Bruno

Bruno

Posted on November 24, 2009 at 11:00 pm

Sacha Baron Cohen is back, and once again he has created an outrageously offensive character from another country who crosses the ocean to interact with unsuspecting Americans so that we can laugh at their reactions, which range from befuddlement to extreme discomfort to outrage. But this time his scope is narrower, his character is shallower, and his meanderings are more random. His shtick is getting tired.
This time he plays Bruno, a flamboyantly gay Austrian fashionista who decides to come to America to seek fame, and his two themes are homophobia and the obsession with celebrity. But the homophobia is not as virulent as the worst revelations of “Borat.” When he goes camping with some good old boys, they roll their eyes and resist his efforts to bait them — until he takes off all his clothes and tries to crawl into one’s sleeping bag. The preachers who talk with him about gay conversion do their best to be sincerely patient with his questions. Even the boot camp sergeants barking at him to make his bed and drop and give them twenty handle his insubordination — and his designer additions to the overly “matchy-matchy” uniforms — with reasonably good humor. It’s a long way from “Full Metal Jacket.” The scariest people he encounters are the stage mothers who want him to pick their babies for a photo shoot. As he asks them increasingly appalling questions (“Could your baby lose some weight?” “Are you okay with the baby riding without a car seat?” “Being covered with bees?” “Being crucified?”), they all look him in the eye and assure him that would be just fine.
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Baron Cohen wants to provoke. The movie opens with an extended sequence of very explicit, highly athletic, extremely creative, but logistically improbable sex acts between Bruno and his “pygmy flight attendant” boyfriend. But he stops short, oddly cautious for once, and avoids confrontation with the virulent anti-gay forces of Fred Phelps. When he goes to the Mideast and sits down with representatives of Israel and the Palestinians, he sticks with silliness like pretending to confuse hummus with Hamas. Baron Cohen is in trouble if his outrageousness is dwarfed by Jimmy Kimmel (the capper here does not come close to the Ben Affleck song) and by real life (the take on obsession with celebrity does not come close to Michael Jackson’s memorial). This is less what we expect from Baron Cohen that what we expect from Alan Funt or Ashton Kutcher.

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Comedy

Old Dogs

Posted on November 24, 2009 at 8:08 pm

D
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for some mild rude humor
Profanity: Some mild language
Alcohol/ Drugs: Characters drink to deal with stress and get drunk, accidental misuse of pharmaceuticals with severe side effects
Violence/ Scariness: Comic peril and slapstick violence, many crotch hits, confrontation with a gorilla, no one badly hurt
Diversity Issues: Some homophobic humor.
Date Released to Theaters: November 25, 2009

At one point in this endlessly, excruciatingly un-funny non-comedy, Dan (Robin Williams) and Charlie (John Travolta) are at a camp-out with Dan’s seven-year-old twins. Everyone agrees that it’s all about the kids. And of course there’s nothing more fun for kids than sitting on the sidelines while the grown-ups play all the games, right? So, we get to watch the kids watching the grown-ups. They have to look like they’re having fun. We, sitting there in the dark, do not have to pretend.

That’s about all the good news there is. Disney has doubled the same idea that worked surprisingly well in “Game Plan” — sports guy finds out that several years ago he became a father when the progeny get dumped on him for a visit and he has to learn how to be a father very quickly. It may have twice the fathers and twice the kids, but it has half the jokes and none of the heart. Instead of The Rock as a football player, we have Williams (the boring numbers guy who never does anything fun) and Travolta (the funny story-telling man who hits on women all the time) as long time best friends and business partners in a sports marketing firm who are (duh) just about to close the big, big deal when Vicki (Kelly Preston) shows up with the twins to explain that even though they were only married for one drunken night, she became pregnant and now that she is going to jail(!) for two weeks for trespassing in a protest against environmental damage, she needs him to take care of them. This is after the person she originally had to take care of them, her best friend the hand model (Rita Wilson), was hospitalized after Dan smashed her hands by closing a car trunk on them. Funny!

We then have a series of painful set-pieces featuring many members of the Travolta family (Preston is his wife, his daughter plays one of the twins, other members play extras) as Dan fails to be a good father and Charlie fails to be a good human. This happens being in many different locations, where they run into many different actors who all share a “how did I get here?” look. Matt Dillon and Justin Long show up at the camp ground. As soon as Dillon tells us how much he treasures his grandfather’s memorial statue, we know it won’t be around much longer. Dax Shepard and Luis Guzman are inept child-proofers. Guzman’s shtick is that he eats everything in the apartment! Un-hilarious! Amy Sederis flips out when Dan tries to bring the twins to the adults-only condo building! Un-comedic! Ann-Margret(!!) flips out when Charlie spoils a meeting of the bereavement group by eating the special pie made by a woman who died and by having a bad reaction to some medicine that gives him a grotesque facial rictus that makes him smile like the Joker! Plus many, crotch hits and poop jokes! And many jokes about how Dan and Charlie are mistaken for the kids’ grandfathers! And two separate episodes about the hallucinogenic and other bad side effects of the medications the men take for their age-related problems. Double plus un-good!

