Walk Hard: The Dewey Cox Story

Posted on December 20, 2007 at 6:35 pm

B+
Lowest Recommended Age: Adult
MPAA Rating: Rated R for sexual content, graphic nudity, drug use and language.
Profanity: Extremely strong language
Alcohol/ Drugs: Drinking, smoking, drugs (presented in comic context), detox
Violence/ Scariness: Comic violence and peril, characters injured and killed
Diversity Issues: None
Date Released to Theaters: December 21, 2007

Childhood tragedy and attendant guilt feelings. A big career-defining concert followed by a flashback of everything that went before. Adults amazed by early evidence of extraordinary talent and feel for music. Tragedy and loss to overcome. A first wife who complains that he does not spend enough time with the family. The big chance. The amazed audience. The amazed recording studio engineer. The amazed recording industry executives. Success montage. Falling in love with the second wife montage. Encounters with musical legends and a mass murderer. Montage about what VH1 “Behind the Music” calls “the long descent into drugs and alcoholism” and the Oscar-ploy detox scene. Then there are those other humiliating descents: the 70’s variety show, the 80’s roller disco, the pet monkey and giraffe. This faux biopic was made by people who lovingly watched every single film from “Coal Miner’s Daughter” to “Ray” and “Walk the Line” and then, just as lovingly, skewered them.
walkhard.gifAs the movie begins, adoring fans are waiting. The theater is ready. But his long-time band member Sam (Tim Meadows) says, “Dewey Cox needs to think about his entire life” before he goes on stage. It will conveniently take just the running time of a feature film to tell the story.
Dewey (John C. Reilly) thinks back to his childhood, bathed in golden light. “Ain’t nothing horrible going to happen today!” he and his classical pianist brother shout merrily as they run off to play in a series of increasingly hazardous situations. When tragedy finally strikes, Dewey’s brother tells him he will have to be “double great” and Dewey’s father tells him that he will never be a quarter of what his brother was. Dewey is so traumatized he loses his sense of smell. We next see him at age 14 in the high school talent show. His music provokes the kids to get up and dance – and make out. A few quick scenes later, Cox has been thrown out of his home, stunned the audience in a club, married his first wife, and made his first hit record.
It is all done with such conviction and attention to detail that it is possible to forget for moments at a time that this is not the real thing. Slacker scribbled-on-a-cocktail-napkin mishmashes like “Scary Movie” think that referring to something is just as good as making an observation about it, but “Walk Hard” is a spoof with wit as well as heft. Sometimes it hits home just by having someone on screen just say explicitly what is going on: “This is a dark time period.” “People come here to dance erotically!” Sometimes it just repeats the time-honored tropes (“You don’t want no part of this,” Sam says when Dewey sees him using drugs, “We never get to see you!” says his first wife, “I’m so cold!” says Dewey in detox) and sometimes it exaggerates them (the “suits” from the record business are Hassids named Mazeltov and L’Chai’m, the first wife keeps turning out babies like cars on an assembly line). Dewey encounters Buddy Holly, Elvis, and Charles Manson, and there are cameos by real-life stars, including the Temptations, Ghostface Killah, Lyle Lovett, and Eddie Vedder. A high point is Dewey’s psychedelic transcendental mediation lesson with the Beatles, featuring Paul Rudd as John Lennon, Jack Black as Paul McCartney, Justin Long as George Harrison, and Jason Schwartzman as Ringo Starr. It also has the funniest dirty song (or possibly the dirtiest funny song) ever recorded on film.

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Comedy Genre , Themes, and Features Movies -- format Musical Reviews

Sweeney Todd: The Demon Barber of Fleet Street

Posted on December 20, 2007 at 6:00 pm

B+
Lowest Recommended Age: Adult
MPAA Rating: Rated R for graphic bloody violence.
Profanity: Brief strong language
Alcohol/ Drugs: Drinking by adults, child gets drunk
Violence/ Scariness: Extreme, graphic, explicit violence, serial killer, cannibalism, child is beaten, child sentenced to hang
Diversity Issues: Class issues
Date Released to Theaters: December 21, 2007

sweeney%20todd.jpg
There could be no better match for the gothic saga of the barber who slit men’s throats and the baker who made their bodies into pies than director Tim Burton, the master of the macabre. Here working with Johnny Depp, his favorite leading man, and Helena Bonham-Carter, his off- and on-screen muse, Burton creates a vast world of Victorian gothic menace that ideally sets off Stephen Sondheim’s grimly intricate lyrics.

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Emmet Otter’s Jug Band Christmas

Posted on December 2, 2007 at 5:21 pm

Judy Barber wrote a wonderful comment about this neglected gem:

One of THE sweetest movie or video is Emmet Otter Jugband Christmas, a muppet video. I make everyone watch it at Christmas. And the funnest thing about it is the bloopers with these muppets. You swear you are watching little people in costume. Hard to find the video to buy but soooo worth it. The “sell the hair to buy the watch” to “sell the watch to buy the hair ornament” theme.

