The Wizard of Oz

Posted on September 29, 2009 at 8:00 am

The 70th anniversary of this all-time classic is being celebrated with a beautiful new DVD release, a great chance for the family to sit down and watch what is probably the all-time greatest family film again.
Dorothy Gale (Judy Garland) lives in Kansas with her aunt and uncle and her dog, Toto. Mean Miss Gulch (Margaret Hamilton) swears she will have Toto taken away. Auntie Em and Uncle Henry support Dorothy, but they are too distracted by the coming tornado to pay much attention to her. Dorothy dreams of a place “over the rainbow” where everything is beautiful, “troubles melt like lemon drops” and “the dreams that you dream really do come true.” She starts to run away to protect Toto, but is sent back home by the kindly Professor Marvel (Frank Morgan), a traveling fortune-teller.

When the tornado arrives, Dorothy is outside the shelter. She goes to her room, where she is hit on the head by a piece of wood torn loose by the wind. The whole house rises, and is carried away by the tornado.

The house lands with a crash, and when she opens the door, she finds she has landed in the colorful world of Oz (the movie, black and white until this point, becomes technicolor). Her house has landed on the Wicked Witch of the East, killing her, and the tiny Munchkins celebrate Dorothy as a great heroine. Their friend Glinda the good witch (Billie Burke) arrives and gives her the Wicked Witch’s magic ruby slippers, just as the Wicked Witch of the West (Margaret Hamilton) arrives to take them. The Wicked Witch of the East was her sister. Furious, she swears revenge. Dorothy wants to go home and is told to seek out the Wizard of Oz, who lives in the Emerald City, for help.

On the way to the Emerald City, she meets a talking Scarecrow (Ray Bolger) who wants a brain, a Tin Woodsman (Jack Haley) who longs for a heart, and a cowardly Lion (Bert Lahr) who wants courage. They all join her, to seek the help of the Wizard. At the Emerald City, the Wizard at first refuses to see them, then finally tells them they must earn their wishes by bringing him the broom of the Wicked Witch of the West. They are captured by the Witch’s flying monkeys, and just as she is about to kill them, Dorothy douses her with water, trying to protect the Scarecrow from fire, and the witch melts.

They return to the Emerald City only to find that the Wizard cannot help them. He is a fraud, just “the man behind the curtain” whose terrifying displays of smoke and light hid a “humbug” who had no magical powers at all. But he is able to show the Scarecrow, Tin Woodsman, and Lion that they really did have what they were seeking all the time, and he promises to take Dorothy back to Kansas in his hot air balloon.

Toto jumps out of the balloon’s basket. Dorothy runs after him and misses the balloon launch. But, just as Dorothy despairs of ever going home, Glinda arrives and shows Dorothy that she had the means of getting home all the time. Back in Kansas, Dorothy wakes up to find her aunt and uncle, the farmhands, and Professor Marvel (who strongly resemble the Scarecrow, Tin Woodman, Lion, and Wizard), and tells them that “there’s no place like home.”

This movie is an ideal family film, superb in every aspect, with outstanding art direction, music, and performances. It is still as fresh and engrossing as it was in 1939, and improves with every viewing. If you ever have a chance to see it in on a big screen, in a theater with a good sound system, you will enjoy it even more.

It is hard to imagine what it would have been like with the original intended cast, including Shirley Temple as Dorothy and Buddy Ebsen as the Tin Woodsman. But 20th Century Fox would not loan its top star, and Ebsen was hospitalized when he inhaled the aluminum dust in the Tin Woodsman’s make-up. Judy Garland is a perfect Dorothy — vulnerable, sensitive, completely believable. On the brink of leaving childhood, her dreams of a place “over the rainbow” are in part a yearning to escape the concerns of adulthood.

There is something especially satisfying about the way that the main characters find what they need within themselves. Talk with children about the way that the Scarecrow demonstrates his intelligence, the Tin Woodman demonstrates his heart, and the Lion demonstrates his courage. Even the humbug Wizard finds that he had the means to go home all the time. Dorothy, who in the first part of the movie runs away from home to try to solve her problems, spends the rest of the movie trying to get back. Even if the story is just a dream (in the book, it is a real adventure), this makes a great deal of emotional sense, a way of working through her inner conflicts.

It is also worth talking about the scene in which Dorothy and her friends disregard the Wizard’s plea to “pay no attention to the man behind the curtain” and discover that he is really just an ordinary man. This can be a touchstone or metaphor for many kinds of challenges children face. It can help them recognize that the overpowering figures in their lives (parents, teachers, adults, sports figures) are just imperfect human beings. And it can also help them recognize attempts, by themselves as well as others, to distract people in hopes of hiding our imperfection and vulnerability.

NOTE: There are a number of different scenes in this movie that may be scary for children. Many adults still remember the flying monkeys or Dorothy looking into the crystal ball and seeing her aunt turn into the witch. Parents should talk to children about the story before seeing the movie, and watch with them to gauge their reactions.

X-Men Origins: Wolverine

Posted on September 15, 2009 at 8:00 am

Sometimes the mystery is better than the solution. This is one of those times.

Marvel Comics’ X-Men movie trilogy was about a group of mostly young people with special “mutant” powers who were either victimized by or exploited by “regular” humans. These powers were first presented in most cases when the unsuspecting mutants became teenagers. It was effective as fantasy and more effective as metaphor for the changes of adolescence. One of the few grown-up characters is Wolverine (Hugh Jackman), a cigar-chomping tough guy with indestructible claws that slide out from between his knuckles and the power to heal all wounds almost instantly — and large pieces of his memory missing, which is the source of some intrigue.

