Phat Girlz

Posted on April 7, 2006 at 12:09 pm

B
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for sexual content and language, including some crude sexual references.
Profanity: Very strong language for a PG-13
Alcohol/ Drugs: Social drinking, character gets tipsy
Violence/ Scariness: Confrontations, comic peril
Diversity Issues: A theme of the movie
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000FUH35U

It occured to me as I watched this movie that this was the third time in the last few months that I was watching a large black woman bringing shock and awe to to a bunch of slender, clueless white chicks at a chi-chi spa. We had Queen Latifah in Last Holiday and Martin Lawrence (pretending to be a woman) in Big Momma’s House 2.

And now we have Mo’Nique as Jazmin Biltmore, a store clerk with big dreams of becoming a fashion designer to bring style and pride to women who are not what she refers to as skinny b—-es. And even though this movie is a bit of a mess, it turns out to be unexpectedly sweet and funny. Its very amateurishness gives it freshness and authenticity, a sharp contrast to the overfed formulas of the other two films and most of the rest of the multiplex fodder the studios crank out.


This movie is really a throwback to those 1940’s films about the deserving heroines with big dreams. I think most of the time, they were played by Susan Hayward. Jazmin talks about how proud she is of the way she looks and when she feels insulted by someone who calls her fat she proves herself by throwing tougher and sassier insults calling her victim ugly. But when it comes time to stand up to her petty despot of a boss and show her fashion designs to the store’s buyer (Eric Roberts) or believe she might be worthy of love from Tunde (Jimmy Jean-Louis), a handsome Nigerian doctor, her insecurity shows. She makes some mistakes and learns some painful lessons. But when she is really ready to love herself, the world is ready to love her, too.


Parents should know that this movie really pushes the edges of the PG-13 rating with extremely strong language and sexual references and situations that take it right up to the edge of an R. It would have received an R rating but for the MPAA’s looser standards for comedies. There is frequent use of the b-word, but there is also a very good scene in which Tunde shows Jazmin that her casual use of the word is a symptom of her conflicted feelings about herself. While one couple has enthusiastic casual sex and Jazmin is willing to have sex with Tunde almost immediately, he also shows her that it is a sign of respect and hope for a long-term relationship to wait. A gay character is portrayed with some stereotyping but is also treated with affection and respect.


Families who see this movie should talk about what Jazmin was secure about and what made her feel insecure. How did her experience with Tunde change her? What will happen next? Families should talk about what we should and should not let others’ images of us determine about the way we feel about ourselves.


Families who enjoy these movies will also enjoy Tyler Perry’s Medea movies, How Stella Got Her Groove Back and other “ugly duckling” stories from Funny Girl to Roxanne, which has an insult-trading scene inspired by Cyrano de Bergerac, its source material, that is much like the one in this movie.

Related Tags:

 

Comedy Movies -- format

The Benchwarmers

Posted on April 7, 2006 at 11:47 am

F+
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for crude and suggestive humor, and for language.
Profanity: Very crude and vulgar language for PG-13
Alcohol/ Drugs: Drinking, character gets drunk
Violence/ Scariness: Comic violence
Diversity Issues: A theme of the movie, but homophobic humor
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000G0O5I2

Booger jokes. Potty jokes. Hit on the head jokes. Hit on the crotch jokes. And underdog characters so annoying that they have you rooting for the bullies. These guys should have stayed on the bench.


On behalf of everyone who has ever been assaulted or insulted by a bully, three men take on bunch of kids in a round robin creatively titled “Little Baseballers vs. 3 Older Guys.” The prize — a fancy new baseball field, offered by another former picked-on nerd-turned zillionaire.


The three guys are Richie (David Spade), a video store clerk with a Prince Valiant hairdo who has never had a date and lives with his agoraphobic brother, Clark (Napoleon Dynamite’s Jon Heder), who delivers newspapers on his bike, lives with his mother, and has never talked to a girl, and Gus (Rob Schneider), who has a real job (landscaping) and lives with his wife, who keeps reminding him of her ovulation schedule because she wants to get pregnant. They see a kid named Nelson and his friends getting thrown off the field by bullies, they decide to stay and hit a few balls. The other two are hopelessly incompetent, but Gus can hit and pitch.

Nelson’s dad (Jon Lovitz) a fabulously wealthy man who hates to see his son picked on the way he was, thinks that if the men take on the bullies on the Little League teams (coached by their bully fathers), it will provide encouragement for all the nerds and oddballs.


