The Young Victoria

Posted on April 20, 2010 at 8:00 am

“The Young Victoria” is the story of a teenager who became a queen. Before she reigned for a record 63 years and gave her name to an age, she was a girl who was sheltered to the point of claustrophobia. Famously, her first order as queen was that her mother no longer sleep in her bedroom. Like all in power, she was beset with those who tried to pressure and manipulate her, but she proved herself to be wiser and more adept than many far more experienced when it came to staying true to her ideals and her commitment to her subjects. And perhaps even more rare among royals, she married a man with whom she was deeply in love, and was so true to him that after his death she wore mourning for the rest of her life.

Sarah Ferguson, who knows a great deal about being a young royal because she married and divorced the son of the current queen and is the mother of two of her grandchildren, has produced this sumptuous biography, making it respectful without being at all stuffy. Emily Blunt (“The Devil Wore Prada,” “Charlie Wilson’s War”) plays the young queen as naive but with a lively, curious mind, surrounded by corruption but able to recognize honesty and with the courage, even in an era when women were far from equal, to insist on her full authority as monarch. When she plays chess with her handsome distant cousin Albert (Rupert Friend), he tells her she should find a husband who will play the game of political intrigue with her, not for her. And she knows that he is someone she can trust.

It is very satisfying to see the young queen triumph over her enemies, especially the cruel bully who has dominated Victoria’s mother and hopes to rule as regent (Mark Strong). But it is even more satisfying to see her learn from her mistakes and especially to see her allowing herself to be vulnerable with Albert. She is not just a monarch but a young bride very much in love with her husband. Blunt is simply radiant and the film is stirring, touching, and inspiring.

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Based on a true story Biography Epic/Historical Romance
Blessed is the Match: The Life and Death of Hannah Senesh

Blessed is the Match: The Life and Death of Hannah Senesh

Posted on April 19, 2010 at 3:57 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: Mild
Violence/ Scariness: Depiction of wartime and holocaust-related violence
Diversity Issues: A theme of the movie
Date Released to Theaters: 2009
Date Released to DVD: April 13, 2010
Amazon.com ASIN: B00366E1AU

Blessed Is the Match: The Life and Death of Hannah Senesh is a documentary about a woman of incalculable courage and honor. Senesh, an idealist who hoped to help create a Jewish state in Israel, escaped from Hungary to what was then British-controlled Palestine. Instead of staying where she was safe, she joined a mission to rescue Jews in her home country, the only military rescue mission for Jews during the Holocaust. She parachuted behind enemy lines, was captured, tortured and ultimately executed by a Nazi firing squad. The documentary features those who knew her, including Israeli President Shimon Peres, who knew Senesh as a young pioneer in the 1940s, and two of her fellow parachutists, Reuven Dafni and Surika Braverman, along with renowned historian Sir Martin Gilbert.

Senesh is a national heroine in Israel, where her story and her poetry is well-known. Many synagogues around the world sing a hymn with lyrics from one of her poems:

My God, My God, I pray that these things never end,
The sand and the sea,
The rustle of the waters,
Lightning of the Heavens,
The prayer of Man.

This is the last poem she wrote:

Blessed is the match consumed in kindling flame.
Blessed is the flame that burns in the secret fastness of the heart.
Blessed is the heart with strength to stop its beating for honor’s sake.
Blessed is the match consumed in kindling flame.

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Biography Documentary DVD/Blu-Ray Pick of the Week
Billy: The Early Years Of Billy Graham

Billy: The Early Years Of Billy Graham

Posted on March 15, 2010 at 8:00 am

Before he was the best-known clergyman in America and a spiritual adviser to Presidents, Billy Graham was a young man struggling with doubt and searching for a way to be of service. This sensitive and respectful film about Billy Graham’s early years stars Armie Hammer as Graham.

I spoke to Hammer about the challenges of taking on the role of a man people know so well.

How did you come to this project?

One day my agent called and said, “I have your next movie. That’s all you need to know.” I fell madly in love with it, knew i had to do it. The next thing I knew, I was in Billy Graham world.

it was the approach i responded do. i knew who he was the way every one else on the planet knows, but this was the human, how he found his faith, how his faith was shaken, how the love of his life was given and almost taken away. We start at the beginning and end when Billy Graham the preacher eclipse Billy Graham the person.

What are the challenges and pitfalls of portraying a real person who has inspired so much respect and affection?