Now Wolverine gets his own spin-off and it is an “origin” story, which anthropologists and comic fans know is a prequel, an up close and personal look at the superhero’s backstory to give us some insights into what made Logan into his Wolverine-y bad self and a chance to feel knowledgeable when we see the experiences that led to the characteristics and events we already know. Aha, so that’s where the name comes from! And who was behind that operation? And when do we get to see that always indispensable origin moment — Wolverine primal screaming up into the indifferent sky?

The movie’s version of adamantium, that super-strong metal alloy that gives Wolverine the super-powerful skeletal structure and shooting claws, is its three leads, all superb actors as well as action heroes. Liev Schreiber plays Victor, Logan’s similarly-powered brother, and Ryan Reynolds is a motor-mouthed swordsman named Wade Wilson. The evil military man who presides over the hideous medical experiments is Danny Houston and Logan’s romantic interest is the criminally underused Lynn Collins. There are some striking fight scenes, I love the way Wolverine races toward battle, and it has the usual intriguing murkiness about who is on which side that energizes the X-Men stories. But it never taps into the deeper themes of mutantcy as metaphor and the reveals are not especially revelatory.

Bedknobs and Broomsticks

Posted on September 7, 2009 at 8:00 am

Based on the book by based on the book by Mary Norton (also the author of The Borrowers,” Bedknobs and Broomsticks is the story of three Cockney children evacuated from London during WWII, who are placed with Miss Eglantine Price (Angela Lansbury), though she is reluctant to take them and insists it can only be temporary.
Miss Price is completing a correspondence course in witchcraft and has reached the level of “apprentice witch,” permitting her to fly on a broomstick. When she takes it out for a spin, the children see her, and, threatening to expose her, persuade her to let them into the magic. She then enchants the bedknob so that when it is twisted, it will take them wherever they want to go. When she receives word that the correspondence course has been canceled, she and the children go off together in search of the teacher, Professor Brown (David Tomlinson). He joins them, as they travel on the bed, first undersea and then to an island in another dimension, where the inhabitants are talking animals. On the island, they find the necklace containing the secret magic words they need for a spell to make intimate objects behave as though they were alive. Home again, they use that spell to fight off Nazi invaders. Afterward, Miss Price retires from witchcraft and Professor Brown joins the army, but it is clear they have become a family.

Many of the people behind “Mary Poppins” worked on this movie. While it does not have the same magic as “Mary Poppins,” there are some delightful moments, especially as Miss Price struggles to master basic witchcraft skills. The animated scenes on the island are done with a great deal of verve and imagination, especially the fast-moving slapstick of a soccer game featuring animal athletes, including an ostrich who sticks his head into the field whenever trouble approaches. The movie is long and episodic, and so lends itself well to viewing in shorter segments for restless younger children.

Pete’s Dragon

Posted on August 18, 2009 at 5:47 pm

“Pete’s Dragon,” a warm-hearted Disney musical fantasy combining live action and animation, is out on DVD today. It stars Helen Reddy (singing the Oscar-nominated song, “Candle on the Water”), Mickey Rooney, and Jim Dale (narrator of the Harry Potter audiobooks). The first person who sends me an email at moviemom@moviemom.com with “Dragon” in the subject line will win a DVD.

17 Again

Posted on August 11, 2009 at 8:00 am

There’s nothing new in the storyline, which mixes a little “Freaky Friday” with a bit of “Back to the Future,” but it is a lot of fun to watch Zac Efron take center stage with plenty of star power in his first real leading role.

Efron plays Mike, a high school basketball star whose future plans are derailed when his girlfriend becomes pregnant. When he gets to middle age (played by Matthew Perry) he is losing his job, separated from his wife, and estranged from his teenage children. He is also losing his sense of who he was and estranged from his sense of who he wants to be. And he is living with his only friend, the nerdy, inappropriate, but devoted, wealthy, and very funny Ned (Thomas Lennon of “Reno 911”).

A bit of hocus-pocus from a kindly old janitor (Brian Doyle-Murray) and suddenly Mike is, well, the title says it all. It is a bit disconcerting to find himself dealing with hormones but he relishes the extra energy and the ability to eat endless amounts of junk food. At first he thinks the transformation is going to give him a chance to have a different outcome for himself, maybe get that basketball scholarship this time, but then he realizes the purpose of the transformation is to give him a second chance with his family. Mike is soon re-enrolled in high school (as “Mark”), where he gets a very different perspective on his son (Sterling Knight) and daughter (Michelle Trachtenberg). He begins to see his wife (Leslie Mann) differently, too. Only she thinks he is her son’s high school friend and is a little freaked out by the way he seems so familiar — in both senses of the term.

Various complications and mix-ups ensue, especially when Ned falls for the high school principal (“The Office’s” Melora Hardin). But other than overdoing some Oedipal situations and a few crude jokes, the movie veers away from the most obvious avenues for humor. There’s very little about changes in culture and it’s fairly light on slapstick and humiliation. Instead, it relies primarily on charm and unabashed sweetness that perfectly suits Efron’s easy grace. In an early scene, he jumps from the basketball game into a cheerleader routine, filled with the pleasure of joining in, and having so much fun it is impossible not to smile.

Related Tags:

Comedy Fantasy