Million Dollar Arm

Posted on May 15, 2014 at 6:00 pm

milliondollararm

The folks behind feel-good, based-on-a-true-sports-Cinderella-story, Disney movies “The Rookie” and “Miracle” are back with another.  This time it is the story of a real life Jerry Maguire sports agent named J.B. Bernstein (a terrific Jon Hamm) who has fallen on hard times, despite the optimistic name of his firm: 7 Figures Management.  Think of it as Jerry if Cuba Gooding, Jr.’s character quit him, too.  He needs some athletes to sell to major league baseball and there isn’t anyone in the world who plays baseball who isn’t already represented.  He even has a line almost identical to Jerry’s famous “Help me help you.”

In one of those crazy ideas borne out of complete desperation (plus watching Susan Boyle wow the judges on “Britain’s Got Talent”), Bernstein figures that the only place left to look is India, which must be perfect because (1) no one there plays baseball, so no agents have signed anyone up, and (2) it is the second most populous country in the world, so the odds are that there must be someone there who can throw a fastball.  What do they play in India instead of baseball?  Among other sports, they play cricket, which J.B. describes, with all the cultural diplomacy we might expect from someone who has some important lessons to learn by the time we finish our popcorn, as looking like “the insane asylum opened up and all the inmates made up a game.”

He decides to go to India to look for what we like to call a long shot.  He will stage an “American Idol”-style competition with (per the title) a million dollar prize.  He gets the money for this from the wealthy Mr. Chang (Tzi Ma), who is not too worried about whether there really is a major league throwing arm in India because he figures that the competition will stir up interest in baseball for the first time in a brand new country with up to a billion new fans.  And that is money in the bank.

So J.B. goes off to India where, predictably, he runs into problems with exotic food and cultural and language barriers.  “Indians love honking and bypassing the system,” his affable new aide advises him.  Less predictably, he runs into not one but two young men who can throw fastballs hard, Rinku (Suraj Sharma, who had his own “Million Dollar Arm” moment in real life when he was selected from 3000 actors who auditioned to star in “The Life of Pi”) and Dinesh (Madhur Mittal of “Slumdog Millionaire”).  He finds them with the help of an adorably cranky old scout played by Alan Arkin, as always, the best part of any movie he’s in.  Of course he’s the old guy showing everyone how it’s done playing the old guy who shows everyone how it’s done, so he’s got that going.  “Don’t wake me up until someone’s throwing a baseball,” he says, explaining he does not have to look at the contestants because he can hear pitching speed.  And he can.

Slight problem: they not only have never played baseball before; they have never seen a baseball game and have no idea how to play or what the rules are.  And it is difficult for them to learn because (1) their knowledge of English is only slightly better than their completely nonexistent knowledge of baseball, and (2) playing any sport at the professional level is very, very, very, very hard for people who have been working on it for decades and has to be impossible for anyone who has never played before.

But then, if they couldn’t do it, we wouldn’t be here, now, would we?

J.B. brings two young men back home to California.  The only thing he has paid attention to is the number on that radar gun that clocks the speed of the throws, which is an impressive number.  And maybe the number in his bank account, which is not a good number.  He has not noticed that these are very fine young men or that they have never been away from home before.  He learns very quickly that he cannot leave them in a hotel.

They move into his bachelor pad, marveling over the room for just one man but confused that they don’t see anywhere to pray.  They are befriended by his tenant, a beautiful and kind-hearted doctor (Lake Bell).

JB turns the young men over to college coach Tom House (Bill Paxton), who explains why you can’t turn a non-baseball player into a major league pitcher in a matter of months, in time for the try-out Mr. Chang has put together.  “It’s completely different motions, biometrics.”  They do not know what a baseball glove is.  But J.B. is good at one thing, persuasion.  “You certainly don’t need any help with your pitching,” House tells J.B. He agrees to try to teach them that “it is not about throwing hard, but throwing right.”  And they study a copy of Baseball for Dummies.