And I have not even mentioned how not funny it is when Dan’s son types a scatological term into the conference call with the big client, or when the same term comes up with reference to the bear scat Dan and Charlie wipe under their eyes before the game at the camp-out. Or how sad it is to see the wonderful Bernie Mac in the movie’s only bright spot as a children’s entertainer who helps out by giving Charlie a suit that will control every one of Dan’s movements to help him learn how to play tea party with his daughter. It reminds us how much we miss Bernie Mac. The rest of the time the movie just reminds us of how much we miss the days when Travolta and Williams were fun to watch. These old dogs need some new tricks.

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Comedy Movies -- format

Shorts

Posted on November 24, 2009 at 8:01 am

A rainbow-colored wishing rock creates comic chaos in a film from Robert Rodriguez about bullies, family communication and being very, very careful what you wish for. It is also about an army of crocodiles, a telepathic super-genius baby, and a pig-tailed villain named after a font.
Rodriguez is a one-man studio who brings a stylish, kinetic energy to two kinds of movies, the ultra-violent (“Desperado,” “Once Upon a Time in Mexico”) and the family-friendly (the “Spy Kids” series). He is writer, director, cameraman, editor, co-composer of the score and in this case also father of four members of the supporting cast.
He understands that kids would be as likely to wish for getting their braces off as for money or superpowers. He knows how to get them actively involved in figuring out what is happening. He can tell that they will find a booger monster wildly funny. And he knows that what kids and parents wish for most is to be close to friends and family.
The title refers to the way the story is presented — brief intersecting stories going back and forth in time, each filling in additional details of the others. It is set in a community that literally exists in the towering shadow of Black, Inc., a huge corporation headed by Mr. Black (James Spader). He wants to create the ultimate technology, the Black Box, with innumerable functions that include a phone, vacuum cleaner, toaster, dog groomer, and baby monitor. Black’s harried employees include Mr. and Mrs. Thompson (Leslie Mann and John Cryer), who are assigned to lead competing teams and get so caught up in the pressure to succeed that they communicate primarily by texting, even when they are standing next to each other.
That is why they do not notice that their son, Toe (Jimmy Bennett), has no friends and is thrown in the trash every morning by a group of bullies at school led by Mr. Black’s children Cole (Devon Gearhart) and Helvetica (newcomer Jolie Vanier in Wednesday Addams mode). They throw a rock at Toe that turns out to have magical powers. But Toe and the other people who come in possession of the rock are no better at holding onto it than they are at stating their wishes with the requisite precision. Like all fairy tale wish-granters, the rainbow rock is very good at finding loopholes.
Toe presents each character’s experiences with the wishing rock, going back and forth in time and letting us put the pieces together. Toe’s neighbor Loogie (Trevor Gagnon) and his brothers make a number of wishes that do not turn out the way they had hoped, including a wish for “telephonesis” instead of “telekinesis” and wishing for wisdom without being more specific about who should become wise. And then there is another neighbor, Toe’s former friend Nose (Jake Short). He is confined to home with his germaphobic mad scientist of a father (William H. Macy), who spends every minute he isn’t wiping everything down with antiseptic working on contraptions to create a bacteria-free environment. When Toe’s sister (Kat Dennings) unknowingly carries the rainbow rock to her job as Nose’s tutor, Nose uses it to make an unselfish wish – but that does not keep the consequences from being equally disastrous. When Toe’s parents wish they could be closer, the result is more literal than they had in mind.
And then Helvetica and her father get the rock, and things really get out of hand.
After the disappointment of “Spy Kids 3D” and “The Adventures of Sharkboy and Lavagirl,” it is good to see Rodriguez moving toward what made the first “Spy Kids” one of the best family films of the last decade. This film is not as imaginative or heart-warming as that one, but it is refreshingly un-glamorous and it has a warmth and sense of fun that makes it just the end-of-summer treat a family might wish for.

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Action/Adventure Comedy Fantasy For the Whole Family

Four Christmases

Posted on November 24, 2009 at 8:00 am

The biggest acting achievement in this film is four Oscar winners valiantly managing to hide their embarrassment in appearing in sheer holiday dreck. Its leads are not as successful. Reese Witherspoon and Vince Vaughn cannot manage to disguise their shame and all but skulk through this latest lump of coal in the cinematic stocking.

We get a couple of “Christmas Craziness” movies every year, shrill, over-the-top extravaganzas about dysfunctional families and holiday pressure, ending with some realization of a highly secularized discovery of the true meaning of Christmas. Following in the miserable tradition of Surviving Christmas, Christmas with the Kranks, Deck the Halls, this is one more overstuffed turkey of a movie trying to draw laughs with barfing babies, bratty children, embarrassing revelations, and old people talking about sex.