It’s a lovely thought. But it is undermined by slack, lazy, peurile humor, and by the fundamental hypocrisy at its core. While Gus is kind and the “nerdy” kids are far more competent and mature than the adults, the movie relies a great deal on the same kind of crude insults it purports to be against, making fun of gay men (though videos with lesbian sex scenes are highly esteemed) and disabled people and suggesting that the ability to insult other people is an indicator of intelligence and worthiness.


It’s a relief to see Rob Schneider staying away from his usual gross-out roles, but he doesn’t find a way to make Gus very interesting or sincere. The script gives Heder no opportunity to create a distinctive and disarming character, as he did in Napoleon Dynamite, and gives Spade no opportunity to show his only talent, snarkiness. The best performances in the movie come from inanimate objects: a robot and a Darth Vader security system (voice of James Earl Jones) and KITT, and the car from the television show, “Knight Rider.” If there’s a Most Valuable Player in this league, it’s the talking machines.

Parents should know that this is an exceptionally vulgar movie with very strong material for a PG-13. Characters use very strong language, including the b- and s-words as well as many ugly insults like “ho,” “retard,” and “spaz” and some crude words for body parts. There are several homophobic comments and jokes and a reference to lesbian sex scenes in movies. Characters are made insulted for not having had sex and there are other sexual references including a joke about a fun doll. Characters smoke and drink, one to excess, and there is a joke about Alcoholics Anonymous. There is comic violence. While the movie purports to be about treating everyone fairly and there are some diverse characters, it engages in a lot of stereotyping and ugly humor. There are also annoyingly intrusive product placements for a fast food restaurant, a video game set-up, and an internet provider.


Families who see this movie should talk about bullies and the best way to deal with them — and to prevent becoming one. They can also talk about the power of apologies.


Families who enjoy this movie will also enjoy the original Bad News Bears and Revenge of the Nerds (some mature material). They might also enjoy seeing KITT in Knight Rider.

Related Tags:

 

Comedy Movies -- format Sports

Ice Age: The Meltdown

Posted on March 25, 2006 at 2:06 pm

B-
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for some mild language and innuendo.
Profanity: Some crude language
Alcohol/ Drugs: None
Violence/ Scariness: Tension, peril, characters killed, references to extinction
Diversity Issues: A metaphorical theme of the movie
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000GUJZ00

Once again, as in the first Ice Age, wooly mammoth Manny (voice of Ray Romano), sloth Sid (John Leguizamo), and saber tooth tiger Diego (Denis Leary) set off on a journey. This time, they have to lead their friends out of the valley before the ice melts and it becomes flooded.

Along the way, Manny wonders if mammoths are about to become extinct because he seems to be the only one left, until he meets Ellie (Queen Latifah), a mammoth who thinks she is a possom. Sid meets up with some miniature sloths who think he is their Fire King. And all of the characters face predators and other obstacles as they try to beat the water to the edge of the valley. And every now and then we get to see the continuing saga of Scrat the prehistorical squirrel and his Sisyphus-like quest to get and keep an acorn.
Even by the low standards of sequels (it’s fair to expect at least a 30% drop-off in quality), this is a disappointment. There are brightly funny individual scenes, especially the “Fire King” encounter (though it seems to have been taken straight from one of the Hope and Crosby “Road” movies — or, come to think of it, all of them), but it doesn’t have the power or imagination of the original. Instead, itt has a cluttered plot with a formulaic mix of potty humor, mostly kid-appropriate scariness, and some encouraging lessons about responding to fear and the imprtance of family.

The primary relationship issues between the three leads were resolved the first time around and the new characters don’t add much interest or do much to propel the story. On the contrary, they serve as a distraction, especially the resolutely un-cute and un-cuddly mischievous possums. When their very un-possum-ish sister natters about her feelings as though she was in the middle of a Dr. Phil show instead of a life and death struggle to save members of her group, it is less likely to be amusing for children and their parents than annoying. A well-designed Busby Berkeley-style dance number to the Oliver! song “Food Glorious Food” is sung by vultures hoping that the characters we are rooting for don’t make it, so they can feast on the “putrid” meat.
This last example is a good indicator of the movie’s primary problem — an uncertain sense of its audience. A crowd old enough to recognize references that are 40 and 60 years old? A crowd old enough to find some dark humor in having vultures sing about how excited they are that animals we have just spent most of a movie with are going to die so they can eat them? As Ben Stein said so memorably in Ferris Bueller’s Day Off, “Anyone? Anyone?”

