Rocket Science

Posted on January 28, 2008 at 8:00 am

Hal (Reece Thompson) has something say but he has a lot of trouble saying it. On the bus, he can practice asking for pizza, but when it comes to the moment and he is standing in the cafeteria line, he can’t quite get it out. He has a stutter, the kind of speech impediment that keeps the words stuck in his throat. People tend to ignore him. Either they are tied up in their own worries and do not realize that he deserves their attention, or they assume that because he does not talk he must not be worth listening to.


And then Ginny (Anna Kendricks) sits next to him on the school bus and invites him to join the debate team. She says she sees greatness in him. And, perhaps because of that, or just because she is hyper-articulate and sure of herself, maybe because his parents have just split up and love seems very confusing to him, all of a sudden Hal begins to feel feelings for Ginny that are seismic and shattering and uncontrollable. And so, his actions become as confused and embarrassing as his speech. He sort of stalks her. He sort of grabs her. And when he feels that she has betrayed him, he goes to any length to try to at the same time let her know he does not need her, defeat her, and win her back at the same time.


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Director Jeffrey Blitz showed sensitivity to the throes of adolescence in his award-winning documentary about the national spelling bee for middle schoolers, Spellbound. He got those kids to trust him and here, too, and he gets the most from his talented young cast. Thompson is superb, showing perception and vulnerability without seeming mannered or excessive. Kendricks, a Broadway veteran so good in “Camp,” raps out her complex speeches with devastating effect; completely compelling as someone who would bring a dozen perfectly sharpened number 2 pencils to the SATs and challenge them all the way to the Supreme Court if they tried to give her one point less than a perfect score.


The screenplay wavers at times; the structure is a little ragged, there are a couple of self-consciously quirky indie moments, and the ending a little weak. But Thompson and Kendricks and the debate scenes make this one of the best coming-of-age stories in many months.

Parents should know that there are some crude sexual references and high school situations. Characters use some strong language, a teenager smokes, and there are references to drinking and drug use.


Families who see this movie should talk about how difficult it was for Hal to find someone who could understand or help him. Why were all of the adults around him so clueless?

Families who like this movie will also appreciate Napoleon Dynamite and the award-winning spelling bee documentary directed by Blitz, Spellbound. And they will enjoy this interview with writer-director Jeffrey Blitz.

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Comedy Drama Genre , Themes, and Features Independent

How She Move

Posted on January 24, 2008 at 6:00 pm

B-
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some drug content, suggestive material and language.
Profanity: Some strong language
Alcohol/ Drugs: Drug overdose death (offscreen)
Violence/ Scariness: Some peril
Diversity Issues: Diverse characters
Date Released to Theaters: January 25, 2008

Raya Green (Rutina Wesley) has to go back home because her Caribbean immigrant parents can no longer afford the tuition at her tony private school. They spent that money on drug rehab for Raya’s sister. But they were unable to save her; she died of an overdose. Raya comes back to her old neighborhood to face parents who are devastated and fearful and old friends who are resentful and suspicious. They feel that Raya thinks she is too good for them. Her first reaction is to try to play down her intelligence. When called to the board to solve a quadratic equation, she pretends it is very hard for her. But she does not fool her teacher, who assigns her to tutor the student who has been most hostile to her, Michelle (Tre Armstrong). When the two of them face off against each other, they don’t trade insults or punches — they show off their best dance moves. how%20she%20move.jpg

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Movies -- format Musical

The Hunting Party

Posted on January 22, 2008 at 8:00 am

Crazy times require crazy tactics. And so just because the UN can’t seem to find Bosnia’s most notorious war criminal does not mean that a gonzo journalist shouldn’t track him down for an interview.
Based on a 2002 Esquire Magazine story called What I Did on My Summer Vacation by Scott Anderson, the movie starts off with a snarky advisory: “Only the most ridiculous parts of this story are true.” The snark deepens to anger and outrage but performances of great sensitivity and heart keep it from getting shrill.
Simon Hunt (Richard Gere) is a television war correspondent equally strung out from the madness of war and from the lack of interest in the stories he sends back home. He has spent his entire career living on adrenaline and alcohol, chasing stories all over the world about people trying to wipe each other out. One night during a live broadcast on network television he had a meltdown, and since then he has been relegated to scrambling for freelance piecework for any global television service he can get to pay him enough to cover his bar tab. But the market for his stories is getting smaller and the bar tab is getting larger.
The network anchorman arrives (James Brolin, sleek and satisfied as a Siamese cat), accompanied by his cameraman (Terrence Howard as Duck), formerly Simon’s closest colleague, and Benjamin (“The Squid and the Whale’s” Jesse Eisenberg), a young kid just out of school whose father is a network executive.

