Little Orphan Annie: From Comic Strip to Radio, Broadway, Television, and Two Movies

Posted on December 18, 2014 at 8:00 am

Copyright Harold Gray and Tribune Syndicate
Copyright Harold Gray and Tribune Syndicate

The spunky little girl with the curly red hair and a dog named Sandy began as Little Orphan Annie in 1924, created by Harold Gray.  Her pluck, self-sufficiency, and resilience caught the imagination of the Depression-era audience in the 30’s, and soon she was everywhere. You could buy books, dolls, jewelry, even dishes showing Annie with her iconic red dress and pupil-free eyes. There was a popular radio program (remember Ralphie and his Little Orphan Annie decoder disappointment in A Christmas Story. After Gray’s death, the strip was continued by the brilliant Leonard Starr (Mary Perkins On Stage).

In 1977, the Broadway musical version became one of the biggest hits in history. Here is the original star, Andrea McArdle, singing “Tomorrow.”

Dozens of young girls appeared in the play, including Sarah Jessica Parker. The documentary Life After Tomorrow has interviews with many of them about the stress of auditions and performing and how it affected their feelings about growing up.  And in 2013, PBS aired another documentary about the casting of a revival of the stage show.

The 1982 movie musical version starred Albert Finney, Aileen Quinn, Carol Burnett, and Bernadette Peters and was directed by John Houston.

In 1999, a version made for television starred Alan Cumming, Audra McDonald, Kristin Chenoweth, Kathy Bates, Victor Garber, and Alicia Morton.

All of those versions kept the 1930’s setting — they even feature a rousing musical number with Franklin Roosevelt and his Cabinet.  But this week’s release, produced by Will Smith, Jada Pinkett Smith, and Jay-Z, updates the story to the era of Instagram and Twitter.  It stars Jamie Foxx, Cameron Diaz, Rose Byrne, and, as Annie, “Beast of the Southern Wild’s” Oscar-nominated Quvenzhané Wallis.

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Comic book/Comic Strip/Graphic Novel Lists Remake

Wonder Woman’s Amazing Secret History

Posted on November 20, 2014 at 8:00 am

Copyright Knopf 2014
Copyright Knopf 2014

Historian Jill Lepore is one of my favorite writers and I am also a Comic-Con-attending fangirl, so I was thrilled to get a chance to hear Professor Lepore speak at the Smithsonian about her new book, The Secret History of Wonder Woman.

There are only three superheroes who have appeared for decades without any interruptions: Superman, Batman, and Wonder Woman. But like Superman and Batman, she has taken on many forms and cultural signifiers over the decades. She was way ahead of her time as a feminist symbol. She was from a matriarchal culture and exemplified independence and courage. But she was only permitted to join the Justice Society after a poll of comics readers, and, once she joined, she served as its secretary, sitting primly and taking notes.

Lepore’s focus was less on Wonder Woman as a character, a symbol, or a work of art but as the creation of an historic figure, one who was well known for his scholarship and invention, but who led a life of secrets that were reflected in his most famous creation.

Lepore considers her the “missing link” between feminism in the first half of the 20th century (women’s suffrage to Rosie the Riveter) and the second half (the rise of the women’s movement in the 70’s and the broader opportunities for women following the Equal Rights Act).

Wonder Woman was the creation of William Moulton Marston, a remarkably accomplished man who had both a law degree and a PhD in psychology from Harvard.  Lepore described details of his life which were reflected in the Wonder Woman character and storylines.  Marston was one of the inventors of the polygraph lie detector test, probably the inspiration for Wonder Woman’s lasso of truth.  Those captured by her magic rope cannot lie.  Marston was also a committed feminist.  While some Wonder Woman fans have have noted the superheroine’s frequent appearance in bondage, Lepore is the first to connect this directly to the images used by early 20th century feminists in their pursuit of the vote, birth control, and other rights for women.  Marston also lived with and had children with two women, his wife and a kind of “sister-wife,” who was the niece of birth control pioneer Margaret Sanger.   This arrangement allowed his wife to pursue her career while the children were cared for by the “other mother.”

Marston believed that comics had a great power to communicate and explicitly intended Wonder Woman to carry his message of female empowerment.  A story published in 1943 had her becoming President — a thousand years in the future.

