Hector and the Search for Happiness

Posted on September 25, 2014 at 5:00 pm

hector

Simon Pegg stars as Hector in this gentle fable based on the whimsical French novel by psychiatrist Francois Lelord.  Like Lelord, Hector is a psychiatrist.  He has a “tidy” life with a nice girlfriend named Clara (“Gone Girl’s” Rosamund Pike), nice patients, and a nice apartment.  But he is missing something.  He wonders if he is really helping people.  And he is not sure what he is helping them toward.  If he is not sure what happiness is, how can he guide his patients toward finding it?

Your level of happiness on viewing this film will vary depending on your tolerance for whimsy and your affection for last year’s The Secret Life of Walter Mitty, as it is almost exactly the same movie, though not as good.

Hector decides that what he needs to do is travel around the world to learn about happiness.  Clara is troubled, and wonders what it might mean for their relationship — especially since he won’t say when he is coming back.  She wonders if “researching happiness” is just a euphemism for “finding Agnes,” the mysterious woman whose photo she found in Hector’s sock drawer (labeled “Hector’s Socks” — he is very tidy).  But she is supportive, and gives him a notebook for his discoveries, directing him to “fill these pages.”  “If you’re going to do this, do it totally,” she says. “Make it worthwhile.”

And so he sets off on a series of adventures and encounters that will teach him something about happiness.  He first meets a genial businessman named Edward (Stellan Skarsgård), who introduces him to one notion of happiness: the kind that can be bought.  Hector enjoys wine, women, and club music.  He enjoys is all so much that he conks out before he can accept the advances of a beautiful “student” (Ming Zhao).  He wonders at first whether it is possible that happiness means the freedom to love two women at the same time, and then discovers to his distress that the interest and affections of the “student” were purchased for him by Edward.  Being rich, being important, believing you are captivating to a “student” — that does not seem to be the answer.  “Sometimes happiness is not knowing the whole story.”

This is the point at which you are either going to go with the premise and tone or you’re not.  It’s either a fairy tale, in which the encounters are metaphors, or it is supposed to be grounded in some semblance of reality, in which case it’s solipsistic, kind of seedy and mired in stereotypes.  For me, it was a fairy tale, and so I gave it some leeway.

Hector’s travels take him to visit an old friend who runs a clinic in Africa, where he runs into a cute sick kid and a vicious but also kind of cute drug lord (Jean Reno), both of whom he helps, and also learns that his friend is gay.  He is captured by gangsters and almost killed until providentially, like a character in a fantasy game who just happened to have picked up a golden arrow and some magic beans, he has the token he needs to get out of jail if not free, at least relatively unscathed.  He meets a dying woman who is philosophical and at peace.  He meets up with Agnes (Toni Collette) and has his brain scanned by a scientist (Christopher Plummer) who is studying the biological basis for happiness.  He takes notes.  He has Skype-fights with Clara.  He learns many important lessons, and, like Dorothy Gale of Kansas, learns that the answer was inside him all along and there’s no place like home.

It is a pleasant little trifle as long as you do not take it too seriously.  If you understand that it is all inside Hector’s head, and that his adventures are more akin to The Little Prince’s planetary hops than to anything resembling reality, it has charm and even some reminders that we get more happiness from what we do for others than from what they do for us.

Parents should know that this movie includes very strong language, scenes of criminal activity including beatings, death threats, and imprisonment, drug dealing, scenes of injured and dying characters, prostitutes, sexual situations, and nudity.

Family discussion: Which of the observations Hector wrote in his notebook do you think were most important? Why did he have to get away from home to understand what he had? Why didn’t things work out with Agnes?