Writer Tom McCarthy (“The Station Agent,” “Win Win”) keeps things from getting too twee.  The film clearly respects Rinku and Dinesh and their country, though it skirts very close to Magical Negro territory and the fish-out-of-water cultural clashes stay on the surface.  The young men are not allowed to be much more than amiable innocents whose job is to give the soulless white guy an important opportunity to reconnect with his humanity (and, as a consequence, with the beautiful doctor as well).  This is J.B’s story and Hamm is a pleasure to watch, with full-on, big-time movie star magnetism, and his scenes with the lovely Bell (“In a World”) have a real warmth that makes the happy ending feel earned.

Parents should know that this movie includes some mild language and sexual references.  Characters have casual sex (off-screen).

Family discussion:  What were the most important things JB learned in India?  When he got home?

If you like this, try: “The Rookie” and “Miracle” from the same producers and also “Bend it Like Beckham”

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Based on a true story Sports

Belle

Posted on May 8, 2014 at 6:00 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG for thematic elements, some language and brief smoking images
Profanity: Some brief language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Sad death of parent (offscreen), tense family confrontations
Diversity Issues: Race and gender issues the theme of the film
Date Released to Theaters: May 9, 2014

belle-posterWriter Misan Sagay, director Amma Asante, and actress Gugu Mbatha-Raw have created a film of exceptional understanding, honoring the life of the real-life woman who inspired the story with intelligence, sensitivity, and insight that illuminate her time and our own.  Mbatha-Raw plays the title character, who must navigate her way across lines of gender, class, race, and legitimacy — in its legal and broader senses.  Mbatha-Raw (“Larry Crowne”) is mesmerizing, a beautiful, thoughtful performance in a film that has all of the trappings of the best sumptuous costume dramas but has a story with unexpected contemporary meaning.

Dido Elizabeth Belle was the illegitimate daughter of a titled officer in the British navy and a West Indian slave woman.  When her mother died, he brought his daughter to live with his uncle, Lord Mansfield, the chief judge of England (Tom Wilkinson), his wife (Emily Watson), and their other niece, Elizabeth (Sarah Gadon).  The girls are raised like sisters but there are always distinctions.  They eat together as a family if they are alone, but if there are guests, Dido is not permitted to eat with them but can join them in the parlor afterward.  After her father’s death, Dido is an heiress with a respectable fortune while Elizabeth, a legitimate heiress, is cut off from her inheritance by her father’s second wife.  As Dido and Elizabeth are introduced to society (Elizabeth formally, Dido does not “come out”), the eligible young men rate the women as shrewdly as Jane Austen characters.  Does an impoverished young man of good breeding in need of money find Dido’s fortune sufficient to overcome her race and unmarried parents?  If he does, will Dido have a choice in evaluating his proposal?

Meanwhile, a case is wending its way toward the judge that is of vital interest to Dido.  Slaves being transported were jettisoned from a cargo ship.  Are they to be seen as property or as people?  Dido gets more information about the case from a fiery but poor young law student, risking his opportunity to study with the judge by communicating with her.  As she learns more about her mother’s people and understands more about the kinds of restrictions she and Elizabeth face — some alike, some different, she begins to understand that some of those restrictions are freeing as well.  If she cannot travel the usual path for young women in her society, she can learn to forge her own.

Parents should know that this movie includes discussions of legitimacy, mixed-race relationships, and slavery.  There are references to the slaughter and mistreatment of slaves.

Family discussion:  How many different distinctions did the family and the culture make between Elizabeth and Dido?  Between the two women and the men around them?

If you like this, read more about the real story in Belle: The Slave Daughter and the Lord Chief Justice and watch “Amazing Grace” and “Amistad.”

