Angelina Ballerina: Love to Dance

Posted on August 31, 2010 at 10:00 am

Angelina Ballerina: Love to Dance, the first chance to see the new CGI makeover for everyone’s favorite dancing mouse, comes out this week. I have three DVDs to give away and a special prize for everyone who writes to me. Read on for details.

The DVD features:

“Angelina’s New School ” – Angelina is excited, yet nervous, about her first day of school at Camembert Academy . When she finds her new classmates proficient in other styles of dance, she tries to copy their moves – without success. Angelina soon discovers that when she’s true to her own style of dance – ballet – she excels, and soon understands that everyone is different, and different is good.

“Angelina’s Dance Partner” – Angelina is ecstatic to have the opportunity to dance with her best friend, Alice, at Camembert Academy ‘s “Dance With a Partner Day.” Angelina likes to choreograph the routine down to the very last detail and Alice is happy to oblige! Unfortunately, when Alice gets the sniffles Angelina must partner with Viki, whose style of improvisation contradicts with Angelina’s style. Angelina learns the importance of collaboration, cooperation and adaptability when working with a partner.

“Angelina’s Oldest Friend” – Angelina loves her new Camembert Academy friends and also loves her old friend Alice. She expects that both sets of friends will love each other too. Unfortunately, their first encounter is not as smooth as Angelina would have liked so the new and old friends work together to find a new way to play so all can have fun.

“Angelina’s Sleepover” – Angelina, Viki and Gracie decide to have a sleepover the night before a rehearsal for the big performance, but they do everything except sleep! The next day they are too tired for the morning rehearsal and have to choose between an afternoon rehearsal or attending the annual Silly Hat Carnival, a fun tradition in Mouseland. Angelina and her friends decide to rehearse and learn that being prepared is the best fun of all!

“Angelina and the Hip Hop Kid” – Angelina is very excited to be directing her very first Hip Hop Show when suddenly her star, AZ, falls and hurts his foot! Who can step into his shoes at the last minute? Marco is the number one choice. However, though he can play Hip Hop music, dancing Hip Hop is another thing. The show is in danger of not going on… unless Angelina can come up with a solution in time!

Bonus features are the “Angelina Says” Game and two music videos: “Get Up and Dance” and “I Will Be A Star”

Send me an email at moviemom@moviemom.com with Ballerina in the subject line and tell me why you love to dance. Don’t forget to include your address. The first three will receive the DVD and everyone who writes will get a special coloring page about Angelina Ballerina.

Astro Boy

Posted on March 17, 2010 at 8:00 pm

A show of hands, everyone. If you think it’s a good idea to begin a movie for children by killing off a young boy in an industrial accident as his father looks on, raise your hand. Anyone?
I didn’t think so. And yet, that is how Astro Boy comes to be in this updated version of the Japanese animated series that achieved popularity in the U.S. as a television series in various versions over the years and more recently as a computer game. The title character (voice by an Americanized Freddie Highmore) is a robot re-boot created by brilliant scientist Dr. Tenma (voice of Nicolas Cage) to replace his son Toby, who was killed at Dr. Tenma’s lab when he tried to get in to see an experiment. Devastated by the loss, the scientist creates a super-robot programmed with the memory and mind of his dead child. And then he rejects the robot as an inadequate substitute. Even if the rest of the movie were “The Care Bears Meet My Little Pony,” the loss and grief of the first 20 minutes are so totally dissonant that the film cannot recover.
It’s like “Pinocchio” crossed with “Blade Runner” as Astro Boy goes through an existential crisis in discovering that he may have Toby’s memories and emotions, but he also has hands and butt cheeks that turn into artillery. He ends up being treated as a human by robots and a robot by the humans he meets, abandoned children living on the planet that everyone else has left because it is deemed no longer habitable (and yet somehow they are able to order pizza). In the midst of all of the shoot-outs there are some moments that have charm and some images that show some wit, especially an enormous junked robot that Astro brings back to life with a charge from his blue power source (unfortunately carrying the initials of an anti-Semitic conspiracy theory). But then the President (voice of Donald Sutherland) wants to use Astro’s technology for evil, and everything comes down to shooting. Any nuance or imagination or point is lost in the battle, and so is any reason to see this film.

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Gilligan’s Island: The Movie

Posted on March 14, 2010 at 8:00 am

Apparently, a new version of “Gilligan’s Island” is coming to the big screen. My regular readers already know the reason for my special attachment to the show. I’m a bit concerned as the writer is the same guy who gave us the horrible Wild Hogs, but I am intrigued by original producer Sherwood Schwartz’s suggested casting of Michael Cera as Gilligan and Beyonce as Ginger. Watch the original pilot for “Gilligan’s Island” on the Warner’s website.

The New York Times, People and Entertainment Weekly have their dream casts in the current issues.

What do you think? Will it be any good? Who will be in it?

