Toast

Posted on October 6, 2011 at 5:59 pm

Lowest Recommended Age:	Mature High Schooler
MPAA Rating:	Not rated
Profanity:	Some strong language
Alcohol/ Drugs:	Drinking, smoking
Violence/ Scariness:	Sad death of parent
Diversity Issues:	Diverse characters,
Date Released to Theaters:	October 7, 2011
Amazon.com ASIN:	B004UFA0RE

“Being normal is overrated,” a young boy’s friend assures him. “You’ll probably turn out to be very interesting.”

He was right. British chef and food writer Nigel Slater tells his own story in “Toast”. His mother was a terrible cook. When he suggested they try fresh produce, she explained that they were better off with canned food because you don’t know where the fresh vegetables had been. She would boil the food in the can and if it came out especially badly they would have toast for dinner. She loved Nigel with all her heart and he adored her. But he never felt close to his gruff father (Ken Stott). And then his mother died. Nigel correctly discerned that the cleaning woman his father hired (Helena Bonham Carter) was determined to be promoted to lady of the house. She and Nigel were engaged in an all-out war that was tragic but darkly comic because the battlefield was the kitchen.

This film was produced for BBC television and it assumes a familiarity with British dialect and culture that may be confusing for American audiences, even the Masterpiece Theatre-loving Anglophiles. And some family members have disputed the accuracy of Slater’s portrayal. It spends too much time on the early part of Slater’s life (played as a child by Oscar Kennedy) and not enough on his teen years (played by Freddie Highmore). The tone keeps it engaging, though, because Slater’s point of view does not get maudlin. When his stepmother is portrayed as a grasping shrew we understand that it is through his eyes as an unforgiving teenager and, as the last scene makes clear, that he recognizes that living well is the best revenge. Except for maybe being the one to tell the story.

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50/50

Posted on September 29, 2011 at 6:00 pm

B+

Lowest Recommended Age:	Mature High Schooler
MPAA Rating:	Rated R for language throughout, sexual content and some drug use
Profanity:	Constant very strong and crude language
Alcohol/ Drugs:	Drinking, drug use
Violence/ Scariness:	Character has cancer and the movie deals frankly with the diagnosis and treatment
Diversity Issues:	None
Date Released to Theaters:	September 30, 2011
Amazon.com ASIN:	B004QL7KKC

When Seth Rogen’s friend Will Reiser got a rare form of cancer at age 24, they bolstered their courage by imagining a movie that would be true to their experience. The movies they knew about people with cancer had characters who were (1) older, (2) transformed into saintliness and transcendence and reconciliation, and (3) by the end of the movie — dead. Reiser barely knew how to live as an independent adult. While his contemporaries were worried about dating and figuring out their careers, he was forced to deal with dire, literally life and death decisions.

Resier recovered and wrote this screenplay and Rogen co-produced and played the character based on himself. The result is a movie that captures the surreal nature of being seriously ill, the way you feel as though you appear to be on this planet but in reality you are living somewhere else, Planet Cancer, and the “normal” life around you is at the same time disconcerting and reassuring. But this is also a movie filled with hope, and humor, and inspiration. No one is transformed into saintliness or transcendence but there are lessons learned, losses borne, and hurdles overcome.

http://www.youtube.com/watch?v=mMaJET7mD0M

The superb Joseph Gordon-Levitt plays Adam, a 27-year-old who works for NPR. We first see him on an early morning run, stopping at a red light even though there are no cars around for miles. This is a guy who follows the rules. And then what he thinks is a backache turns out to be a rare form of cancer, a tumor on his spine, which his doctor describes as “quite fascinating.” He is still in the early stages of a relationship with Rachael (Bryce Dallas Howard), an artist. “I have a drawer? We’re getting so domestic.”

Rachael means well and even likes the idea of herself as a loyal girlfriend, but she also feels trapped by Adam’s illness. Adam’s mother (Anjelica Houston) wants to help, but that threatens Adam’s still-fragile sense of independence. Adam meets with a young grief counselor (Anna Kendrick as Katherine) who is just as new to counseling as he is to grieving.

