Trailer: Adam Sandler and Peter Dinklage in “Pixels,” a Comedy About the Attack of the Aliens Modeled on Classic Video Games
Posted on March 28, 2015 at 8:00 am
Home
Posted on March 26, 2015 at 5:59 pm
B+| Lowest Recommended Age: | Kindergarten - 3rd Grade |
| MPAA Rating: | Rated PG for mild action and some rude humor |
| Profanity: | None |
| Alcohol/ Drugs: | None |
| Violence/ Scariness: | Comic/cartoon-style/sci-fi peril and violence, no one badly hurt but some mildly scary images |
| Diversity Issues: | A theme of the movie |
| Date Released to Theaters: | March 27, 2015 |
| Date Released to DVD: | July 27, 2015 |
| Amazon.com ASIN: | B00XRDYK1C |
“Home” is a cute and colorful movie about an alien invasion with an important safety tip concerning one of the most destructive forces in the universe, causing utter devastation to every known life form. Yes, it is hitting the dreaded “send to all.”
This is the catastrophe that strikes Oh (Jim Parsons), part of an alien invasion by the Boov, a civilization known for their primary cultural attribute — running away from danger, from problems, and from learning that some of what they believe about the universe may not be right. They are led by the egotistical Smek (Steve Martin), never in doubt and always willing to cut off any disagreement by smacking his fellow Boov with his “susher,” a staff topped by a rock he grabbed during his last unsuccessful negotiation with a terrifying armored alien Commander of a race called Gorg. The Gorg want to destroy the Boov, so the Boov are constantly seeking planets where they can hide. Earth seems homey, so they vacuum up all of the humans and send them off to Australia and settle into their new domicile.
The Boov are not much for socializing, but Oh wants to make friends. He sends out invitations to a housewarming party, but accidentally hits “send to all,” and “all” somehow includes the Gorg. Oh has just alerted their worst enemy to their location. This is one too many mistakes for him (Boov are allowed just three and he is well over that), so he runs away. And that is how he meets Gratuity “Tip” Tucci (Rihanna), a plucky middle-schooler with a cat named Pig. Tip was missed by the Boov vacuums because Pig was on her head so she was not identified as human.
When Oh fixes Tip’s car and promises to help her find her mother, the two of them (plus Pig) go off on a wild ride that includes an upside-down floating Eiffel Tower, plugging themselves into the Boov brain trust network (with a very funny joke about passwords), and, of course, learning a little bit about each other and themselves.
It’s nice to see a person of color as the lead in an animated film and Rihanna gives a warm, spirited vocal performance as Tip, who shares her West Indies heritage. The character design is cute but uninspired. Same for the storyline. But it is bright and colorful — literally. The Boov turn a crayon box of colors to show their emotions. And the briefly glimpsed Gorg add some zingy sharp angles. Playful touches start right at the beginning, with Oh fishing off the Dreamworks logo. The Slushious car, decked out with convenience store staples, is a hoot. And kids will enjoy seeing Oh learn about life on earth, something they know a little about.
Parents should know that this film has some potty humor, mild peril, and cartoon-style violence, and some sci-fi-style scary images.
Family discussion: When do you feel “sad-mad?” Why did Tip decide to be friends with Oh? What was the best thing about the Slushious car?
If you like this, try: “Monsters vs. Aliens” and “Megamind” and the book that inspired this film, The True Meaning of Smekday
Trailer: Simon Pegg and Lake Bell in “Man Up”
Posted on March 24, 2015 at 8:00 am
Danny Collins
Posted on March 19, 2015 at 5:50 pm
B+| Lowest Recommended Age: | Mature High Schooler |
| MPAA Rating: | Rated R for language, drug use and some nudity |
| Profanity: | Very strong language |
| Alcohol/ Drugs: | Drinking and drugs |
| Violence/ Scariness: | Tense family confrontations, illness |
| Diversity Issues: | None |
| Date Released to Theaters: | March 20, 2015 |
| Date Released to DVD: | June 29, 2015 |
| Amazon.com ASIN: | B00UZJO7UA |
Movie stories often begin with the hero or heroine having everything and then losing it or having nothing and then finding it. But some of the best combine them both, as Writer/director Dan Fogelman (“Cars,” “Tangled,” “Crazy Stupid Love”) has with “Danny Collins,” a heartwarming story of a one time rock star (Al Pacino) who can fill a stadium with his baby boomer fans but has an empty life that even a hot young fiancee and constant partying cannot hide.
And then he discovers that 40 years ago, when he admitted in an interview that he was afraid of becoming successful because it might impair his integrity as an artist, John Lennon sent him a letter saying that it did not have to happen that way and encouraging him to call. The letter never reached him until four decades later, when Collins’ longtime manager and best friend (Christopher Plummer) found it from a collector and bought it as a surprise birthday gift. (This part of the story is inspired by a real-life musician in the UK who did find out 34 years after it was written that John Lennon had sent him a letter almost identical to the one in the film, as we see in the closing credits.)