 

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Books Comic book/Comic Strip/Graphic Novel

Big Hero 6

Posted on November 6, 2014 at 5:59 pm

B+
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for action and peril, some rude humor, and thematic elements
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Cartoon-style peril and violence, sad death, grieving parent becomes destructive
Diversity Issues: Diverse characters
Date Released to Theaters: November 7, 2014
Date Released to DVD: February 23, 2015
Amazon.com ASIN: B00O4ZC57
Copyright 2014 Walt Disney Studios
Copyright 2014 Walt Disney Studios

Hiro (Ryan Potter) is a super-smart kid who likes to hustle underground robot fighters with his deceptively cute-looking little bot.  He has no interest in going to school until the older brother he adores (Daniel Henney as Tadashi) brings him to the robot lab at the university he attends.  When Hiro sees all of the lovable nerds (and one non-nerdy slacker named Fred who dresses as the school mascot) making awesomely cool creations, he gets very excited about joining them.  He has to invent something spectacular to get admitted, and so he gets to work and comes up with something extraordinary, a system of tiny bots who can form themselves into almost anything.

But then Tadeshi is killed trying to rescue his professor from a fire.  Hiro is devastated.  The brothers were orphans.  While their aunt (Maya Rudolph) does her best, Hiro and Tadeshi were all that was left of their family, and now Hiro is devastated at being alone.  He refuses to go anywhere or talk to anyone.

But Tadeshi left someone behind.  It turns out he was working on developing a robot called Baymax, designed to be a kind, reassuring, gentle healer.  Baymax is equipped with extensive diagnostic and treatment capacity but his look is intended to be non-threatening.  He looks like a big, white balloon, or, as one character says, like a marshmallow man.  He is as far from a weapon or fighter as it is possible to be.  But when Hiro and the robotics nerds find out that Hiro’s invention has been stolen and will be used for destructive purposes, they get together to use their skills, their courage, and, most of all, their sense of what is right to save the day.

The film, loosely inspired by Marvel’s comic book, is filled with engaging characters and imaginative touches.   The setting is “San Fransokyo,” a California/Japan mash-up that seems familiar and real but also intriguingly foreign.  It is a pleasure to see Disney’s most diverse set of protagonists ever, race, gender, and even economic. The bending of stereotypes is done with an effortless flair. And it is great to see a movie for the family that acknowledges the fun and excitement of being smart and working hard.  We get a lot of movies for kids about the importance of friends and family, following your dreams, and being yourself, and all of that is here, too.  But we don’t get many about solving problems through study and experimentation.  It’s very nice to see a film that recognizes that it is cool to be smart.

NOTE: Please stay all the way through the credits for an extra scene that is a lot of fun, especially if you are a Marvel fan.  And be sure to get there on time as the Oscar-nominated pre-feature short film “Feast,” about a hungry puppy, is completely charming, hilarious, and sweet.

Parents should know that this film includes cartoon-style action, peril, and violence, very sad sibling death (off-camera), other characters apparently killed, grieving parent who becomes destructive, and brief potty humor.

Family discussion: What kind of robot would you like to build? Which of the characters is most like you?

If you like this, try: “The Iron Giant,” “Wreck-It Ralph,” and “Bolt”

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Exclusive Clip! See Jim Davis Drawing Garfield the Cat in Garfield’s Holiday Collection

Posted on November 5, 2014 at 3:41 pm

We are delighted to have an exclusive peek at a behind-the-scenes bonus clip from Garfield’s Holiday Collection. You can see Jim Davis drawing Garfield, star of the most widely syndicated comic strip in the world.

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Animation Behind the Scenes Comic book/Comic Strip/Graphic Novel Talking animals

Big News From Marvel: Black Panther, Dr. Strange, and Much, Much, MUCH More

Posted on October 28, 2014 at 6:46 pm

Wow, Marvel really knows how to make an announcement. Get out your calendars:

May 6, 2016: Captain America: Civil War
Nov. 4, 2016: Doctor Strange
May 5, 2017: Guardians of the Galaxy 2
July 28, 2017: Thor: Ragnarok
Nov. 3, 2017: Black Panther
May 4, 2018: Avengers: Infinity War – Part I
July 6, 2018: Captain Marvel
Nov. 2, 2018: Inhumans
May 3, 2019: Avengers: Infinity War – Part II

And here’s what makes it extra cool.  Captain Marvel will be the first in the series about a female superhero and Black Panther will be the first starring a person of color.  I was really happy to hear that Chadwick Boseman, who has previously played Jackie Robinson (“42”) and James Brown (“Get on Up”) has been cast as the Black Panther.  For more details about these characters and the gleanings from the titles by the fanboys and fangirls, check out #MarvelEvent tweets.

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