Paul Newman and Joanne Woodward made several films together, including “The Long, Hot Summer” and “Rachel Rachel” (he directed, she starred).
Spencer Tracy and Katherine Hepburn met on “Woman of the Year” and you can see them fall in love on screen.
Their last movie together was “Guess Who’s Coming to Dinner.” This speech, filmed just before Tracy’s death, feels as though Tracy is speaking about his love for his co-star.
Humphrey Bogart and Lauren Bacall fell in love on the set of “To Have and Have Not.”
Director Taylor Hackford met his wife, Helen Mirren, when they made “White Nights” together.
Elizabeth Taylor and Richard Burton had a passionate, tempestuous relationship, including two marriages and divorces, that was reflected in their films together.
Football Movies: Like the Super Bowl but Just the Good Parts of the Game
Posted on February 13, 2022 at 12:33 am
Copyright TriStar 1993
Get ready for the Super Bowl with some of my favorite football movies:
Burt Reynolds, who played college football, stars in The Longest Yard as former pro player who puts together a team in prison. (Ignore the Adam Sandler remake, please.)
North Dallas Forty is a darkly comic look at the game with Nick Nolte as an aging player who clashes with the coach.
Remember the Titans is inspired by the true story of the first integrated team at a Virginia high school, with Denzel Washington as Coach Boone. You will cry, I promise.
(Did you catch Ryan Gosling and Hayden Panitierre?). Here Washington and the real Coach Boone talk about the role.
There’s more Ryan Gosling in this little-seen football movie gem, The Slaughter Rule:
Chicago is my home town, so I have a soft spot for Brian’s Song, one of the cryingist movies of all time, the true story of Gale Sayers and Brian Piccolo, with Billy Dee Williams and James Caan.
Why not have a mule as your kicker? Try Gus and see.
Or you could try The Game Plan, featuring real-life former college football player Dwayne (The Rock) Johnson in a more family-friendly story about a selfish quarterback who discovers he has a ballet-loving daughter:
I’m a big fan of the silly but fun Keanu Reeves movie, The Replacements, with Gene Hackman as the coach, a kind of Dirty Dozen of football. Catch “Iron Man” director Jon Favreau on the team.
You can see Favreau in another crying football movie based on a true story, Rudy.
The Express is the true story of the first Black winner of the Heisman trophy, Ernie Davis.
Draft Day has Kevin Costner as a GM whose most important strategic decisions are about the draft.
Celebrate Lincoln’s Birthday with Great Family Films
Posted on February 12, 2022 at 6:00 am
Happy birthday, Abraham Lincoln!
Celebrate the birthday of our 16th President with some of the classic movies about his life. Reportedly, he has been portrayed more on screen than any other real-life character. I was honored to be invited to participate in the 272-word project from the Abraham Lincoln Library in Springfield, Illinois. Each of us was asked to contribute an essay that was, like the Gettysburg Address, just 272 words. Here’s mine:
Two score and six years after the death of Abraham Lincoln, he was first portrayed in the brand-new medium of film. 102 years and over 300 films later, Lincoln has appeared on screen more than any other historical figure and more than any other character except for Sherlock Holmes. In 2013 alone there were three feature films about Abraham Lincoln, one with an Oscar-winning performance by Daniel Day-Lewis, directed by Steven Spielberg. In another one, he was a vampire slayer. He has been portrayed by Henry Fonda (John Ford’s “Young Mr. Lincoln,” Raymond Massey (“Abe Lincoln in Illinois”), Walter Huston (D.W. Griffith’s “Abraham Lincoln”), and Bing Crosby – in blackface (“Holiday Inn”). The movies have shown us Lincoln defending clients, mourning Ann Rutledge, courting Mary Todd, and serving as President. We have also seen him traveling through time with a couple of California teenagers in “Bill and Ted’s Excellent Adventure” and granting amnesty to Shirley Temple’s Confederate family in “The Littlest Rebel.”
