Tom Thumb

Posted on December 13, 2002 at 5:16 am

The fairy tale about the boy no bigger than a thumb is brought to life with former gymnast Russ Tamblyn as the title character. Tom is as irresistibly charming as his “Very Own Song,” one of many charming musical numbers. Fiendish villains Terry Thomas and Peter Sellers try to get the tiny boy to steal for them, but watching over tom is a good fairy. Watching over the good fairy is the handsome woodsman whose kiss can turn her into a mortal. Without giving anything away, it is fair to say they all live happily ever after, at least those who deserve to!

A Midsummer Night’s Dream

Posted on December 13, 2002 at 5:16 am

Four couples sort out their romantic entanglements in Shakespeare’s most magical love story. Hermia and Lysander love each other, but her father wants her to marry Demetrius. Demetrius loves Hermia, but is loved by her friend Helena. When Hermia and Lysander run off together, Helena tells Demetrius, and he chases after them, with Helena chasing him. Meanwhile, as the four lovers wander in an enchanted forest, the fairy queen and king argue over custody of a changeling child. The local Duke prepares for his marriage to a woman who seems not entirely sure she wants to marry him, and a group of workmen rehearse a play to perform at the wedding celebration.

With the help of his mischevious companion, the fairy king obtains the juice of a magical flower that causes people to fall in love with whomever they first see after they wake up to his queen and to Lysander and Demetrius. The queen falls in love with a man who has a donkey’s head. Lysander and Demetrius both fall in love with the neglected Helena, forgetting all about Hermia. But by morning, everything is sorted out, and the wedding festivities end with the workmen’s remarkable play.

Filmed several times before, most famously with James Cagney as Bottom and Mickey Rooney as the Puck, this sumptuous version manages to be both earthy and enchanted. The cast includes Hollywood royalty (Michelle Pfeiffer as Fairy Queen Titania, theater-trained performers (including Ally McBeal’s Calista Flockhart and and Kevin Kline, magnificent as Bottom the would-be actor), international stars Sophie Marceau and Rupert Everett, and “new vaudevillian” and MacArthur genius grant award-winner Bill Irwin. The resulting mix of acting styles clashes at times, as does the mix of music and the switch of setting from ancient Athens to 19th century Tuscany, arias and all. Ultimately, though, it is charming, an accessible introduction to the works of that guy in the movie with Gwyneth Paltrow.

Parents should know that there is some earthiness (including an inexplicit scene of Puck relieving himself, some brief nudity, and Hermia’s firm resolve not to have sex with Lysander until they are married).

Kids will enjoy the movie more if they have some basic introduction to the plot. They may want to talk about an era in which a father could order his child to marry the person he chose, about “the course of true love,” and how people work out the problems in relationships. Older kids may like to talk about the metaphor of an enchanted forest as a place to find self-knowledge and to resolve issues.

Families who enjoy this movie will also enjoy the Elizabeth Taylor/Richard Burton version of “Taming of the Shrew” and the Franco Zeffirelli version of “Romeo and Juliet.”

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Based on a play Drama Romance

Dance With Me

Posted on December 13, 2002 at 5:16 am

Former Miss America Vanessa Williams and Latin Superstar Cheyanne star in this story of a Cuban man who comes to Texas in search of his father and brings a new spirit to the people who work at a run-down dance studio. Children may not notice the creakiness of the plot and all audiences will be beguiled by the Latin dancing and the joy it brings to the dancers.

Cheyanne plays Rafael, who leaves Puerto Rico after his mother’s death to take a handyman job in the dance studio owned by John (Kris Kristofferson). Williams plays Ruby, a dance teacher determined to win the international championship. Rafael’s sweet nature endears him to everyone, even Ruby, a single mother whose past has left her reluctant to trust anyone.

Parents should know that the movie contains discussions of out of wedlock children (a key part of the movie involves John’s learning for the first time that he is Rafael’s father and Ruby was deserted by her dancing partner when she became pregnant with his child) and some mild profanity. The movie provides a good opportunity to discuss the importance of dreaming — and of working hard to achieve your dreams.

The Straight Story

Posted on December 13, 2002 at 5:16 am

Do not let the G-rating and the Disney label mislead you – this is an adult movie in the old-fashioned sense of the word, meaning that its story and themes will most appeal to adults and some teens. It gets a G rating because it does not have any of the usual triggers for a PG or PG- 13 rating. There are no four-letter words or nudity, and there is nothing in the movie that is likely to cause offense or trauma. Still, it is not for most younger kids, who will be bored and restless. Thoughtful middle- and high schoolers and adults, however, will find a lot to appreciate and talk about in this seemingly simple story of 73 year old Alvin Straight, who sets off to visit his estranged brother, after hearing that he has had a stroke.

Alvin uses two canes and cannot see well enough to drive. So he hitches a trailer to his riding mower and sets off on a 300-mile journey from Iowa to Wisconsin, encountering along the six-week drive a range of people, landscapes, and adventures.

Children who watch a lot of television and movies often develop what psychologists call the “mean world” syndrome. Based on what they learn about the adult world from the media, their estimates of the incidence of murder and corruption are distorted way out of proportion to reality. And our cautions about not talking to strangers contribute further to their sense that the world is a dangerous place. This movie is a nice antidote to that. Alvin meets an engaging assortment of people, including a teen- age runaway, a team of bicyclists, twin repairmen, and a man who spent his career working for John Deere, and is unfailingly treated with kindness and dignity. It is good to let kids know that they can meet strangers like that, and even better to let them know that they can be strangers like that.

The essential decency of all of the movie’s characters is a good subject for family discussion. So are his comments on family. Hoping to get to his brother in time, he speaks feelingly to people he meets about the importance of the bond between siblings. This is a point that is always worth raising to kids who think that there may never be a day when they will have more to talk to their brothers and sisters about than whose turn it is to empty the dishwasher.

The Muse

Posted on December 13, 2002 at 5:16 am

The latest film by writer/director/actor Albert Brooks has him portraying Steven Phillips, a Hollywood screenwriter who is let go by the studio when a young, arrogant executive tells him he has lost his “edge.” On the advice of a friend, he seeks inspiration from a muse (Sharon Stone), the daughter of Zeus, who now lives in Los Angeles under the name “Sarah.”

Sarah does indeed work miracles for Steven, inspiring him to write a successful script. But Sarah is demanding. She insists on lavish gifts and constant attention. And she is frustrating. Steven wants her full- time dedication, but she is busy inspiring his wife to start a cookie business and “Titanic” writer/director James Cameron to make something other than a sequel.

The satire and Hollywood in-jokes will have little appeal to kids, but Stone’s performance as the ravishing, maddening, and truly inspiring muse is wildly funny and can lead to family discussions about art and about relationships. Kids may also want to look up the mythological muses and talk about the costs and benefits of being inspired. Parents should note that there is some suggestion that Sarah is mentally ill, but this is intentionally left vague enough so that each viewer can decide if she really is a muse after all.

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Comedy Fantasy Satire