Trailer: Meet the Crew of “The Martian”
Posted on August 4, 2015 at 3:29 pm
Exclusive Premiere Images: Molly Moon and the Incredible Book of Hypnotism
Posted on July 30, 2015 at 4:57 pm
Molly Moon’s Incredible Book of Hypnotism
Paper Towns
Posted on July 23, 2015 at 5:37 pm
B+| Lowest Recommended Age: | Middle School |
| MPAA Rating: | Rated PG-13 for some language, drinking, sexuality and partial nudity -- all involving teens |
| Profanity: | Some strong and crude language |
| Alcohol/ Drugs: | Teen drinking |
| Violence/ Scariness: | Dead body, references to suicide, some bullying and peril |
| Diversity Issues: | None |
| Date Released to Theaters: | July 25, 2015 |
Everyone has one. That unobtainable dream we longed for when we were first learning what it felt like to be in love. For most of us, these impossible-to-attain objects of our desire are like training wheels to keep us from wobbling as we begin to understand our feelings. Like the Garth Brooks song, “Unanswered Prayers,” we end up grateful to apply the lessons we learned in our wiser choices. But movies often grant us the magical chance to make our fantasies a little more real by showing us characters who do find a way to love with the ones they adored from afar.
So we have certain expectations when Quentin (Nat Wolff) tells us in the beginning of “Paper Towns” that (1) everyone is entitled to one miracle and (2) that he has been deeply in love with his next door neighbor Margo since she moved in when they were kids. And those expectations are confirmed when he tells us what good friends they were as kids and how, now that they are about to graduate from high school, they barely speak. She has passed out of his league. “Her life had become a series of unbelievably epic adventures.”
Think of all the high school movies where this led to an ending that surprises everyone on the screen and absolutely no one in the audience and yet leaves us all warm and happy. But John Green (“The Fault in Our Stars”) is not about delivering warm and happy. He is about wise and illuminating and human and heartfelt, and this film is all of that.
Margo (supermodel Cara Delevingne) appears in Quentin’s bedroom window one night, as she used to when they were kids. She invites him on an adventure. “I have nine tasks to accomplish and more than half of them require a getaway car.” It turns out that her handsome athletic star of a boyfriend was cheating on her with one of her best friends and she wants revenge. “We are righting wrongs and then we are going to wrong some rights,” she promises. “Basically, it’s going to be the best night of your life.”
She soon has him feeling like a knight or a ninja as they carry out her plans, which are well thought out and involve only minor mayhem and semi-major embarrassment for the transgressors. He finally gets to bed, happy and looking forward to seeing her in school the next day.
But she has disappeared. She has run away before and her parents are ready to give up. But Quentin is not. He is certain she has left clues behind and with the help of his friends Radar (Justice Smith) and Ben (Austin Abrams) and Margo’s friend Lacey (Halston Sage), they try to figure out where she is. When Quentin thinks he knows, they all decide to drive there together and find her, and Radar’s girlfriend (Jaz Sinclair), even though it is 1200 miles away and everyone but Quentin really wants to make it back in time for the prom.
It turns out that this trip is the best part of the film, and it turns out there’s a reason for that. Each of the characters is real and interesting and appealing. Each has some self-awareness and each approaches the lessons along with road with grace. The guys have an easy chemistry, the kind people have when the most important thing they have in common is their history, and they know, in their hearts, that once they leave for college that won’t be enough to hold them together the same way again. That poignance turns out to be essential in setting the stage for what Quentin will find at the end of his journey. The best thing about giving up those early romantic dreams, whether about people or about love or about getting what we deserve, is that it opens up our hearts for something even better, and it is good for people of any age to see how that story is told.
Parents should know that this film includes teen drinking and drunkenness, crude sexual humor and other sexual references and non-explicit situations, some nudity, strong language, suicide, gun, and some pranks and law-breaking.
Family discussion: How big is your comfort zone? What is your miracle?
If you like this, try: the book by John Green and “The Fault in Our Stars” and find out what DFTBA means
Trailer: Goosebumps with Jack Black
Posted on July 23, 2015 at 8:47 am
The wildly popular Goosebumps horror-comedy series for kids by R.L. Stine
Comic-Con 2015: Interview with Bella Heathcote and Douglas Booth on “Pride and Prejudice and Zombies”
Posted on July 14, 2015 at 2:16 pm
Bella Heathcote (“Dark Shadows”) and Douglas Booth (“Romeo and Juliet”) play Jane and Mr. Bingley in the latest of innumerable movie and television adaptations of Jane Austen’s novel, Pride and Prejudice. While I have not seen them all, I feel confident in saying that this will be the first that has the five Bennett girls fighting zombies with swords and martial arts, based on the best-seller Pride and Prejudice and Zombies
In the original book, Jane is so sweet natured she finds it almost impossible to think badly of anyone. In the film, Heathcote said, “The thing about Jane in the book is she also feels responsible for her sisters. There are other aspects of Jane in the book that also hold true to this film. Because of sense of responsibility she has to be a great fighter. She wants to protect her family. But she is still sweet and she is still a woman who wants to love someone and be loved. Those relationships are important to her, perhaps even more so because its’ such heightened stakes.”
The entire cast had fight training before filming. But “Bingley isn’t the best zombie killer,” admitted Booth. “He often finds himself being saved by the wonderful Bennett sisters or his very dear friend, Mr. Darcy. The film definitely focuses on the talents of the Bennett sisters. They are known throughout the land as an awesome pack of death machines.” He did learn some important zombie-fighting tactics, especially “always travel in packs.” “And anything can be a weapon,” Heathcote added firmly. “A hairpin, a boot, anything can be used to kill a zombie. My most satisfying kill was with a boot heel.” “A spiky heel straight through the eyeball,” said Booth, with an admiring glance.
Booth had read the book and was very happy to join the cast. “I’ve done straight costume dramas before and it is thrilling and exciting and different and sexy to see something like this.” All of his friends were texting him, “Can I be an extra?” “Can I be a zombie?” “But wait — how do you kill them? There’s no guns!” “The props department had a fun time creating a whole bunch of killing instruments and it is fascinating to see all the ways they had of defending themselves. It wasn’t like a zombie movie where everyone’s being chased from A to B. It’s about how this love story can endure; how would the upper classes protect themselves?”
The zombies in the film go through stages. When they are first bitten, they act normally and try to cover the bite so no one finds out and tries to attack them. “They can get into society, and that breeds a sense of paranoia in society.”
“It’s everything I loved about the original and then there’s thrill thrown in,” said Heathcote. “I first thought, ‘How could this possibly work as a concept?’ But it does!”