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Based on a true story Drama Family Issues Movies -- format Romance

Decoding Annie Parker

Posted on May 1, 2014 at 6:00 pm

B+
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for language and some sexual content
Profanity: Very strong language, sexual references
Alcohol/ Drugs: Drinking
Violence/ Scariness: Serious illness with disturbing scenes of symptoms and treatment, very sad deaths
Diversity Issues: None
Date Released to Theaters: May 2, 2014
Rashida Jones and Samantha Morton in Decoding Annie Parker (courtesy of Dorado Media)

This is the true story of two women who share a goal but meet just once, for a few moments.  Oscar winner Helen Hunt plays scientist Dr. Mary-Claire King, whose pioneering research led to one of the most significant medical discoveries of the 2oth century, the BRCA1 genetic marker for early onset breast cancer.  And Samantha Morton plays Annie Parker, a young woman who lost her mother and sister to breast cancer and then, when she was diagnosed with it herself, became dedicated to learning everything she could about the disease.  An outstanding cast, a likeable narrator, and a thoughtful script co-authored by director Steven Bernstein take this out of the easy tears of the disease-of-the-week TV movie category.  It is an absorbing drama with a lot of respect for its characters and a welcome sense of humor.  “My life was a comedy,” a quote from the real Annie says as the movie begins.  “I just had to learn to laugh.”

Annie’s mother died of breast cancer when she was a child, and Annie and her sister (Marley Shelton as an adult) superstitiously believe — or pretend to believe — that Death sleeps in a locked room on the top floor of their house, and that their mother make the mistake of awakening it.  Their father dies when Annie is still in her teens, and we see her at the first of three funerals in the film, with fatuous remarks from the people attending and a skeezy funeral home employee hitting on her.  “A lot of women can’t be cool and in mourning at the same time, but you pull it off.”

A little lost, and overcome with ardor for her musician/pool cleaner boyfriend Paul (“Breaking Bad’s” Aaron Paul in a series of 70’s and 80’s hairdos that are both horribly ugly and fake-looking), Annie gets married.  They live in the house she grew up in and very soon they have a baby.  And then, the last member of her family, her sister Joan, gets breast cancer and dies, funeral number two, same fatuous remarks and skeezy guy.

And then Annie gets a lump in her breast.  It is cancer.  She has a radical mastectomy and removal of most of her lymph nodes under one arm, followed by chemotherapy.  She becomes determined to learn as much as she can about the disease, even building models of cancer and DNA.  And she becomes a warrior against cancer, checking her breasts and insisting everyone else check, too.  She even offers to check her husband for testicular cancer during an intimate moment.

Meanwhile, Dr. King is insisting that there is a genetic link and working to find it, despite a lack of support.  She is told it will take ten years for the computers available to her to analyze the data she is collecting from women who are in families with multiple cases of breast cancer.  But Bernstein wisely makes Annie Parker, rather than Dr. King, the focus of the film.  This adds warmth and drama to a story that would otherwise be a lot of people in lab coats getting turned down for grants and crunching data.  Parker makes an engaging guide to the years of struggle faced by both women, with a wry sense of humor and a steeliness of resolve that, endearingly, is as much a surprise to her as it is to everyone around her.  She is very funny quacking (really!) to get the attention of a bored doctor’s office receptionist (Rashida Jones), who later becomes her close friend and ally.  Morton is superb, showing us Parker’s vulnerability as well as her courage, and making us understand the scope and the human dimension of Dr. King’s work.  When they finally meet we see how in an important way they kept each other going.

Parent should know that this film has themes of cancer, illness, and loss, with sad deaths and some disturbing scenes of symptoms and treatment, sexual references and brief explicit situations, adultery, some very strong language, and drinking.

Family discussion: Why did Paul and Annie have such different reactions to illness? How did humor help Annie stay courageous? Read up on Dr. King and her opposition to patenting gene sequences.

If you like this, try: “50/50,” “Wit,” and “God Said Ha!”