If you like this, try: “The Secret Life of Walter Mitty”

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Based on a book Comedy Drama Romance

This is Where I Leave You

Posted on September 18, 2014 at 5:59 pm

B-
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for language, sexual content and some drug use
Profanity: Very strong and crude language
Alcohol/ Drugs: Drinking, smoking, drugs, references to pharmaceuticals
Violence/ Scariness: Scuffles, sad death
Diversity Issues: None
Date Released to Theaters: September 19, 2014
Date Released to DVD: December 15, 2014
Amazon.com ASIN: B00K2CI008
Copyright 2014 Warner Brothers
Copyright 2014 Warner Brothers

A toddler carries his little potty out in front of the house so he can try out his new-found skill in public. Twice. Plus another time when the contents of the potty are first displayed for the family and then kind of accidentally tossed onto one of the relatives. This is pretty much the theme of “This is Where I Leave You,” one of those estranged relatives gathering under pressure movies that tries to put the “fun” in dysfunctional.” It’s pretty much great actors trying to make sense of characters who are continuously inappropriate, unpleasant, and miserable, with boundary issues that make Russia/Ukraine seem manageable. And they almost succeed.

Jonathan Tropper wrote the screenplay based on his novel about four siblings returning home for their father’s funeral. Their mother Hillary (Jane Fonda) is a family therapist and the author of a best-selling book on child development that (boundary issue alert) revealed many embarrassing details about the siblings and is now celebrating the 25th anniversary of its initial publication with a re-release. She is given to wildly inappropriate revelations about her sex life with their father (another boundary alert), and showing off her newly enhanced breasts.

She tells her four children that their father’s last wish was for them to observe the Jewish tradition of sitting “shiva,” a seven-day period of mourning where the family stays at home together and receives visits from those who wish to pay condolences.  They understand that “it’s going to be hard and it’s going to be uncomfortable, and we’re going to get on each other’s nerves.”  But, Hillary says, they have no choice.  “You’re grounded.”

They try to protest, but reluctantly agree. Paul (Corey Stoll) is the only one who has stayed in their hometown, the responsible brother who took over the family business, and married Annie (Kathryn Hahn), who is struggling with fertility issues. Wendy (Tina Fey) is married to one of those guys who is always on his cell phone talking about some big financial deal. She has two children, the aforesaid toddler and a baby. Judd (Jason Bateman) is in freefall, having just learned that his wife has been having an affair with his skeezy boss (Dax Shepard), the host of a shock jock radio show called “Man Up.” And then there is Philip (Adam Driver), the irresponsible baby of the family, who arrives in a Porsche convertible, with a new girlfriend named Tracy (Connie Britton), who is much older and a therapist.  You don’t need to be a therapist to figure out that there are some mommy issues there.  Everyone but Phillip is aware that Tracy is way out of his league and he does not deserve her.

The three out of town siblings all encounter past loves.  Wendy’s is Horry (Timothy Olyphant), who was brain-damaged in an accident and still lives with his mother Linda (Debra Monk), Hillary’s neighbor and close friend.  Phillip sees Chelsea (Carly Brooke Pearlstein), who looks, as Tracy notes, like a Victoria’s Secret model.  And Judd sees Penny (a terrific Rose Byrne), living back in their home town and teaching figure skating.  Each presents temptations as the siblings struggle to make sense of their choices, and struggle even more to communicate.  “Deflecting emotion with logistics.  Nice.” “It’s what we do.”  Some secrets will be revealed (though not always intentionally) while others are protected.

Tropper’s screenplay is better than the book because we are not limited to Judd’s depressed narration and because it corrects what I thought was a mistake in the final resolution of Judd’s relationship with his wife.  And it is helped a great deal by performances that give the characters more believability and complexity than the book did.  But director Shawn Levy (“The Internship,” “Night at the Museum”) has always been stronger with broad comedy than with narrative, romance, and sentiment, and this storyline plays into his tendency to meander. Are we supposed to laugh at the Altmans because they are so awful or sympathize with them because all families are crazy at times? The bad choices, lack of respect, and wild swings of character keep us distant from the characters, despite the best efforts of the terrific cast.

Parents should know that this film includes very strong and crude language, sexual references (some vulgar) and explicit situations, nudity, adultery, drinking, smoking, marijuana and pharmaceuticals

Family discussion: How are the Altman siblings alike? How are they different? How do you feel about “complicated?”

If you like this, try: “This Christmas” and “Flirting With Disaster”

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Based on a book Comedy Drama Family Issues Movies -- format

Bill Hader’s 200 Movie-List for Comedy Writers

Posted on September 3, 2014 at 3:59 pm

SNL’s Bill Hader has a great list of the top 200 movies anyone interested in comedy should see.  And of course that means that they’re great choices for anyone who likes to laugh.  I love all of his choices and was very glad to see classics from Billy Wilder, Preston Sturges, and Howard Hawks.

 

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Actors Classic Comedy Lists

The Simpsons Binge Watch: Every Episode Plus the Movie

Posted on August 20, 2014 at 3:59 pm

Get your food delivery menus ready.  Unplug your phone.  All 552 Simpsons episodes will be broadcast in order, starting tomorrow. They include scenes cut in syndication that have not been on television since the original broadcast. And of course they include some remarkably prescient moments that predicted the future so accurately we can only watch again to guess what other developments in the series are still ahead of us.

https://www.youtube.com/watch?v=qq4w74r8HKY#t=27

The new season starts September 28.

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Animation Comedy Television

Let’s Be Cops

Posted on August 14, 2014 at 8:00 am

C
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for language including sexual references, some graphic nudity, violence and drug use
Profanity: Very strong and crude language
Alcohol/ Drugs: Drinking, marijuana, meth
Violence/ Scariness: Law enforcement peril and violence, guns, many characters injured and killed
Diversity Issues: Diverse characters, some racial, sexist, and homophobic humor
Date Released to Theaters: August 15, 2014
Copyright 2014 Twentieth Century Fox
Copyright 2014 Twentieth Century Fox

Oh, let’s not.

As generic as its name and way too long, any significant connection “Let’s Be Cops” has with its audience comes from the increasing sense of regret that this talented cast wasted its time — and ours.

The title is the elevator pitch.  Two hapless losers dress up as cops, like the respect and sense of power they get, and decide to wear the uniforms some more so that they can order people around and get past the velvet rope at a nightclub.  And impress a girl.

Highly likeable “New Girl” co-stars Damon Wayans, Jr. and Jack Johnson play Justin and Ryan, 30-year old Perdue alums and roommates who are reminded by a reunion party that they have not accomplished very much.  Justin has a low-level job at a video game company and is too shy to get the attention of the boss for the new game he has developed, which is about a policeman.  That’s why he has a couple of authentic uniforms on hand.  Ryan is a sometime actor who — wait for it — is living off the residuals he got for a herpes medicine commercial.  Oh, my sides!

The un-dynamic duo misunderstand the invitation to the reunion party and arrive in costume to find everyone else in business attire with masks.  Why?  No reason except an improbable basis for the even more improbable premise.  They leave, embarrassed, but when people on the street believe they are real cops, they think it is a lot of fun.  Justin is ready to walk away, but Ryan gets into character, watching YouTube videos to learn police lingo and skills.  Pretty soon, Justin is impressing a pretty waitress (“Vampire Diaries'” Nina Dobrev) and Ryan is messing with some guys who crunched his car.  It is obvious that these are very scary gangsters, but of course Ryan has no clue and Justin is having way too much fun engaging them in a law enforcement version of Simon Says to pay attention.

The rest of it plays out exactly the way you’d imagine, with the only bright spot Key & Peele’s Keegan-Michael Key hilarious appearance as a tattooed low-level driver for the bad guys, sort of the fake cops’ Huggy Bear.  His too brief-appearance only reminds us of the comedic chaos this film is missing.  The funny parts aren’t funny enough (Really?  Wrestling a naked fat guy?  Wasting Rob Riggle as a straight man?  Being high on meth? Flirting with a drugged-out floozy?).  The action parts aren’t exciting enough.  The big surprise twist is neither big nor a surprise. Gene Siskel used to say that the movie should be better than watching the same actors talk over lunch. This one doesn’t come close.

Parents should know that this film has strong and crude language, sexual references and situations, male and female nudity, violence and peril with characters injured and killed, alcohol and drug use (marijuana and meth).

Family discussion: How did Justin and Ryan differ in their thinking about pretending to be policemen? How did their experiences change their ideas about what they were capable of?

If you like this, try: “The Other Guys” and “The Heat”

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Comedy Movies -- format
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