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Action/Adventure Based on a true story War

The Game Plan

Posted on January 22, 2008 at 8:00 am

There is undeniable little girl appeal in this story of a big, selfish meanie of a quarterback who is tamed by the 8-year-old daughter he never knew he had. Some audiences will find it as sugary as a fruit-scented princess pony sticker book, but its intended viewers will be delighted to see a story with a little girl who is smarter and more responsible than many of the adults around her and is adored by every one of them, especially her big, tough daddy.
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Comedy Family Issues Genre , Themes, and Features Sports
Sydney White

Sydney White

Posted on January 20, 2008 at 3:14 pm

B
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some language, sexual humor, and partying
Profanity: Some crude language
Alcohol/ Drugs: Drinking
Violence/ Scariness: Tense confrontations, comic peril
Diversity Issues: Diverse characters, some stereotyping
Date Released to Theaters: September 21, 2007

This updated fairy tale has some clever riffs on “Snow White” but never makes use of the considerable talents of its star, Amanda Bynes.

Copyright Morgan Creek 2007
Sydney (Bynes) is a college freshman who wants to join Kappa, the most exclusive sorority on campus, though she is more comfortable on a construction site than at a cotillion. “You know how people joke about being raised by wolves? I was raised by construction workers,” she explains and we cut to her devoted father (“The Dukes of Hazzard’s” John Schneider) illustrating the facts of life for her with plumbing supplies. When she knew she was dying, Sydney’s mother wrote her a letter, telling her how much she loved being in the sorority. Now Sydney wants to fulfill her mother’s dream.

But Sydney does not meet the standards of the Kappa president, Rachel Witchburn (Sara Paxton). She is not blonde, she is not a size 2, and, worst of all, Sydney fails to recognize Rachel’s supreme domination over just about everything on campus — especially the handsome Prince Matt Long as Tyler Prince, the campus McDreamy.

Rachel boots Sydney out of the sorority in a humiliating public ceremony. There is only one place left on campus that will take her in, the ramshackle house occupied by the campus outcasts. There are seven of them. One has allergies and sneezes a lot. One is an exchange student with jet lag who sleeps all the time. One is bashful. One is grumpy. All are nerdy. And Rachel has a plot to tear their house down so her family can build a shiny new rec center for sorority and fraternity members only.
Echoes of the Snow White story provide the movie’s brightest moments. Rachel checks constantly to make she is still considered the fairest in the land, not in a magic mirror but in the campus “hot or not” website. The poisoned apple? An Apple laptop with an important homework assignment gets infected with a virus. And of course in the big moment Sydney is awakened by a kiss from the Prince.

It is less cute when a nasty trick has the seven dorks naked at a campus party and when they march past Rachel with a mean-spirited “Hi, Ho!” It makes it harder for us to stay on the side of the good guys when they descend to the terminology of the bad guys. And it goes overboard on the geek factor; drawing less from fairy tales than from “Revenge of the Nerd”-style caricatures. For a movie that is supposed to be all about inclusion and respecting the dork within each of us, it has a lot of fun at their expense.
Bynes is captivating despite a role that does not give her much to do but display tomboyish good spirit behind some really unfortunate hair and make-up. She looks trapped in a 1970 Yardley ad, all fake tan, shag haircut, and pale eye shadow. She can make a retort sound spirited, not snappish, as when she tells Rachel that she doesn’t “speak priss.” Her best moments are with Long, who has a great smile and a rare ability to listen to what other performers are saying without thinking he has to be doing something every second he is on screen. Newcomer Jack Carpenter as Sneezy/Lenny brings warmth and humanity to a thinly written role as the most sociable of the dorks.

But director Joe Nussbaum does not trust his performers, the material, or the audience. He keeps the tempo so synthetically sitcom-y you expect to hear a rim shot and a laugh track. Everything is exaggerated. Every joke is an elbow in the ribs. Like Rachel, he is checking his “hotness” every couple of minutes. And like Rachel, his score could use some improvement.
Parents should know that this movie has some vulgar humor and strong language (references to “hos,” b-word), implied nudity, and a drinking game at a party. A strength of the movie is its emphasis on inclusion and the importance of treating diverse people respectfully, and Sydney reaches out to all groups on campus, from the Hassids to the band geeks, cross-dressers, and Goths.
Families who see this movie should talk about when they most felt like outsiders or dorks and what they can do to make sure that people around them feel included and appreciated for who they are.

Families who enjoy this movie will also enjoy other takes on classic fairy tales like Ella Enchanted and Shrek. Barbara Stanwyk and Gary Cooper co-starred in an earlier update of Snow White, Ball of Fire.

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