Tink’s clever contraption for keeping Peri cool is not enough to protect her from the damage caused by the warm climate.

The Disney artists have created two enchanting lands with pause-button-worthy details and swooping 3D effects.  The sweet story is unfortunately marred by brief boy-girl silliness, but Tink herself is an independent, resourceful, and loyal heroine.  She is respectful but willing to question authority, she is curious — I liked seeing her go to the library to do research — and she is skilled with tools and good at solving problems.  The sparkly twins will delight children and the grown-up voice talent like Dalton and Angelica Houston and imaginative visuals will give parents something to enjoy as well.

 

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3D Animation Fantasy Series/Sequel

Google Pays Tribute to Winsor McCay

Posted on October 15, 2012 at 12:38 pm

I am so happy that Google is paying tribute to one of my favorite artists, Winsor McCay, creator of Little Nemo in Slumberland and Dreams of the Rarebit Fiend.

McCay also invented animation.

He was the one who figured out that if movies were just a series of still pictures, he could draw a series of still pictures and make a movie out of them.  He personally drew thousands of pictures for his first animated movie, about Gertie the Dinosaur.

http://www.youtube.com/watch?v=UY40DHs9vc4

I was enchanted by the short films inspired by McCay Roger Ebert showed us at Ebertfest this year.  This one is by Thomas Edison, circa 1904.

And I am proud to be a Kickstarter supporter of animator Bill Plympton’s new film about McCay.

 

 

 

 

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Frankenweenie

Posted on October 4, 2012 at 6:00 pm

B+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for thematic elements, scary images, and action
Profanity: Schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Ghoulish horror images and some peril
Diversity Issues: Diverse characters
Date Released to Theaters: October 5, 2012
Date Released to DVD: January 6, 2013
Amazon.com ASIN: B005LAIIA8

Mary Shelley’s Victor Frankenstein was a scientist who wanted to create life.  Tim Burton’s Victor Frankenstein is a kid who just wants his dog back.

Writer/director and master of the macabre Burton first developed this idea in a 1984 live action short film that got him fired by Disney because it was too scary for children.  Times have changed, and Disney came to Burton to ask him to develop a feature length remake in 3D stop-motion — and in black and white.  Burton, who had worked in black and white (“Ed Wood”) and stop-motion animation (“The Corpse Bride,” “The Nightmare Before Christmas”) tells a deliciously ghoulish story with visual wit, panache and a lot of heart.

It is, after all, the story of a boy and his dog.  Victor (Charlie Tahan) is a bit of a loner and his dog Sparky is his best friend.  When Sparky is killed by a car, Victor decides to harness the power of lightning to try to bring him back to life.  At first, it does not seem to work, but then Sparky’s tail starts wagging.  And then it wags itself off.  “I can fix that!” the happy Victor reassures his re-animated pet.  It’s just a matter of a few quick stitches.

One of Victor’s classmates is Edgar “E” Gore (“The Middle’s” Atticus Shaffer), a mishappen but cheerful kid fascinated with creepy things.  (His name is “E” Gore, get it?)  He pressures Victor to tell him what happened and soon all the kids are trying their own experiments.  And then, perhaps because their hearts are not as pure as Victor’s (they want to win the science fair), because they are not as careful and knowledgeable, or just old-fashioned hubris, that is when things begin to go terribly wrong.

This first-ever black and white stop-action animated film is a visual treat with dozens of witty details.  I loved it when Sparky’s poodle doggie crush next door (they have a Pyramus and Thisbe-style fence between them) gets enough of an electronic jolt to give her fur white streaks in tribute to Elsa Lanchester’s iconic Bride of Frankenstein.  Martin Landau, who won an Oscar in Burton’s “Ed Wood,” gives a delicious performance as Victor’s teacher.  Burton’s own pleasure in the twisted and demented is evident in the comic grotesquery of the characters.  One creepy little girl insists on seeing omens in her cat’s poop, and when Victor’s classmates try to appropriate his methods, things go bizarrely off-kilter.  It does not reach the poetry of “A Nightmare Before Christmas,” but there are plenty of tricks and treats.