Funny, huh?

Not only that, it begins with our heroes, Kate (Witherspoon) and Brad (Vaughn) in the midst of a sex game in which they pretend to meet for the first time, taunt each other with crude insults, and then have a quickie in the bathroom. Yes, these are the lovebirds with whom we’ll be racing to four different homes, each designed to illustrate Tolstoy’s view that every family is unhappy in its own way.

Kate and Brad plan to avoid Christmas entirely by telling their families they are on a humanitarian mission but going to Fiji for a fabulous sun ‘n’ fun vacation. But they are busted when the airport is fogged in and they appear on the news, so they are stuck visiting their parents on Christmas. Since both parents are divorced, that means four houses. Robert Dvuall is Brad’s father, who hosts them with Brad’s cage-fighting brothers (“Iron Man” director Jon Favreau and country star Tim McGraw) and their children. After a few rounds of insults and smackdowns, it’s off to cougar-ville with Kate’s mother, Mary Steenburgen and her female relatives, who enjoy hugging Brad so much he wishes he was back in the hammerlock. Brad and Kate get dragged into playing Joseph and Mary in the mega-church nativity with preacher Dwight Yoakam. Brad’s mom Sissy Spacek and her boy toy host them for a game of “Taboo” that reminds Brad and Kate how little they know each other and then Kate’s dad John Voight goes all Bruce-Demi-Ashton with the whole family at his house.

Director Seth Gordon is an able cinematographer and documentary-maker (“Shut Up and Sing,” “The King of Kong”) but he shows no feel whatsoever for comedy pacing or romantic banter. A battalion of writers apparently each worked on different pieces which were thrown together without any effort at consistency. Kate has a completely different relationship with her sister in one house than she did in the other and the evolving interest in building a family is forced and flimsy. All four visits and the interactions between Kate and Brad feel slack and saggy and after sitting through it, so do we.

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Comedy Romance
Angels & Demons

Angels & Demons

Posted on November 24, 2009 at 8:00 am

Harvard professor of Symbology Robert Langdon (Tom Hanks) returns for another round of save the world heroics peppered with chases, kidnapping, murders, clues, codes, and ancient manuscripts, a beautiful and very erudite woman, murky motives, and a lot of historical, religious, and artistic arcana, all to the music of angelic choirs and crashing horns.While the book occurs before the blockbuster sequel, this movie begins after the events of The Da Vinci Code. Langdon is not the Catholic church’s favorite guy, given his heretical findings about the role of the real-life Mary Magdalene and the efforts of the church to suppress it. The Vatican has repeatedly denied his request for access to some of their historic documents. But when a crisis hits just as the cardinals have convened to select the new pope and the four leading candidates are kidnapped, with the clues pointing to a secret and possibly terrorist sect of Catholic rebels, the Vatican calls on Langdon to solve the mystery.To make things more complicated — and believe me, this gets very complicated — something else has been stolen. It is “antimatter” created by a supercollider that is intended to find “the God particle,” the piece of matter that will answer some important questions about how the universe began. And if they don’t get to it by 8 pm, there will be a very, very big boom.It isn’t just atoms that are colliding here. Author Dan Brown specializes in dark conspiracies of power in the name of faith. He posits this story as a conflict between religion and science going back hundreds of years. Once again, he takes intensely detailed research into church culture, history, and canons, even the intricacy of Vatican succession and chains of command plus Galileo, Raphael, sculpture, and architecture, and then he builds a fictional story around it, giving a standard chase and explosion saga some added weight, freight, and interest. Once again, however, the heavy exposition translates unevenly to the screen as the actors have to chew through paragraphs of detailed information as they are careening through the streets of Rome.Hanks (without the scholar’s mullet this time, thank goodness) is game throughout, always seeming skeptical without being cynical, though for a guy who says he is “anti-vandalism” he leaves a lot of destruction in his wake. Ewan McGregor seems a little lost as the assistant to the late pope whose position gives him a fragile claim to authority. And the lovely Israeli actress Ayelet Zurer is wasted in a role that calls on her to provide instant expertise in everything from astrophysics to Latin and pharmacology. Like its predecessor, this book and film have been controversial, challenging the church for the way it responds to challenges. For much of the story, Langdon is chasing after the Illuminati, for the purposes of this story a pro-science group “radicalized” by mistreatment hundreds of years ago and allegedly seeking the destruction of the church hierarchy by infiltration or violence. The bark of author Brown and director Ron Howard is provocative but the bite is thoroughly de-fanged and by its fictional overlay and its conclusion. Most of those who have what Langdon describes as the gift of faith will be satisfied. (more…)

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Action/Adventure Based on a book Series/Sequel
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