 

Parents should know that the movie has some tense and scary moments with characters in frequent peril. Predatory fish with many very sharp teeth chase after the characters. At least one character is killed (offscreen and discreetly) and another has a near-death experience. There are discussions of possible extinction. Characters use some crude and insulting language (“idiot,” “moron,” “crap”) and there is some potty humor. An odd near-death visit to Heaven may be disturbing to some audience members.
Families who see this movie should talk about how we recognize and deal with our fears. Why were Ellie’s feelings hurt? How do you feel about the way Ellie and Manny resolved their argument about which way to go? Several characters in the movie were lonely. How can you tell, and what did they do about it? What does it mean to be “the gooey, sticky stuff that holds us together?” And they should talk about endandered species and efforts to protect them. Families might also want to learn more about wooly mammoths and other ice age animals.
Families who enjoy this movie will enjoy the original Ice Age as well as The Land Before Time and its sequels.

Related Tags:

 

Action/Adventure Animation Comedy Epic/Historical Family Issues Movies -- format Series/Sequel Talking animals

She’s the Man

Posted on March 15, 2006 at 12:08 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some sexual material
Profanity: Some crude language
Alcohol/ Drugs: None
Violence/ Scariness: Some scuffles
Diversity Issues: A theme of the movie
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000FIHN84

It worked for Shakespeare, so why not for Amanda Bynes?


Shakespeare had female characters pretending to be male because they were all played by men anyway. While his prodigious heart and brain certainly understood the rich and delightful narrative and comedic opportunities involved in having some characters in on the secret while others were not, even he probably did not understand how subversive and revolutionary the material could be. In his play Twelfth Night, Viola survives a shipwreck and arrives in Illyria. Thinking her brother Sebastian has been drowned, pretends to be a man to protect herself in a world that is treacherous for women who do not have anyone to protect them. She goes to work for a Orsino, a duke, who asks her to press his suit on Olivia. But Olivia has no interest in the duke; she begins to fall for the disguised Viola. As a man, Viola so resembles her brother that when he returns, not knowing she survived, he is mistaken for her, adding to the confusion.


The Viola in this story (Bynes) is a high school girl who loves soccer. The girls’ team is cut, and her boyfriend, captain of the boys’ team, won’t let them try out. So when her brother Sebastian (James Kirk) sneaks off to London with his rock group to play in a festival, she takes his place at at his new school, Illyria. Her plan is to try out for their soccer team as a boy and stay on long enough to beat their #1 rival, her school, with the team led by her now ex-boyfriend.


At first, the boys in the dorm think “Sebastian” is a little odd. But with the help of a friend, she gets a reputation as a hit with beautiful women. And she begins to get the hang of the guy thing, though there are still some challenges, like finding some time to take a shower when there’s no one around and explaining what the tampons are doing in her stuff.


Her roommate, Duke Orsino (Channing Tatum), captain of the Illyria soccer team, offers to help her become first-string if she will put in a good word for him with Olivia. But of course Olivia is attracted to “Sebastian,” especially after she reads the real Sebastian’s lyrics. Meanwhile, the twins’ mother expects them both at the Junior League carnival fund-raiser. Sebastian’s pushy girlfriend has to be kept at a distance so she doesn’t figure out what’s going on. And there’s that big game.


Bynes is a terrifically talented and appealing performer with the true fearlessness and lack of vanity of a born commedienne. This film doesn’t let her show off all she can do, but she handles the predictable complications well, from the quick changes in the carnival’s port-a-john to the faked grimace and moans when she gets hit in the crotch with a soccer ball.

First-time director Andy Flickman and a bright and able cast keep the energy high and the story moving. The opening credit sequence, a soccer game on the beach, sets a bright and brashly kinetic tone that keeps things bouncy as all of the characters and plot points come together for a happily ever after ending. Flickman and first-time writer Ewan Leslie wisely put a solid base of dignity and honesty under the pratt falls and close calls, avoiding the usual teen-movie gags (in both senses of the word). I hope they make a sequel, maybe an update of “Two Gentleman of Verona” set on a college campus?

Parents should know that the film includes some crude language (the b-word, etc.), and some comic implied nudity. There are a few punches and scuffles. But one strength of the film is that while the characters talk a great deal about who is “hot,” the film’s strong point of view is that the priority in relationships is emotional intimacy, not physical intimacy. Another strength of the movie is its casual portrayal of inter-racial relationships. While at first an unattractive character is played for laughs, ultimately, even she is treated with respect and affection.


