Jumper

Jumper

Posted on June 9, 2008 at 8:00 am

C
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for sequences of intense action violence, some language and brief sexuality.
Profanity: Some strong language
Alcohol/ Drugs: Drinking
Violence/ Scariness: A lot of action violence, characters injured and killed, character gutted
Diversity Issues: Diverse characters
Date Released to Theaters: February 14, 2008
Date Released to DVD: June 10, 2008

The movie “Jumper” is 88 minutes on a pogo stick, hopping from teenage cliche to teenage cliche. You like the story about the high school nerd who pines for the class beauty and is tormented by her bully boyfriend? You’re in luck. Or do you like the one about the perpetual victim who suddenly discovers that he has his own super powers and is better than everyone else? Then this is your movie. How about the cliche of a teenager trapped in an unloving home with a gruff and unsympathetic father, suddenly liberated from all parental dependence — and isn’t that heartless old dad sorry now?

Copyright 2008 20th Century Fox

Here’s another one that should sound familiar to you: “what would you do if you had the power to walk into banks, stores, or women’s lives and simply take anything you want?” Every angst-filled teenage fantasy is covered in this movie for just about as long as it takes a pogo stick to touch down. Then we’re off to the next one: the sadder but wiser beauty who realizes how foolish she was to let the nerd go, years before.

A group of evil authoritarian figures who don’t believe that kids should be having fun with their super powers (the cornered hero’s plaintive wail, “but I didn’t do anything wrong!” will resonate with every teenager ever caught painting the cat or dismantling the lawnmower).
The virtues of this movie, slender though they may be, are really peripatetic virtues. You get a rapid-fire tour of exotic locations around the world, as jumpers race from the Egyptian Desert to downtown Tokyo to London to Rome. You jump from fight to fight, from character to character. With this pace, the fun and clever moments never last too long, but then again, you never have to confront the lack of depth or substance either. Just as you are beginning to think, “say… this acting is pretty superficial…” WHOOOOSH you are sitting on top of the Sphinx in Egypt, and isn’t it a lovely view?


There are lots of other cliches of teenage wish fulfillment– archetypal stories about mothers and friends– but I don’t want to give away too much of the feather-light plot. Suffice it to say that that no adolescent wish-list item is left unrecognized. The problem is that it is never long enough or interesting enough to be satisfying. This movie is paced for an audience that grew up multi-tasking and its aesthetic sensibility and depth of story-telling is equivalent to a beer commercial. Even at under 90 minutes, too much money has been stuffed into too little script.

At one point, a character says that jumping enables you to skip the boring parts. If that were true, he would have jumped out of this movie. Nor will you find much satisfaction in the acting by stars Hayden Christensen or Rachel Bilson, in the useless role of love interest/damsel in distress, who keeps asking Christensen’s character to tell her what is going on as he is dodging assassins. Samuel L. Jackson, wearing a hairpiece that resembles a Krispy Kreme powdered sugar donut, turns in a calamitous performance as a hit man for the authoritarian “paladins” who for centuries have lived only to squelch the fun of “jumpers,” because only God should have that power. He uses something between an electric lasso and a “don’t tase me, bro” cattle prod to subdue them and it does not seem to occur to him that God might not approve of murder. Christensen, Jackson, Bilson, and
Billy Elliot‘s” Jamie Bell all seem to be in different movies, and none of them are worth watching.


Parents should know that this film includes a lot of “action violence” (not much blood) and peril. A character is gutted and other characters injured and killed. There are non-explicit sexual situations, drinking, and smoking, and characters use some strong language.

Families who see this movie should talk about whether the ending was a surprise. If you had the power to be a jumper, what would you do?

Families who enjoy this film will enjoy Clockstoppers and the X-Men movies.

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Action/Adventure DVD/Blu-Ray Fantasy Movies -- format

Moviefone’s top 25 animated films

Posted on June 4, 2008 at 11:28 am

Movie maven Glenn Kenny has put together a list of the 25 top animated films for Moviefone. Lots of Disney classics, of course, like “Lady and the Tramp,” “Dumbo,” “Fantasia,” “Cinderella,” “Snow White,” “Little Mermaid,” and “Beauty and the Beast.” I was glad to see “Triplets of Belleville,” “Wallace and Gromit,” and “The Nightmare Before Christmas” on the list. I could quibble about the high positioning of “The Lion King” and “Ratatouille” and complain for the omission of “Yellow Submarine” and “A Bug’s Life.” But I can’t argue with #1 (hint: it’s about a cowboy and an astronaut), and I am so fond of every one of the films I won’t waste time complaining. I’ll just dig out some of my favorites from the list and watch them again.
Thanks so much to loyal reader jestrfyl for suggesting this list!