Lincoln is appealingly iconic as a movie character, instantly recognizable as a symbol of America’s most cherished notion of ourselves: unpretentious but aspiring for a better world and able to find both the humor and integrity in troubled times. In every film appearance, even the silliest and most outlandish, he reminds us, as he did in The Gettysburg Address, of what is most essential in the American character: the search for justice.
PS My husband and I waited for two hours outdoors on a frozen January 1 to view the Emancipation Proclamation on its 150th anniversary. When I saw it, I wept. A security guard whispered, “I know how you feel.”
Young Mr. Lincoln Directed by John Ford and starring Henry Fonda, this is an appealing look at Lincoln’s early law practice and his tragic romance with Ann Rutledge. Particularly exciting and moving are the scenes in the courtroom as Lincoln defends two brothers charged with murder. Both have refused to talk about what happened, each thinking he is protecting the other, and Lincoln has to find a way to prove their innocence.
Abe Lincoln in Illinois Raymond Massey in his signature role plays Lincoln from his days as a rail-splitter to his law practice and his debates with Stephen Douglas. Ruth Gordon plays his wife, Mary.
Gore Vidal’s Lincoln Sam Waterston and Mary Tyler Moore star in this miniseries that focuses on Lincoln’s political strategies and personal struggles.
Sandburg’s Lincoln Hal Holbrook plays Lincoln in this miniseries based on the biography by poet Carl Sandberg.
The History Channel has both a documentary and a miniseries about Lincoln.
I’m a huge fan of the Lincoln Museum in Springfield, Illinois. So is Conan O’Brien.
Rated PG-13 for sexual content, brief strong language, and some thematic material
Profanity:
Brief strong language
Alcohol/ Drugs:
Reference to a drunk driver and alcohol abuse
Violence/ Scariness:
Fatal car accident, sad death, scenes in hospital
Diversity Issues:
None
Date Released to Theaters:
February 11, 2022
Copyright 2021 ParamountShould a movie have a happy ending? We may guess that the teenage couple who debate this critical question in their very first conversation are destined for each other. We may guess which category this film falls in from the opening scene, a fatal car accident. We will see the story unfold back and forth between that night and 102 days earlier, so we can see how they met and fell in love and the events that led up to and followed the crash.
They meet when Skylar (Kyle Allen of “A Map of Tiny Perfect Things”) and Tessa (Joey King of “The Kissing Booth” movies) are entire audience for a French film called “Betty Blue.” Tessa is about to leave when she realizes that there are no subtitles. But he takes the seat next to her and offers to translate as he has seen it before and he speaks French.
They debate the value of a happy ending. As we will learn, Skylar has two loving parents he admires and is close to. He is an outstanding student and athlete and has been accepted at Brown. He believes in happy endings because the world has treated him kindly. Tessa, who lives with people who are not her parents and would rather interact with the world behind a camera, has experienced loss and she is determined to make sure she never risks feeling pain again. She cannot help falling in love with him, but cannot bring herself to say the words that come more easily to him.
Like “Ghost” and “Truly Madly Deeply,” this is a story of love and loss. Tessa is just fine at a remove from other people, taking photos and not talking to the adults she lives with. But Skylar is irresistible. Impossibly so, like beyond perfect, handsome, humble, funny, smart, and one hundred percent devoted and supportive even when she is challenging. But that’s almost okay because Allen has a lot of charm and carries it lightly and because it is depicting the heightened emotions of teenage first love. We can accept that we are seeing him through Tessa’s eyes.
King is transitioning smoothly into more grown-up roles and she is very appealing here, especially as we see Tessa’s relationship with Skylar evolve. We can see how desperately she wants to find connection and allow herself to be loved, even as it terrifies her. The movie is about 20 minutes too long, but so sweet it is hard to hold that against it.
Parents should know that this movie includes discussion of family loss, abandonment, and dysfunction including a mentally unstable parent, foster care, and divorce, brief strong language, and a teen sexual situation.
Family discussion: How do you decide when to protect yourself and when to make yourself vulnerable? Why was it important for Tessa to hear her own words?