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Based on a true story Drama Movies -- format

Heaven is for Real

Posted on April 15, 2014 at 6:00 pm

B
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG for thematic material including some medical situations
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Child very ill, discussions of death
Diversity Issues: Assumption that all faiths have or should have the same beliefs about heaven
Date Released to Theaters: April 16, 2014
Date Released to DVD: July 21, 2014
Amazon.com ASIN: B00KDK64DY

heavenisforrealA movie like “Heaven is for Real” requires two different reviews, one for believers/fans of the 1.5 million-volume best-selling book, one for those who are unfamiliar with the book and whose views about faith and heaven and proof may differ from the evangelical beliefs of the Wesleyan pastor who wrote the book about his son.  The first group will find what they are looking for.  Anyone else is unlikely to feel enlightened or inspired.

Nebraska clergyman Todd Burpo co-wrote Heaven is for Real: A Little Boy’s Astounding Story of His Trip to Heaven and Back, the story of his not-yet-four-year-old son Colton, who told his parents about a visit to heaven when he “lifted up” during abdominal surgery.  On that visit, he said, he sat on Jesus’ lap and spoke to two family members.  He described the bright colors of heaven and Jesus’ horse.

Fans of the book and those who share Colton’s ideas about heaven will find the movie skillfully made by co-writer/director Randall Wallace (“Secretariat,” “Braveheart”) and very true to the story that Burpo tells. Others may find what is very much a four-year-old’s concept (he asked the angels to sing him Queen’s “We Will Rock You”) limited and cloying.  This is very much a self-congratulatory closed loop wish fulfillment idea of heaven, where everyone is young and healthy and we are reunited with everyone we lost (apparently everyone of our faith, anyway), even those who died before birth.

Greg Kinnear is likeable as always as a father coping with the stress of many different commitments and pressures.  He has a devoted wife, Sonja (Kelly Reilly of “Flight”) and two darling children.  But his garage door business is suffering in the depressed economy.  He is also a volunteer fireman and a high school coach as well as pastor of the Crossroads Wesleyan Church.  He has had some injuries and health problems.

And then what they think is stomach flu turns out to be Colton’s burst appendix and he is rushed to the operating room.  While Sonja calls church members to ask for their prayers, Todd goes to the hospital’s chapel and cries out to God over the unfairness of putting his little boy at risk.

Colton (Connor Corum, a cute kid with a nice natural presence but no actor) recovers.  After he is home, he matter-0f-factly begins to tell his parents about his experiences in heaven.  At first, they are dismissive, but then Todd and, later Sonja are convinced, based on details he shares about people and events he could not have known.  Todd allows a reporter to write about Colton.  Members of the church are concerned, but they, too, become convinced.

Those who are already believers, especially fans of the book who want to see the story on screen, are likely to be very satisfied with this well-produced and sincere portrayal of the Burpo’s story, and it is for them that the movie gets a B grade.  Those from other faith traditions, seekers, and skeptics are unlikely to be convinced, however.  For many people, the “proof” from Colton’s stories is easily explained away or the vision he describes is substantially different from their understanding of God and the afterlife.  The one consistent reaction from viewers is that both believers in this specific idea and those who are not will both find their views re-affirmed by this movie.

Parents should know that this movie includes a seriously ill child and discussions of miscarriage and loss.  There is some marital sexual teasing.

Family discussion:  Ask family members for their ideas of what heaven is like and research different faith traditions and their views of heaven.

If you like this, try: the book by Todd Burpo and Diane Keaton’s documentary Heaven

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Based on a book Based on a true story DVD/Blu-Ray Pick of the Week Spiritual films

Trailer: Decoding Annie Parker

Posted on April 10, 2014 at 11:21 am

Helen Hunt, Samantha Morton, Aaron Paul, Rashida Jones, and Corey Stoll star in this fact-based story of two women, one with breast cancer and one trying to solve the genetic link in families with high incidence, research that led to the discovery of the kind of diagnostics that made it possible for people like Angelina Jolie to take preventative measures that can save their lives.

And here’s the real Annie Parker.

 

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