Last Chance Harvey

Posted on May 5, 2009 at 8:00 am

It’s wonderful to watch young people falling in love for the first time. That’s why we get to see it so often in the movies. But it is even more wonderful to see people falling in love for the last time, and that is one of the three great pleasures of this touching grown-up love story.

It’s always romantic to see first love because we can share with them — just for a moment — the belief that happily ever after means that there will never be an argument or disappointment or loss. But it is even more romantic to see older people fall in love because they know there will be all of that and they go ahead anyway. That is the story of “Last Chance Harvey,” a man who has lost his job and whose daughter asks her step-father to give her away at her wedding because she feels closer to him. Which is what gives him a chance to think about what he really wants for the rest of his life — and then he sees Kate.

Not much more happens. They walk around. They dance at the daughter’s wedding reception. They think about whether they really want to take the risk of sharing themselves knowing in a way that young people cannot what it really means. And yet in those moments, everything happens, and we know it and they know it.

The other two pleasures of the film are Dustin Hoffman as Harvey and Emma Thompson as Kate. These two actors, so perfectly at home with themselves, fearlessly give us two people who are complicated, difficult, and very, very protective of their bruised hearts. And then they let us see them bloom, not all at once, more of a two steps forward, one step back opening up of their hearts to each other. And that leaves our hearts just a little more open, too.

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After the kids go to bed Date movie Romance

The Hip Hop Project

Posted on May 4, 2009 at 3:16 pm

Be sure to watch the amazing documentary The Hip Hop Project tonight and see the extraordinary work by Chris “Kazi” Rolle in encouraging young people to tell their stories. He gives kids who feel invisible a chance to own their experiences, express their frustrations through art instead of violence. I interviewed Kazi a few years ago and was very impressed by his insight and charisma — and by his accomplishments.
Chris “Kazi” Rolle, who founded the program when he was a homeless teenager, told me that he was inspired by “Hoop Dreams.” “A lot of inner city kids see sports as their way out.”
Rolle wanted to give them a chance with something they could do themselves, without relying on anyone outside the community. So he adopted what he calls “the pill in the dog food” approach, “pulling them in with what they like,” hip-hop. His goal is to reach “the kid in the back of the class – he is always scribbling something.” When they arrive, they want to imitate what they have heard. “Young people live from the outside in; TV and radio tell them who they have to be.” But he brings them back to the origins of hip-hop – “it started as political” and encourages them to tell their own stories by listening to them and encouraging them to listen to each other.
The Hip Hop Project at LocateTV.com

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Documentary Music Television
A Plumm Summer

A Plumm Summer

Posted on May 4, 2009 at 8:00 am

B
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: PG

A Plumm Summer had a limited release in 2007 but is now widely available for the first time with this week’s DVD. It is based on the real-life story of a “kidnapped” puppet from a local children’s program in Montana that became a national news story and a case for the FBI.

I was lucky to get a chance to interview one of the stars of the film, Brenda Strong.

What made you want to be a part of this movie?

What appealed to me was family-friendly, heart-warming movie with no CGI, just a good, old-fashioned story. I had a 10 year old son and I was tired of telling him I was in a movie he could not see. I wanted to make a movie where he could be part of the filming process and be on the set and tell his friends to go see when it was done. I wanted to do something for my family. And then I saw who was involved. Henry Winkler and I had done another kid-friendly film and really got along — that cemented it.

I have heard that he is a wonderful guy.

He’s just a walking heart. He exudes love wherever he goes. Years ago when he was still in “Happy Days” my husband walked up to him and he was so warm. He is still the same. If someone recognizes him he gets up and shakes their hand, always treats everyone with such respect and honor. A lot of people can learn from that. It is so nice to see someone hold space in that way.

This is a true story?

It is based on a true story, a triumphant tale of these two brothers who meet a new friend and then like the Hardy Boys become involved in a mystery when a marionette much in the same vein as Howdy Doody is kidnapped from a popular local television show. There really was a Froggy-Doo character on television in Montana, and the host was Happy Herb. And Froggy-Doo really was puppet-napped by some people who thought they would get some money out of Herb. It became a national case and J. Edgar Hoover sent out some feds to investigate! We actually had the original Happy Herb and Froggy-Doo on the set with us, it was really magical. Whenever you go to a more rural environment, there’s an essence of innocence that resonates. That was part of what made it a magical shoot before during and after. The thing that I’m really looking forward to in the DVD is the deleted scenes and gag reel. Even if they have seen the movie they should definitely get the DVD because of all the extras.

Why is it so hard to get Hollywood to make movies for this age group?

They underestimate the intelligence of kids. We get animation for little kids and CGI for middle schoolers. What we’re missing right now are stories that engage the imagination from a character point of view, stories that can help them start to build their value system. When the character of Elliot has to jump off the bridge, it is a huge character choice, because he was scared but he knew how important it was to his brother. And he has to stand up to his father, too. These choices are threaded throughout the story, things kids need to see and feel. Animation is one thing but kids relate on a much more visceral level to the real thing.

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Based on a true story Drama DVD/Blu-Ray Pick of the Week Family Issues For the Whole Family Interview

Is Anybody There?

Posted on April 30, 2009 at 6:00 pm

B
Lowest Recommended Age: High School
Profanity: Some crude language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Elderly characters are disabled, characters die, accidents with some graphic wounds, some macabre images
Diversity Issues: A theme of the movie
Date Released to Theaters: May 1, 2009

A boy whose parents turn their house into a nursing home can be expected to develop an interest in death. Ten year old Edward (“Son of Rambow’s” Bill Milner) is more than interested. He is fascinated. And that is in part because he is terrified. He hides his tape recorder under the bed of a dying resident to see if he can actually hear the sound of the spirit escaping the body and he avidly watches a television show about ghosts to see how he can communicate with the souls of the departed. He is more interested in the dead than he is in the living.

The same can be said for the home’s newest resident, Clarence (Michael Caine), a former magician, who moves into the room previously occupied by the most recent departed, and previously before that by Edward himself. Clarence is reluctant to stay but Edward’s mother (Anne-Marie Duff), out of her kind nature and her desperation to get the 50 quid a week, persuades him to give them a try. Clarence is bitter and bereft and has no interest in making new friends.


These two lonely guys are clearly move-made for each other, but to its credit, this film allows them to be more complicated and less cuddly than the usual feel-good comfort movie. Milner continues to be one of the movie’s most appealing young actors and Caine delivers capably. Their scenes together are nicely acerbic. Director John Crowley allows the story to take its time for most of the film and then seems to speed everything up for the last few scenes, which seem hurried and cluttered and for the first time falls into formulaic patterns. But like Clarence, the movie still has a few tricks up its sleeve.

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Drama Family Issues Movies -- format
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