If you like this, try: “Every Day,” “Before I Fell,” and, also starring Kyle Allen, “A Map of Tiny Perfect Things”
Agatha Christie’s 1937 novel about a murder in Egypt has been sumptuously brought to screen by Sir Kenneth Branagh, who directed and stars as super-sleuth Hercule Poirot. (It was previously filmed with Peter Ustinov in 2009.)
For this version of “Death on the Nile,” Branagh worked again with his outstanding “Belfast” cinematographer Haris Zambarloukos and production designer Jim Clay, and their work here is never less than breathtakingly exquisite, matched by the fabulous costumes designed by Paco Delgado and JobanJit Singh, worn by some of Hollywood’s most glamorous stars. It is beautiful to look at, and to listen to, with a superb soundtrack that includes sultry songs by a nightclub performer (Sophie Okonedo, the highlight of the film). But as with Branagh’s previous Poirot film, there are some confounding choices that distract us from the reason we’re there, which is to have just enough information and almost enough emotional involvement to enjoy the puzzle. For some inexplicable reason, Branagh and his screenwriter, Michael Green (“Logan”) think that we need to understand Poirot’s backstory, which Dame Agatha knew very well we did not. In 33 books, 2 plays, and more than 50 short stories, she wisely never told us more about Poirot than that he was proud of his “little gray cells,” his Belgian heritage (he is often mistaken for French), and his impressive mustache and that he sometimes spoke of retiring to plant vegetable marrows. This film begins with an un-Christie, un-canon flashback to Poirot’s WWI combat experience, and it (and the coda at the end) add nothing to the story.
The story has more than enough love, betrayal, melodrama, and yes, murder to fill a movie. In fact, to my recollection, it adds at least one murder to the Christie original for, again, no particular reason. This is a darker story than “Murder on the Orient Express,” but the tone of the film, and even the stunning images (people and settings) are off-kilter with the carnage of the story. There’s a reason that the stories by Christie and her imitators are called “cozies.” Unlike noir mysteries, they are comparatively neat and civilized. Noir is rotgut whiskey and bathtub gin. Cozies are afternoon tea with lemon curd and clotted cream.
It begins (after we get the flashback out of the way) with two devoted friends, both beautiful, high-spirited young women. Jacqueline (Emma Mackey) is poor and Linnet (Gal Gadot) is very wealthy. Jacqueline tells Linnet she is madly in love with Simon (Armie Hammer) but they need money to get married. Linnet immediately offers her whatever she needs as a wedding gift, but Jacqueline says that what she wants is a job for her fiancé. If Linnet will hire him as her estate manager, that’s all they need. Linnet agrees, Simon asks her to dance to celebrate and…in the next scene, it is Simon and Linnet who are married, celebrating in Egypt. Jacqueline, almost mad with jealousy, has followed them. To feel safe, Linnet invites a group to take a boat to see the famous tomb at Abu Simbal and other sights along the Nile. She tells Poirot that having money means it is impossible to trust anyone.
The other passengers include the blues singer and her accompanist/manager niece (Letitia Wright of “The Black Panther”), Poirot’s handsome young friend Bouc (Tom Bateman, returning in the same role he played in “Murder on the Orient Express”) and his protective mother (Annette Bening), two middle-aged British ladies (underused Dawn French and Jennifer Saunders), Linnet’s lawyer (Ali Fazal) and doctor (a sincere, melancholy, toned-down Russell Brand). Jacqueline joins the group as well. When someone is murdered, it turns out that many of the passengers may have had motive and/or opportunity. Poirot will have to ask questions and ultimately gather all of the surviving group in one room to tell them which of them is guilty.
Where will the next Branagh/Christie all-star mystery take place? Following a train and a boat, which conveniently limit inquiries to the people on board. Maybe an airplane? A submarine? Despite its shortcomings, I’ll be along for the ride.
Parents should know that this is a murder mystery with some grisly and disturbing images. There are also sexual references and characters use some strong language and drink alcohol.
Family discussion: Which clues did you miss? How do the songs relate to the story and characters?
If you like this, try: the original “Murder on the Orient Express,” “10 Little Indians,” and more Christie-based movies and television series as well as her books.