You want to be so careful and pay respect to the Grahams, make something they like and love, and give them the most honest and real portrayal so they can say, “I remember that, I said that.”

I studied his autobiography, Just As I Am. It was an amazing tool for me to use. I also used the internet where you can see private, personal videos that show how he was when he was not preaching. His preaching was his signature enthusiasm but I wanted to see what he was like when he was just talking, where you see his personality.

What made Graham so special?

It was definitely his blind faith — the fact that he whole-heartedly without question or doubt at all found his beliefs and did not waver. He was so human and could take the gospel and make it accessible. He would not say he was the smartest person in the world but he had the gift of faith. In this story, he and Templeton go through a crisis of faith but react differently.

His approachability and simplicity was what made him so good at communicating with people. He is the most honest and good human being that ever walked this planet. He never had a scandal because he did not have a scandalous bone in his body. He created the Modesto manifesto to make sure that he and his men could withstand temptation. He called them together and said, “Ministers are falling to the left and right. What we have to say is too important. Go to your room for an hour and think about what it is that is the cause of these ministers’ downfall.” They all had the same things on the list — sex, money, pride, lying. He said, “Here is what we will do. We will have an outside firm to do the money, none of us will ever be alone in a room with a woman, we will never lie about our numbers of followers or criticize others.” Those are the kinds of decisions that made him unique.

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Actors Based on a true story Biography Interview Spiritual films
Temple Grandin

Temple Grandin

Posted on February 7, 2010 at 8:02 am

Claire Danes plays Dr. Temple Grandin in an outstanding new HBO film about the pioneering animal scientist whose autism is a central element of her ability to understand animals and to think visually. Her astonishing and inspiring story first came to public attention in an article by neurologist Oliver Sacks called An Anthropologist On Mars. The title comes from Dr. Grandin’s own description of her sense of bafflement in trying to understand human behavior and communication.

But her understanding of animal behavior transformed the operations of cattle facilities. The movie makes clear that Dr. Grandin faced prejudice not just as an autistic person but as a woman. But her ideas were so compelling that she has become a world-respected authority. And she has been a guide to autism as well, writing and speaking about her experiences as a way of helping neuro-typicals understand those who literally see the world differently.

Dr. Grandin herself can be seen in this interview.

And here she talks to NPR about her squeeze machine. Her mother has also written a book about her experiences, Thorn in My Pocket.

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Biography Television The Real Story

Amelia

Posted on February 3, 2010 at 8:59 am

Amelia Earhart, the pioneering aviator who was lost over the Pacific, is given the big Hollywood biopic treatment in a curiously retro film that feels like it was intended for Katherine Hepburn or Susan Hayward. It is not the 1930’s setting that makes it feel so old-fashioned; it is the traditional take on a very un-traditional life. Earhart’s passion and achievement are what make her most interesting to contemporary audiences. But this film never shows us why flying was important to Earhart or what made her so determined. It does not show us what she was good at. The first name-only title provides the first indication that like the recent “Coco Before Chanel” it will minimize and marginalize the achievements of a woman of enormous historic import by focusing on her love life.

And it’s dull.

Hillary Swank, who produced and stars, plays Earhart as a woman who keeps a lot inside. Much of the acting is done in the varying breadth of her toothy smile, with an occasional blinking back of tears. Earhart is unfailingly brave and game, whether taking first lady Eleanor Roosevelt (an engagingly game Cherry Jones) on a moonlight flight over the Capitol, posing for a luggage ad as a way to finance her flights, or feeling drawn to a man other than her husband (who happens to be, we are repeatedly reminded, the father of future author Gore Vidal).

The film spends too much time on Earhart’s romance with publisher/promoter George Putnam (Richard Gere) and dalliance with Vidal’s father. It feels like a string of incidents without any connecting theme. Even the usually able director, Mira Nair, seems to have her pilot light turned to simmer. As Earhart tries to land on a tiny island to refuel in her attempt to circle the globe for the first time by air, screenwriter Ron Bass (“Stepmom,” “Snow Falling on Cedars”) makes the mistake of trying for for suspense even though the one thing everyone knows about Earhart is that she does not land successfully. The best part of the film comes from the exquisite images from cinematographer Stuart Dryburgh and production design by Stephanie Carroll; they make the backgrounds seem more alive and involving than the characters or the story. It just never takes off.

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Based on a true story Biography Drama
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