Kyle (Rogen) is immature and squeamish, but it turns out that he is braver than he or Adam knew. What he lacks in judgment and tact he makes up for in heart and candor. When he hears that Adam’s odds are 50/50, he looks on the bright side with a metaphor drawn from his own priorities: “If you were a casino game, you’d have the best odds!” And then there’s priority number one — Kyle assures Adam that cancer is a real chick magnet.

I don’t know whether that which does not defeat you makes you stronger. But that which does not defeat you does show you how strong you are, and how strong your relationships are, too. Reiser’s insightful script and Gordon-Levitt’s sensitive performance make this one of the year’s most satisfying films.

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Citizen Kane

Posted on September 25, 2011 at 7:51 pm

A+

Lowest Recommended Age:	Middle School
MPAA Rating:	NR
Profanity:	None
Alcohol/ Drugs:	Drinking, smoking, sometimes to excess
Violence/ Scariness:	Tense confrontations, sad death
Diversity Issues:	Character makes an anti-Semitic remark
Date Released to Theaters:	1941
Date Released to DVD:	September 26, 2011
Amazon.com ASIN:	B0050G3NWG

“Citizen Kane” has topped more “all-time best” lists than any other movie and this 70th Anniversary Ultimate Collector’s Edition is a treat for passionate fans and those who still have the thrill of seeing it for the first time ahead of them.

Orson Welles was only 26 but already an accomplished writer/director with a distinguished body of work on stage and radio. He and writer Herman J. Mankiewicz wrote the script, inspired by the life of publishing titan William Randolph Hearst. Welles directed and starred in the title role of a wealthy young man who turns from idealistic newspaper owner to political candidate to bitter recluse. It is worthy of every accolade it has received and more.

http://www.youtube.com/watch?v=zyv19bg0scg

This magnificent film influenced and inspired everything that came after. And the sumptuous extras that come with this anniversary edition are treasures, especially the scene-by-scene commentary by Roger Ebert, almost as entertaining and illuminating as the film itself, with insights and details of technology and artistic innovation that are mind-boggling. There’s a separate commentary by director/historian Peter Bogdanovich and interviews with editor Robert Wise (who later became a director) and co-star Ruth Warrick (who played Kane’s first wife and later went on to star in “All My Children”).

Dolphin Tale

Posted on September 22, 2011 at 6:41 pm

B+

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for some mild thematic elements
Profanity:	Some schoolyard language
Alcohol/ Drugs:	Some alcohol
Violence/ Scariness:	Injured human and animal characters, offscreen wartime violence, recovering human and animal amputees, discussion of parental loss and abandonment
Diversity Issues:	Diverse characters
Date Released to Theaters:	September 23, 2011
Date Released to DVD:	December 12, 2011
Amazon.com ASIN:	B004EPZ01G

It won’t be available for sale until next week but I just can’t wait to feature this terrific film. I have a copy to give away so if you’d like to enter, send me an email at moviemom@moviemom.com with Dolphin in the subject line and don’t forget your address! I’ll pick a winner December 16.

Clearwater Florida’s star attraction Winter, the dolphin with the prosthetic tail, plays herself in a heart-warming story that is one of the best family movies of the year.

The human characters are fictional, but Winter really did lose her tail and would not have survived without the development of a mechanical tail to allow her to swim. In this story, a nice connection is made not just between a lonely boy and the affectionate dolphin but between the two species who have to adjust to the loss of limbs and the use of mechanical replacements.

In this version, a boy named Sawyer (Nathan Gamble) has become something of a loner after his father left and his favorite cousin Kyle, a swim champion, joins the military. He is unhappy about being sent to summer school. All he wants to do is tinker with his remote controlled helicopter in his workshop and wait for his cousin to come home.

On the way to school one morning, he sees an injured dolphin on the beach. He gently cuts her free and whistles to her to keep her calm until the Marine rescue team arrives. Later, he sneaks into the aquarium where she is being cared for and meets the marine biologist in charge, Dr. Clay Haskett (Harry Connick, Jr.) and his young daughter, Hazel (Cozi Zuehlsdorff). Winter responds to Sawyer so well that they let him stay and help take care of her.