Families who see this movie should talk about what led Viola to change her feelings about Justin and Sebastian to change his about Monique. What was the most important thing Viola learned? If you wanted to pretend to be the opposite sex, what would be the hardest part? Families should also talk about how important it was that Viola and Olivia valued themselves enough to make sure that they only spent time with boys who would value them, too. And they should compare this movie to Shakespeare’s version to find out, among other things, how Malcolm’s tarantula got the name “Malvolio.”

Families who enjoy this film will appreciate Disney’s High School Musical They will also enjoy the similarly themed gender-switching Just One of the Guys, and Tootsie (both with more mature material). And every family should enjoy the classic named as the American Film Institute’s top comedy of all time: Some Like it Hot. Families will also enjoy comparing this film to its source, Shakespeare’s Twelfth Night.

Related Tags:

 

Comedy Movies -- format Romance

Find Me Guilty

Posted on March 15, 2006 at 11:56 am

B-
Lowest Recommended Age: High School
MPAA Rating: Rated R for strong language and some violence.
Profanity: Very strong language
Alcohol/ Drugs: References to alcohol and drugs and drug dealing
Violence/ Scariness: Shooting, references to mob killings
Diversity Issues: Stereotypes of Italians questioned in the movie
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000FFJ826

Director Sidney Lumet revisits the themes of two of his most memorable films in this movie, but with less success. Like Dog Day Afternoon, it is a true story with colorful characters and both comic and tragic overtones. Like 12 Angry Men it is a story of the way justice is — and is not — served by our judicial system. Like both of those films, Lumet convincingly creates the New York setting. Most of the film is set in the courtroom and the grandeur of its aspirations and the grit of its experiences is evocatively portrayed. But an uncertain point of view leaves the story and characters less clear and the resolution unsatisfying.


It is the story of the longest criminal trial in U.S. history, with charges against 20 alleged members of the Lucchese crime family led by Newark, New Jersey mob boss Anthony Accetturo. It took the government two years to present its endlessly complicated case. In the midst of testimony about a tangled web of alleged criminal actions involving gambling, drugs, theft, and murder, one of the defendants attracted the most attention. He was Giacomo “Fat Jack” DiNorscio (Vin Diesel, unrecognizable but for his gravelly voice under a wig and some extra weight). And while the other defendants each had his own lawyer, DiNorsico represented himself, a source of intense frustration for the prosecutor and the judge but welcome comic relief for the jury. “I’m a gagster, not a gangster,” he told them. And they laughed.


The prosecutor was dumbfounded and furious. He could not understand how a jury could be sympathetic to a group of people who not only stole from just about everyone but now and again, actually killed people who got in their way.


And you know, that’s the problem. He’s right. The trial was a circus. It was a mistake to put all of those defendants, each with is own lawyer, into the same case. In the midst of the numbingly complex details, the jury appears to develop some strange offshoot of the Stockholm Syndrome, identifying not with the prosecutors but with the defendants. For all their alleged crimes, they seemed more authentic and relatable than the prosecuting attorneys.


But we are not the jury, tied up with this crowd of “gagsters” for two years. And DiNorsico is not an endearing shlub like Al Pacino’s Sonny in Dog Day Afternoon, holding up a bank to get a sex change operation for his boyfriend. These are guys who stole much more for reasons that were far less romantic.


Lumet does a much better job evoking the time and place than he does making us sympathetic to DiNorsico. All of the performances are excellent, especially Peter Dinklage, superb as counsel for one of the other defendants, and Annabella Sciorra, blazingly hostile in one brief scene as DiNorsico’s ex-wife. Diesel shows us DiNorsico’s Runyonesque charm and his strong, if oftem misplaced, sense of loyalty, but we never feel the sympathy Lumet clearly thinks he deserves. At the end of the movie, we feel, instead, like the jury, that we have spent too much time and understood too little.

Parents should know that this movie concerns the trial of a group of men charged with serious crimes ranging from drug dealing to gambling and murder. Characters use very strong language and there are references to violence and drug use. A character tries to kill another with a gun, shooting him several times. Characters complain about ethnic stereotypes but it can be argued that the film also perpetuates those stereotypes.


Families who see this movie should talk about why the jury found Jackie appealing — and why director Lumet found his story appealing. How did Lumet make clear his own feelings about Jackie?


Families who enjoy this movie will also enjoy Goodfellas and Lumet’s 12 Angry Men and Dog Day Afternoon. Those who want to learn more about the real case should read The Boys from New Jersey.

Related Tags:

 

Comedy Crime Drama Movies -- format
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2024, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik