About Last Night

Posted on February 13, 2014 at 6:00 pm

B
Lowest Recommended Age: Adult
MPAA Rating: Rated R for for sexual content, language and brief drug use
Profanity: Very strong, crude, and explicit language
Alcohol/ Drugs: Drinking, drunkenness, scenes bars, marijuana
Violence/ Scariness: Comic peril
Diversity Issues: Diverse characters
Date Released to Theaters: February 14, 2014

about-last-night03Kevin Hart, who starred in the surprisingly successful “Ride Along” just last month, is back with a much sharper, funnier comedy that is ideal for making the best use of his brash, motormouth persona. Even more important, for the first time Hart appears opposite someone who is every bit his match, the fabulously talented and knock-out gorgeous Regina Hall. It’s one of the best on-screen romantic pairings since Mae West and W.C. Fields.  As a funny post-credit scene shows, she not only kept up with him every step of the way, she challenged him to do better.  It is clear he is not only upping his game but having a blast.

David Mamet’s play “Sexual Perversity in Chicago” was softened a bit for its 1986 movie version, also called “About Last Night,” a romantic comedy starring Rob Lowe, Demi Moore, Jim Belushi, and Elizabeth Perkins. But it was still, for its time, provocatively frank in its portrayal of two couples who were navigating a world that was post Mr. Goodbar but pre-AIDS, pre-Tinder, and pre use of the term “booty call.”

Like the original, there is a serious couple and a comic couple. As the movie begins, Bernie (Hart) and Joan (Hall) are each giving their best friends all the details (and I mean all) of the wild, drunken sex within moments of meeting at a bar the night before. Their friends are Danny (Michael Ealy, with a lot of leading man sizzle) and Debbie (Joy Bryant, with one of the best smiles in Hollywood), both serious, stable, and gunshy about relationships following some bad experiences. Bernie and Joan bring their friends along to their second meeting, otherwise known as the “this isn’t a date date.”  Bernie and Joan introduce them to each other as “boring,” and that, more than any other reason, prompts them to try to interact and prove that it isn’t true.  “I’m not really boring,” Debbie explains.  “I just pretend to be so she can be the crazy one.”  Debbie and Danny have sex within hours after meeting, uncharacteristic impulsivity for both of them, and then they worry about what it all means.

Danny and Debbie end up moving in together but poor communication, struggles with intimacy, and Danny’s insecurity over losing his job while Debbie is professionally accomplished. No one seems to know what it means to have sex, to live with someone, to say “I love you” first, to decide to get a puppy. And no one is clear about what it should mean — Danny and Debbie want to have a relationship (most of the time) but sometimes it scares them. And when one of them gets scared, the other’s feelings get hurt.

What keeps this part of the story from bogging things down is the energy and oh-no-you-didn’t outrageousness of the bicker/banter, which starts out down and dirty and then gets even down and dirtier.  From the opening blast of “Sex Machine” through a series of hilariously explicit conversations swinging back and forth between confident assertions about the most intimate specifics and panicked cluelessness about the basics of any form of interaction out of bed.  So, there’s a lot of theories about how to behave and a lot of failure to carry it off.  Danny’s problems at work and with an ex are under-written distractions that don’t work as well as the silly fun of a costume party that has Danny and Debbie dressed as Ike and Tina Turner.  The energy and chemistry of the four leads keeps things moving so briskly that it diminishes the familiarity of the material.  And, more important, it keeps us hoping for a happy ending.

Parents should know that this is a very raunchy comedy. It features extremely explicit sexual references and situations, sexual humor including many jokes about casual sex and various sexual acts and body parts, drinking and drunkenness, drinking games, and marijuana.

Family discussion: Why did Danny keep asking Debbie if they were fighting? Why did Bertie and Joan enjoy making each other angry?

If you like this, try: the original version, starring Rob Lowe and Demi Moore (briefly glimpsed in this remake), “He’s Just Not That Into You,” and “Think Like a Man”

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Based on a play Comedy Movies -- format Remake Romance

Original Version: About Last Night…

Posted on February 9, 2014 at 7:42 am

First there was a play about what was not then yet called “hookup culture” or “booty calls” by pre-“Glengarry Glen Ross”/”The Verdict” David Mamet.  The title was “Sexual Perversity in Chicago.”  Both the title and the script were softened for a 1986 movie starring Demi Moore, Rob Lowe, Jim Belushi, and Elizabeth Perkins.  The remake opening this week stars Kevin Hart, Regina Hall, Michael Ealy, and Joy Bryant.

http://www.youtube.com/watch?v=-f_8ixgO7M8
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Comedy For Your Netflix Queue Original Version Romance

The LEGO Movie

Posted on February 6, 2014 at 6:00 pm

A-
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for action and crude humor
Profanity: Some schoolyard language ("butt")
Alcohol/ Drugs: None
Violence/ Scariness: Cartoon-style peril and violence, no one hurt
Diversity Issues: Diverse characters
Date Released to Theaters: February 7, 2014
Date Released to DVD: June 18, 2014
Amazon.com ASIN: B00HEQOC2A

LEGO movie Everything is awesome in this fast, fresh, funny, and utterly adorable movie set in the vast world of LEGOs.

Last year at Comic-Con the filmmakers said that there are two great things to do with LEGOs — you can follow the instructions and make something awesome.  Or, you can ignore the instructions and make something awesome.  Here, they pay tribute to both in the storyline and in their own meta-approach to the material, deconstructing classic movie narratives over here, re-constructing them over there, and adding in some delicious humor and sublime guest stars of both the LEGO and human variety.  So when a Gandalf-y looking guy with the deep, familiar voice of Morgan Freeman intones a prophecy about a chosen one, we file it away as the underlying frame for the story — for a couple of seconds until he advises the confused crowd that it has to be true because it rhymes.  Big-time Lugnuts and Brick-heads will find plenty of in-jokes and wonky charm and those who don’t know their minifigures from their master builders will enjoy the wit, the silliness, and the surprisingly touching conclusion.

The movie winsomely begins with LEGO logos, immediately welcoming us into a playful, tactile world.  And then we meet our unassuming hero, the cheerful Emmet (a terrific Chris Pratt), who greets each day with joyful energy and loves everything about his life.  At least, that’s what he tells us as he follows the instructions for getting ready for work on a construction site.  The song “Everything is Awesome” (from Tegan and Sara) plays brightly everywhere.  Instructions are clear and faces are painted in a smile.  But Emmett is lonely.  Everyone seems to have friends to hang out with but no one invites him to come along.  He loves being part of a team but kind of misses having something special and different.

And then, the brave and glamorous Wyldstyle (Elizabeth Banks), with her fetching streaked ponytail, shows up and he follows her down the LEGO equivalent of a rabbit hole to discover that everything he thought he understood about his world of following instructions and being part of a team is at risk.  President Business (Will Ferrell) is about to unleash a terrible weapon, and apparently Emmet is the only one who can stop him.  There are worlds beside and under worlds and within other worlds here — you could make an “Inception”-style map that takes you from the wild west and Middle Zealand to Cloud Cuckoo-land.  The film makes clever use of the properties of LEGOs, their endless variety of characters and projects and their comforting sameness of structure and inflexibility.  It avoids becoming an infomercial by keeping the focus on the story and the goal of creativity.  Emmet and Wildfire are joined by Batman (Will Arnett’s dry baritone nails it), Vitruvious (Freeman), a pirate cyborg (Charlie Day), and a rainbow unicorn-kitty (Alison Brie).  Their foes include President Business’ two-faced henchman whose head swivels to allow him to be both good and bad cop (a very funny Liam Neeson).  It would be criminal to give away any of the movie’s many surprises and the mind-bendingly cool guest appearances, but I will mention that a couple of them arrive from a galaxy far, far away.

There are some unexpectedly heartwarming moments about family and the importance of imagination.  The bad guy is not called President Business for the usual reasons.   And there’s an unusually astute resolution to the final confrontation.  I especially enjoyed some very clever satire about the kind of entertainment we too often settle for.  If only they had known about Facebook’s 10th anniversary gift to each of its subscribers of “look back” mini-movies of their own lives — but not even “The LEGO Movie” could have come up with anything that solipsistically deranged.   But this movie is itself the best possible antidote to the tendency to settle for lowest-common-denominator formula story-telling.  It won’t just inspire you to see better movies; it will inspire you to make your own.

Parents should know that this film has cartoon-style peril and violence with many threatened injuries but no one hurt, a parent-child confrontation, some potty humor, and schoolyard language.

Family discussion: How do you decide whether you are special? Is it more fun to follow directions or make something up? What parts of the LEGO world do you recognize?

If you like this, try: the “Toy Story” movies and “Robots” — and build something with LEGOs!

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3D Animation Comedy DVD/Blu-Ray Pick of the Week Family Issues Fantasy For the Whole Family

Charlie Chaplin’s 100th Year of Movies

Posted on February 2, 2014 at 8:00 am

One hundred years ago this week, British music hall star Charlie Chaplin made his first Hollywood film, the silent “It’s a Living.”

It would be a little while before his classic character of the little tramp really came together.

http://www.youtube.com/watch?v=iu-rLA4POkI

He became an international superstar without saying a word.  He had unparalleled physical wit and timing.

http://www.youtube.com/watch?v=OTt2f-DReYY

He could make you laugh and break your heart at the same moment.

Here the blind girl who thought he was a millionaire when she could not see, and knew him only by the touch of his hand, discovers that he is a poor man who gave up everything to pay for the operation to restore her sight.

http://www.youtube.com/watch?v=LHBHdYgg9fI

His movies are still timely for their commentary on society.

http://www.youtube.com/watch?v=jI3LIqinSto

Robert Downey, Jr. played him brilliantly in the biopic “Chaplin.”

I also recommend Stephen Weissman’s superb biography, Chaplin: A Life.

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