The letter serves as a wake-up call, instantly connecting Danny to the musician he once was. He cancels his tour, breaks up with the fiancee, and orders his private plane to New Jersey, where he moves into a suburban hotel managed by Mary (a deliciously crisp Annette Bening). He buys a new piano and has it delivered to his hotel room so he can start composing. And he reaches out to the son he has never met (Bobby Cannavale), who lives in New Jersey with his pregnant wife (Jennifer Garner) and young daughter (the delightful Giselle Eisenberg).
It is a treat to see the flamboyant rock star being checked into the numbingly generic hotel by an agog college student (Melissa Benoist of “Whiplash” and the Supergirl TV series) as stunning a transition for him as if he was Alice through the Looking Glass. Pacino is not entirely convincing as a rock star on stage but his genially raffish charm is as endearing to us as it is to the civilians he charms along the way. The highlight of the film is what he calls his “patter” with Mary, a sparkling throwback to the kind of romantic banter that might have been tossed back and forth by Tracy and Hepburn.
Immune to his charm, at least at first, is his son, even after Danny performs some rock star magic to help the family. But that’s what movies are for — to let us see Danny overcome his son’s efforts not to give in, all to the tune of some of Lennon’s most moving songs. And to wonder what we might do differently if we got a long-lost letter from Lennon.
Note: Danny’s catchy song, “Hey Baby Doll” was written by INXS replacement frontman Ciaran Gribbin, selected in a competition with top Hollywood songwriters for a tune that could sound like a real hit from the 60’s.
Parents should know that this film includes rock star behavior including sexual references and nudity, drinking and drug use, and very strong language, as well as family issues including abandonment and illness.
Family discussion: Who would you most like to get a letter from and what would you want it to say? Why did getting the letter make Danny decide to change his life? How often do get to enjoy patter?
If you like this, try: “One Trick Pony” and “The Last Waltz”
The Second Best Exotic Marigold Hotel
Posted on March 5, 2015 at 5:55 pm
A documentary called “Young @ Heart” had a choir of singers in their 80’s performing contemporary rock songs. The very fact of their age and experience gave an unexpectedly profound meaning to the words. And in “The Second Best Exotic Marigold Hotel,” a plot that ranges from silly to very silly still resonates, because the people in the silly situations are running out of time. And because they are played by actors of such superb skill that they give power even to fortune-cookie aphorisms like “There is no present like the time.” The characters in this film have more romantic complications and far more opportunities than the average teen sex comedy — and a lot more sex, too. But their situation gives it all grace and poignance.
You could give Maggie Smith “Mary Had a Little Lamb” and she would make it sound like repartee written by Oscar Wilde. Here, she has a couple of very good insults and delivers them with wit as dry as a martini made of gin over which the word “vermouth” has just been whispered. Just listen to her crisply explain that tea is an HERB requiring boiling water to release its flavor. No tea bags limply dipped in lukewarm temperatures for her. “How was America?” she is asked on her return. “It made death more tempting. I went with low expectations and came back disappointed.”
In the original The Best Exotic Marigold Hotel
This sequel, with all of the surviving main characters returning, takes us from Sonny’s engagement party to the family party, and then the wedding.
As it begins, Sonny (Dev Patel) and Mrs. Donnelly (Smith) are driving through California (in a convertible!) to make a pitch for financing to Ty Burley (David Strathairn), so the hotel can expand. Burley promises to send an undercover inspector to check out the hotel. When an American named Guy Chambers (Richard Gere) arrives, Sonny assumes that he is the inspector and lavishes attention on him, ignoring another recent arrival, Lavinia Beech (Tamsin Greig of “Episodes”), who says she is checking out the place for her mother.
Meanwhile, Sonny is frothing with jealousy over another arrival, a friend of his fiancee’s brother who is handsome, wealthy, and very attentive to Sunaina (Tina Desai). Evelyn (Judi Dench), who has not quite managed to move things ahead with Douglas (Bill Nighy), is so successful in her free-lance work as a scout for textiles that she is offered a big promotion. Madge (Celia Imbrie, whose lush figure prompted Helen Mirren’s call for “bigger buns” in “Calendar Girls”), is happily “dating” two wealthy men and having trouble deciding between them. And in the silliest of all of these flyweight storylines, Norman (Ronald Pickup), who is trying out monogamy for the first time, thinks he may have accidentally put out a hit on his lady friend Carol (Diana Hardcastle). There are some nice, quiet touches, though, as we see our friends more at home in India, including interacting more with the locals for friendship, business, and romance.
The movie gently disrupts all of the happy endings of the first film just enough to allow for some minor misunderstandings, some pithy and pointed commentary, and another round of even happier endings, leaving, I hope, the possibility of a third chapter. Fans of the first film will arrive with high expectations and come home happy.
Parents should know that this film include brief mild language and many sexual references including infidelity and multiple partners.
Family discussion: Why was it difficult for Evelyn and Douglas to reach an understanding about their relationship? What was Sonny’s biggest mistake?
If you like this, try: the original “Best Exotic Marigold Hotel” and “The Lunchbox”