The movie is available on Amazon — to find out more, click on the picture above.

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Comedy Family Issues Genre , Themes, and Features Movie Mom’s Top Picks for Families Musical

Best Video Clips: Singing complaints

Posted on November 13, 2007 at 1:10 pm

Two hilarious You Tube hits put complaints to music.

Complaints Choirs started in Birmingham, England and are popping up all over the world. Here, the Helsinki Complaints Choir combines the universal and the very particular in a hilarious and harmonic tribute to the things that drive people crazy:

(Thanks to Salon’s Broadsheet for the tip.)

And Anita Renfroe became a media sensation with this tribute to mothers set to the tune of the “William Tell Overture” — any mom who has not said everything on this list deserves a whole day without a carpool:

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Comedy Musical Reviews Shorts

Hairspray

Posted on July 18, 2007 at 12:20 pm

B+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for language, some suggestive content and momentary teen smoking.
Profanity: Brief crude language
Alcohol/ Drugs: Alcoholic, drinking and smoking (including teen smoking)
Violence/ Scariness: Tense confrontations
Diversity Issues: A theme of the movie
Date Released to Theaters: 2007

I am not sure which is the more amusingly surprising — the idea that one of the most painful struggles in American history could become the subject of a light musical comedy, or the idea that it comes from one of the most profoundly transgressive writer/directors in film history. Nineteen years after John Waters’ most accessible film, Hairspray gave us an irresistible heroine whose mastery of the Madison and audacious hair-teasing helped to bring about integration of a teen dance television show. Later, it became a wildly successful Broadway musical. And now it returns to the screen with an all-star cast of Hollywood heavyweights (so to speak), starring an adorable newcomer, Nikki Blonsky. Like all good Cinderella stories, this one has some grounding in reality, as this is Blonsky’s first professional role and she was working at her job at an ice cream store when she got the word she had the part.


Blonsky plays the irrepressible Tracy Turnblad, the daughter of the ever-ironing Edna (John Travolta) and Wilbur (Christopher Walken), the owner of the “Ha Ha Hut,” a whoopee cushion and handshake buzzer emporium.

In her opening number Tracy greets her home city of 1962 Baltimore, with unabashed affection for everyone from the neighborhood flasher (played by Waters) to the bum on the barstool. Like every self-respecting musical comedy heroine, Tracy has a dream. She wants to appear on the popular teen dance program, “The Corny Collins Show.” Lo and behold, an opening occurs and she auditions. Station manager Velma Von Tussle (Michele Pfeiffer), a former “Miss Baltimore Crabs,” whose standards of beauty are limited to the blonde and willowy, whose standards of inclusion are limited to the Aryan and WASP-y, and whose standards of appropriate behavior are unlimited when it comes to whatever will make her daughter Amber (Brittany Snow) Miss Hairspray for the third time. Velma sees short and chubby Tracy as a threat to everything she believes and wants, especially when she flunks the interview question about integrated swimming pools.


Segregation was not limited to the South in the pre-Civil Rights Act era, and the “Corny Collins Show” is all-white, all the time, except for the once a month “Negro Day” hosted by Motormouth Maybelle (Queen Latifah). At a dance, the white and black kids are separated by a rope. Tracy does a dance she learned from Seaweed J. Stubbs (an electrifying Elijah Kelley) (with his permission) and lands a spot on the show.


Things heat up when Negro Day gets cancelled and Tracy and her friends organize a protest march. Velma goes to extremes to stop Tracy from being named Miss Hairspray. And everyone sings and dances through it all, and it is sweet and funny and as much fun as a sock hop where everyone gets asked to dance.

Parents should know that even though the movie is rated PG it has some mild content issues including humorous references to teen pregnancy, a flasher (played by writer/director Waters), alcoholism, teenagers stuffing bras and pants, and some potty humor. Characters smoke and drink, including smoking by teens and by pregnant women. There is some mild language in lyrics and dialogue (“I screwed the judges,” “French kissing,” “kiss my ass”). Amber tries to destroy Tracy’s reputation by spreading rumors that she did a crude drawing of the teacher and had sex with the football team. Characters are upset by suggestive dance moves. As in all previous versions of this story, a female character is portrayed by a male actor, though there is no suggestion that she is a male in drag or anything but completely female. The movie deals with themes of racial discrimination and some characters make racist and other bigoted comments. A strength of the movie is its frank (if idealized) portrayal of some issues of the civil rights era, though, like most mainstream films, it focuses on the white characters and their roles.


Families who see this movie should ask why Tracy was so free from the assumptions and fears of her household and her community. It is almost impossible for today’s children and teenagers to imagine that within the lifetimes of their parents and grandparents such blatant racism was an accepted way of thinking. Families should see films like Boycott and Eyes on the Prize for a better sense of the courage and determination of the real-life heroes of the civil rights movement.

Families who enjoy this movie will also enjoy the original and another musical set in the same era, That Thing You Do!.

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Comedy Drama Movies -- format Musical
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