Parents should know that this film has ghoulish and macabre themes inspired by classic monster stories, children and adult characters in peril, a sad death of beloved pet, some potty humor, some violence and disturbing graphic images, and some schoolyard language.

Family discussion:  How is this story most like the original “Frankenstein?”  How is it most different?  Which monster is the scariest and why?  Why was it hard for Victor to make friends?

If you like this, try: “ParaNorman,” “Monster House,” “Beetlejuice,” and “The Nightmare Before Christmas”

 

 

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3D Animation DVD/Blu-Ray Pick of the Week Fantasy Horror Remake Stories About Kids

Disney’s Cinderella — New Diamond Edition

Posted on October 3, 2012 at 3:57 pm

This week, Disney’s animated classic Cinderella is being released with a glorious new Three-Disc Diamond Edition: Blu-ray/DVD + Digital Copy, and that glass slipper really sparkles!

The classic fairy tale by Charles Perrault is lovingly and imaginatively brought to life in this animated Disney version, also a classic. Cinderella, a sweet, docile, and beautiful girl forced to act as a servant for her mean stepmother and stepsisters, goes to the ball with the help of her fairy godmother. But her godmother warns that the beautiful coach and gown will only last until midnight. Cinderella meets the Prince at the ball, and they share a romantic dance. But when the clock begins to strike midnight, she runs away, leaving behind one of her glass slippers. The Prince declares he will marry the girl whose foot fits that slipper. He finds her, and they live happily ever after.

Disney expanded the simple story with vivid and endearing characters and memorable songs. The animation is gorgeously detailed and inventive. In one musical number, as the stepsisters squawk their way through their singing lesson in another room, Cinderella sings sweetly as she scrubs the floor, reflected in dozens of soap bubbles.

When Cinderella asks if she can go to the ball, her stepmother tells her she can, if she can make an appropriate dress. She then keeps Cinderella much too busy to have time to make the dress. But Cinderella’s friends, the mice and birds, make one for her in another delightful musical number. As the fairy godmother sings “Bibbidi Bobbidi Boo,” she transforms a pumpkin into a coach, the mice into horses, the horse into a coachman, and finally, Cinderella’s rags into a magnificent ball gown. The scene when the Duke comes looking for the girl whose foot will fit the glass slipper is very suspenseful and highly satisfying.

While the story has enduring appeal, many people are troubled by the passive heroine, who meekly accepts her abusive situation and waits to be rescued, first by her godmother and then by the Prince. It is worth discussing, with both boys and girls, what some of her alternatives could have been (“If you were Cinderella, would you do what that mean lady told you?”), and making sure that they have some exposure to stories with heroines who save themselves. A Ella Enchanted, based on the book by Gail Carson Levine, and Ever After, starring Drew Barrymore, have ingenious explanations for the heroine’s obedience and spirited heroines who can rescue themselves.

In today’s world of blended families, it might also be worth discussing that not all step-parents and siblings are mean. Even children who are living with intact families of origin may need to hear this so that they will not worry about their friends.

Families who see this movie should talk about these questions: Why does Cinderella do what her stepmother says? What could she have done instead? Why is the King so worried about whether the Prince will get married? If you had a fairy godmother, what would you like her to do for you? Or would you like to be a fairy godmother? Whose wish would you grant?

This story has been told many times, and families might enjoy seeing some of the other versions, including Cinderfella, with Jerry Lewis as the title character and Ed Wynn as his fairy godfather. The made-for- television musical version Rodgers & Hammerstein’s Cinderella, starring Leslie Ann Warren and the remake with Brandi and Whitney Houston are well worth watching.

Children might be amused to hear the rumor that Cinderella’s most famous accessory is the result of a mistake. It is often reported that in the original French story, her slipper was made of fur. But a mistranslation in the first English version described it as glass, and it has stayed that way ever since. But in reality, while there have been many versions of the story over the years, the best-known early written version, by Charles Perrault, did describe her slippers as glass. Other versions have her wearing gold slippers or a ring that fits only the true Cinderella.

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Animation Based on a book Classic Date movie Family Issues Fantasy For the Whole Family Musical Remake
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