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Star Trek

Posted on November 17, 2009 at 8:00 am

A-

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for sci-fi action and violence, and brief sexual content
Profanity:	Brief strong language
Alcohol/ Drugs:	Scenes in bar, drinking
Violence/ Scariness:	A lot of sci-fi and action violence,
Diversity Issues:	Diverse characters
Date Released to Theaters:	May 8, 2009
Date Released to DVD:	May 13, 2013
Amazon.com ASIN:	B001TH16DI

Get ready for this week’s “Star Trek” release with another look at this splendid reboot of the 40-plus year old “Star Trek” series. By boldly going where many, many have gone before, J.J. Abrams of television’s “Lost” and “Alias” has managed to make a thoroughly entertaining film that respects the fans but stands on its own.

Those who will nod knowingly (or shiver with excitement) at the appearance of Captain Pike or the reference to dilitheum crystals and those who remember that Sulu can fence will be reassured that any anomalies or inconsistencies with canon are cleverly explained away and by the appearance of one key member of the original cast. Those who are new to the franchise will be reassured that the story is self-contained. They may wonder why people applaud and laugh at a few in-jokes or the inevitable origins moments of first encounters between characters whose future interactions and relationships are as well known as their own (possibly better), but there is so much happening on screen they will not have time to wonder what they are missing. Indeed, there is so much that I have seen it twice already and look forward to seeing it again. I loved it so much I wanted to Vulcan mind meld with it.

Some things will always be true. The crewman you’ve never seen before who transports to a remote location with two of the lead character is not going to last long. In the future, women will all wear very short skirts and be extremely beautiful. All planets are congenial for human life, with just the right atmosphere and gravity. Fights usually occur on catwalks and other locations with precipitous drops. Kirk has to be hanging from a ledge at least three times and have an encounter with an exotic but very beautiful lady. And everybody speaks English, except when Uhura has to show off her translation skills.

Fans are in for some surprises, especially with one romantic relationship. But Abrams is very consistent with the original show’s tone and humanistic themes. Bad guy Nero (Eric Bana) would be right at home with Khan. The characters and the actors who portray them find the right balance, portraying rather than imitating. I say this with the most tender regard for the television series — every one of these performances is better than the original, especially Zachary Quinto as the half- human, half-Vulcan Spock, Chris Pine as Kirk, Karl Urban as the perpetually choleric McCoy, Simon Pegg as a cheerful Scotty, and Zoe Saldana as Uhura. And of course even the series’ biggest enthusiasts would not claim that the special effects were its strong point. This movie’s are stunning. The story wobbles a bit, especially when one decision with potentially catastrophic consequences is explained away as a life lesson for two of the characters. But it is funny, smart, exciting, purely entertaining and enormously satisfying, and sure to be one of the year’s most enduring popcorn pleasures. The cast has signed on for two sequels and all I can say is, live long and prosper and they can beam me up any time.

Transformers: Revenge of the Fallen

Posted on October 20, 2009 at 8:00 am

Oh, dear. #TransformerFail

I truly loved the first Transformers movie. It was everything you need in a big summer explosion movie, with stupendous special effects, shot through with heart-thumping adrenaline, with just enough character and storyline to allow us to catch our breath and keep us interested. Our hero, high school senior Sam (Shia LeBeouf), is befriended by a car that turns into a friendly robot called Bumblebee, one of a cadre of good-guy transforming robots who fight against the bad-guy robots, called Decepticons. He is aided by a beautiful girl who is very good with cars (Megan Fox) and an armed services division led by Captain Lennox (Josh Duhamel).

This sequel has some great special effects, but the story and the characters are poorly handled and the pacing is a mess. When the robots give a better performance than the humans, we have a problem. When the action is so complicated we can’t figure out who is where and in some cases why they are there, we have a bigger problem. When the characters are so irritating we begin to consider rooting for the bad guys, well, you know what kind of a problem we have. And when the racial humor gets so completely out of hand that it becomes uncomfortable at best and genuinely disturbing at worst, it’s a serious problem.

LeBoeuf is always appealing, Fox looks good stretching over machinery, and the movie briefly takes an interesting turn when both human and transformer characters show that they can learn from their mistakes and switch over to the side of the good guys. A stop at the Smithsonian’s Air and Space Museum leads to Jetfire, an engaging junkpile of an autobot.

But it is too loud and it all goes on much too long. The bloated running time is well over two hours, overstuffed with pointless and increasingly annoying attempts at comedy — Sam’s mother accidentally gets high and talks about his sex life, Sam’s father doesn’t get high but talks about his sex life, good guy robots talk like the end men on a minstrel show, and Sam’s college roommate is a loudmouth who wants to get with some ladies and shrieks like a little girl when he is scared, which happens a lot. There’s another series of confrontations between a clueless bureaucrat and our know-better heroes. But the last movie’s clueless bureaucrat somehow switches sides. I would complain that this is not adequately explained, but I don’t really care. By this point, I began to think the Decepticons might have a point about how they could do better with our planet than we could.