Hazel and Sawyer spend hours cradling Winter gently until she starts to try to swim. As Winter begins to get better, Sawyer starts to become a part of the community at the aquarium. His mother (Ashley Judd) is at first frustrated and angry that he has been ditching school. But then she realizes that he is learning far more from being with Winter at the aquarium than he could anywhere else. When Kyle comes back injured, both he and Winter will need to find the courage to confront their challenges. A lovably irascible doctor at Kyle’s VA facility (Morgan Freeman) thinks he can adapt the prosthetic technology they use to help the wounded veterans to give Winter a new tail.

And then just as Winter’s survival is on track, the survival of the aquarium and the marine program is at risk.

That’s a lot to handle, but writer/director Charles Martin Smith wisely keeps the focus on Sawyer and Hazel, and it is a treat to see their passion and optimism. Gamble and Zuehlsdorff have a lovely natural chemistry and the grown-ups in the cast provide able support. The story has a fairy tale quality, especially when it comes to saving the aquarium, and then the footage of the real-life disabled kids visiting Winter reminds us that the true story is even more magical.

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Moneyball

Posted on September 22, 2011 at 6:02 pm

A-

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for some strong language
Profanity:	Some strong language (much less than the book)
Alcohol/ Drugs:	Chewing tobacco, alcohol
Violence/ Scariness:	Tense family situations, sad references to injuries and letting players go
Diversity Issues:	Diverse characters
Date Released to Theaters:	September 23, 2011
Date Released to DVD:	January 9, 2012
Amazon.com ASIN:	B0060ZJ7BC

Brad Pitt is underrated as an actor. But he is the best there is when it comes to calibrating the deployment of his onscreen star power, which he uses as expertly as Meryl Streep does accents. Pitt can dial it down to one when he wants to play character actor and make it work. But here he dials it back up to eleven, giving the role of Oakland A’s manager Billy Beane a shot of pure movie magic in this real-life story about the man who turned baseball upside down by using computer formulas to select “undervalued” players.

The Oakland A’s feel like “a farm team for the New York Yankees.” They make players great and then lose them to the teams with budgets more than three times as large. All that money makes the playing field anything but level. “We’re a small market team and you’re a small market GM. I’m asking you to be okay spending the money we have,” the owner tells Beane. “There are rich teams and there are poor teams and then 50 feet of crap, and then there’s us,” is Beane’s frank appraisal.

The A’s cultivate and train players who leave for the teams that can pay the most. A game that is supposed to be about skill and drive seems to be just about money. And then Beane, in the midst of a negotiation with another team that is not going well, notices a nerdy-looking guy in the corner who seems to have some influence. After the meeting, that nerdy guy becomes Beane’s first draft pick.

He is Peter Brand (Jonah Hill), a shy wonk who comes to work for Beane and together they pursue a different direction. Instead of the century-old system of watching players hit, catch, throw, and run and try to figure out if that means they will be able to perform in the big leagues — a system that failed badly when Beane himself was recruited right out of high school — they will look at computer algorithms about what produces wins. Brand and Beane develop a roster like Warren Buffett puts together a stock portfolio. They look at fundamentals to figure out unrecognized value. Sort of a grown-up Bad News Bears. Or, as Brand puts it, an Island of Misfit Toys.

The script from two of the best screenwriters in history, Aaron Sorkin (“The Social Network”) and Steven Zallain (“Schindler’s List”) is well-structured and filled with smart talk. The scenes of Beane’s own pro career are too long and too distracting. But scenes with Beane visiting his ex-wife (Robin Wright) and her new husband and especially those with Beane and his daughter add warmth and urgency to the story. But it is Pitt who is in every way the heart of the movie, his natural confidence and grace a lovely balance to the formulas with Greek letters and the endless statistics. It is nice to see baseball, that most number-centric game, get upended by numbers. And yet it succeeds because it is that most cherished of traditions, the come-from-behind underdog story.

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