List: Movies to Share With Your Valentine

List: Movies to Share With Your Valentine

Posted on February 10, 2011 at 8:00 am

In 2008, I did a Valentine’s Day tribute to great movie couples, from Mickey and Minnie to The Princess Bride and with suggestions for all ages. Here’s a list of five of my all-time favorite falling-in-love (or realizing you’re in love) stories for teenagers and grown-ups. Cuddle up with your valentine and a bowl of popcorn and enjoy these movies about how love makes us crazy and immeasurably happy at the same time.

1. Moonstruck Cher won an Oscar as the bookkeeper who has given up on love until she meets the brother of her fiance, who tells her:

Love don’t make things nice – it ruins everything. It breaks your heart. It makes things a mess. We aren’t here to make things perfect. The snowflakes are perfect. The stars are perfect. Not us. Not us! We are here to ruin ourselves and to break our hearts and love the wrong people and *die*.

2. Eternal Sunshine Of The Spotless Mind Jim Carrey and Kate Winslet find that they really don’t want to forget each other, no matter how painful love can be.

3. You’ve Got Mail This third version of the story of a couple who are at war in person, not realizing that they are tender lovers through the mail, updates the story to the computer age. Tom Hanks and Meg Ryan have so much chemistry on screen that we know from the first moment what it will take them the whole movie to discover — they are meant to be together.

4. The Philadelphia Story On the eve of her wedding, socialite Tracy Lord’s ex-husband shows up with a couple of journalists and we get to watch three of the greatest stars in Hollywood history sort out their affections. This movie has everything: Cary Grant, Katharine Hepburn, and James Stewart (who won an Oscar), George Cukor as director, wit, heart, and romance and an important lesson about how sometimes it is not about falling in love but recognizing that we have already fallen.

5. To Have and Have Not

As tough guy Humphrey Bogart meets the even-tougher Lauren Bacall (only 19 years old when this was filmed), we get to see the real-life romantic sparks that gave the on-screen love story some extra sizzle. Watch her tell him how to whistle.

And be sure to check out Beliefnet’s other Valentine thoughts and recommendations.

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For Your Netflix Queue Holidays Rediscovered Classic Romance

You Again

Posted on February 9, 2011 at 3:59 pm

Cute people getting mired in a cute situation? Good. Cute situation getting mired in unimaginative slapstick? Not so much. This is yet another one of those movies about characters who have clearly never watched a romantic comedy. If they had, they would know that: trying to break up a loved one’s wedding two days before it is scheduled is not a great idea (“My Best Friend’s Wedding,” “Made of Honor,” etc.). You only embarrass yourself by showing embarrassing footage of the bride at the rehearsal dinner (“27 Dresses”). Wandering off by yourself on a visit to the prospective in-laws often results in getting wet and ruining property (“Father of the Bride”). Taking a wedding-related movie down to a PG instead of a PG-13 is usually a sign that the studio does not have much confidence in it (“Bride Wars”) because the script is weak. The characters in this movie are the only ones on earth who haven’t been there, seen that.

It is a cute situation. Marni (Kristen with an “e” Bell) is a smooth, capable, professional woman who is proud of triumphing over her teenage years as an ugly duckling, constantly abused by the mean girls led by head cheerleader J.J. (Odette Yustman). Her comfort during those years was her golden boy brother Will. Now Will is getting married to none other than Joanna, formerly known as J.J. The calm, professional Marni instantly reverts to a cowering mess, and then things really get complicated. It turns out Joanna’s only family is her aunt Mona (Sigourney Weaver), who is none other than the former BFF-turned WFF of Gail (Jamie Lee Curtis), mother of the groom — and of course of Marni as well. Add to the mix a wedding planner (Kristin with an “i” Chenoweth), the bride’s ex-beau, a wise-cracking granny (Betty White, of course), a dance-off, a fluffy dog, and a dad who eats his meals blindfolded (okay, that one I didn’t see coming), and you have pieces that never quite work.  

Just to see the glass as half-full for a moment, I’ll point out that this movie does not have a big but highly touchy client who gets caught up in the chaos or a child to spout out-of-the-mouths-of-babes wisdom.  There are no funny clergy.  There are a couple of genuinely welcome surprise cameos.  Weaver and Curtis do their best to elevate the material and sometimes succeed.  

On the glass half-empty side, there is an icky dentures joke.  Serious injuries are dismissed as blithely as are serious infractions of trust and good judgment.  It is under-written, running out of steam — and ideas — long before it is over.  Ultimately, there’s too much com and not enough rom.  