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Animation Lists

Semi-Pro

Posted on June 3, 2008 at 8:00 am

semipro.jpg“Semi-Pro” is not even semi-funny. It takes what looks like an unmissable slam dunk of a premise and turns it into a big, noisy airball of a movie without a single truly funny moment.
Will Ferrell in the 1970’s — automatically funny, right? (“Anchorman”) Will Ferrell doing sports — automatically funny, right? (“Talladega Nights,” “Blades of Glory”) Then what an inspired idea it must have seemed, to put Ferrell in the story of the outrageous outlaw league the American Basketball Association, which enlivened sports from 1967-76 with its mix of basketball and showmanship until it merged with the NBA. Box office magic, right?
Not with this script.

(more…)

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Comedy Sports

Women and Spirituality: The Goddess Trilogy

Posted on June 2, 2008 at 8:00 am

B+
Lowest Recommended Age: High School
MPAA Rating: NR

Women & Spirituality is a three-part series about the power of the sacred feminine in mythological, historical and cultural contexts. Part 1, Goddess Remembered, examines goddess-based pre-historic societies, linking the loss of goddess-centered societies to environmental degradation. The second, The Burning Times, looks at the witch-hunts of the Middle Ages and the third, Full Circle, concludes with manifestations of contemporary women’s spirituality in the Western world. “Drawing on the customs, rites and knowledge of the past, Full Circle envisions a sustainable future where domination is replaced with respect.

This is an inspiring examination of the spiritual lives of women in ancient and modern times.

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Documentary DVD/Blu-Ray Pick of the Week Spiritual films

Interview: Nina Paley of “Sita Sings the Blues”

Posted on May 31, 2008 at 8:00 am

Nina Paley, who bills herself as “America’s best-loved unknown cartoonist” is the artist/writer/director behind a smart, funny, visually stunning new animated film called “Sita Sings the Blues.” Paley’s cartoons include “Fluff” (Universal Press Syndicate), “The Hots” (King Features), and her own alternative weekly “Nina’s Adventures.” She animated and produced “Sita Sings the Blues” single-handedly on a home computer. Nina teaches at Parsons School of Design in Manhattan and is a 2006 Guggenheim Fellow.
“Sita Sings the Blues” is a multi-level presentation of the traditional Indian Ramayana saga that includes three different artistic styles, a modern-day parallel based on Paley’s own life, and the songs of 1920’s-30’s nightclub singer Annette Hanshaw. I met Paley two years ago at a reception for women film-makers. We talked briefly about her work on this film and she gave me a business card with a small drawing of Sita. I was delighted to see the film at Tribeca this year and glad to have a chance to interview Paley via email.

What first interested you in the Ramayana saga?

I was living in Triuavndrum, India, where I read it for the first time.
There are at least four different graphic styles in the way the characters in your film are
presented. How would you describe them and what does each one add to the story?

the smooth cartoony style for the Hanshaw numbers, the shadow puppets with collage characters in the background, during the unscripted dialog, the fake miniature Mughal paintings, during the scripted dialog, the expressionistic rotoscoped scene just after the
“intermission.” Each style refers to a different art tradition associated with the Ramayana, and lends itself to the shifting narrative styles as well
05.RamSitaGods.jpg
The narration of the Ramayana story feels very improvised — how did that come about?
It was improvised.
Who are the narrators?
Friends from India, see here.
Is their contradiction of each other and refinement of each other’s versions intended to match the mix of artistic styles in the visuals?
It’s very natural. They’re all from different regions of India and speak different mother tongues, and grew up on different versions of the story. So naturally they remember “the” Ramayana differently from one another. There is no one Ramayana. Their discussion makes this clear.
Why combine the Ramayana story with the modern-day parallel? In some ways, the stories are very different.
Yes, my story doesn’t involve demons, magic arrows, palace intrigue, or purity. But both stories are about heartbreak, and a peculiar relationship dynamic between a man and a woman, and that’s the aspect of both I emphasized. It’s also what they have in common with the Blues.
How did you select 1920’s chanteuse Annette Hanshaw as the singing voice of Sita?
See here.
Do you think that women directors bring a distinctive perspective and if so, how would you describe it? How would this story be different if told by a man? Or would a man not tell this story?
This story was told by me as an individual. An individual brings their individual characteristics and experience to a story. I happen to be a woman, but I’m a specific woman, not womankind in general. I can’t tell you how other women would direct a particular film, or other men. We’re all unique.
I will say that there are distinctive womens’ tellings of the Ramayana that differ greatly from mainstream (men’s) versions.
In the novel “Heartburn,” Nora Ephron said that she wrote it even though it had some material that embarrassed her because it allowed her to control the story. Would you say that is true for you with this movie? Did you find it validating or vindicating?
I found it therapeutic.
What are you working on next? More animation or will you do live-action as well?
The Muse hasn’t given me my next orders yet, which is good, because I have to be a fulltime producer for “Sita” right now.
What are the distribution plans for the film? Where can people see it?
Watch “Sita Sings the Blues” for free online.
Who are some of your influences in animation and in comics?
Everything I’ve ever seen!

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