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Comedy Romance
Tamara Drewe

Tamara Drewe

Posted on February 8, 2011 at 8:00 am

You might think that in a movie called “Tamara Drewe,” the character named Tamara Drewe would be the protagonist. She isn’t. You might then think she could be the primary antagonist creating the chaos that has to be straightened out by the protagonist. Not really. And you might think that a movie based on a graphic novel would have some sci-fi or fantasy or at least be set in a big, modern city. Not even close. This film, based on the graphic novel by Posy Simmonds has a few surprises in store.

Tamara Drewe (Gemma Arterton) does create something of an uproar in the almost-too picturesque English village she returns to after the death of her mother. Her ostensible purpose is to fix up her home so it can be sold. Her real purpose, one with which we all can identify, is to show the folks she left behind that contrary to their impression of her as an awkward teenager dubbed “Beaky” because of her big nose, she is now a very glamorous and successful young writer with a smaller nose who looks very, very good in a pair of jean shorts that are very, very small.

There are two people in particular she would like to get this message. First is the middle-aged married man who hurt her feelings, a very successful writer of mystery novels named Nicholas (the oleaginous Roger Allam). Second is the young man who broke her heart, a handyman named Andy (Luke Evans), who works at the writer’s residence owned by Nicholas and his wife Beth (the superb Tamsin Greig). While Nicholas turns out eight pages a day and basks in the adoration — and sometimes more — of fans, Beth caters to an assortment of would-be writers with home-made cookies, gentle encouragement, and a few shrewd suggestions about plotting and tone.  Meanwhile, a pair of teenage girls (the terrific (Charlotte Christie and Jessica Barden) with a crush on a rock star (Dominic Cooper) create all kinds of mischief for everyone, especially after Tamera’s interview with him turns into a romance.

The fun of the film is the way it upends expectations.  In a setting that superficially appears to have changed very little since the time of its Thomas Hardy inspiration (especially Far from the Madding Crowd), there are splashes of modernity from lesbian porn to a nose job and a rock band called Swipe. Hardy’s lost letter mix-up is recalled when one of the teenagers sends emails from Tamara’s account. On the surface, too, with its title cards showing the four seasons and Masterpiece Theatre understated rhythms and elegant accents, it seems at first to be a conventionally structured story. But it has a beguilingly episodic nature, based on the book’s multiple narrators and on its origins as a weekly comic, with its leisurely and open-ended story-line, where even the author has not decided on an end point. Some viewers may find that unsettling, but it has some sharply observed moments for those who are willing to meander.

Parents should know that this film has very explicit sexual references and situations, nudity, drinking, drugs, fatal accident with some graphic images, extremely strong language, and bad behavior by teens including smoking and sexual conversation.

Family discussion: How did Tamara’s teenage experiences
influence her adult decisions? 
What do you think will happen to the girls? 

If you like this, try: the graphic novel by Posy Simmonds

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Based on a book Comedy Comic book/Comic Strip/Graphic Novel Drama Romance

Cactus Flower

Posted on February 7, 2011 at 8:00 am

B+
Lowest Recommended Age: Middle School
MPAA Rating: PG
Profanity: None
Alcohol/ Drugs: Drinking, characters get tipsy
Violence/ Scariness: Suicide attempt
Diversity Issues: None
Date Released to Theaters: 1969
Date Released to DVD: April 23, 202
Amazon.com ASIN: B0000633R9

This week’s release of Adam Sandler’s remake of “Cactus Flower” is a good reason to check out the 1969 original with Walter Matthau, Ingrid Bergman, and, in her Oscar-winning screen debut, Goldie Hawn.

It began as a French play, adapted into a smash success on Broadway, and then this movie version, brightly directed by Gene Saks. Matthau plays Julian, a dentist who tells the girls he dates that he is married to avoid any long-term romantic entanglements. But when his much-younger girlfriend Toni (Hawn) attempts suicide he realizes how much he loves her and tells her he wants to get married. She is worried about being a home wrecker and insists on meeting his wife to be sure that she wants a divorce. Rather than tell Toni the truth, Julian persuades his starchy nurse (Bergman) to pretend to be his wife. Various romantic complications are all straightened out by the happy ending.

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After the kids go to bed Based on a book Comedy DVD/Blu-Ray Pick of the Week Romance

Night Catches Us

Posted on February 3, 2011 at 2:58 pm

Writer-director Tanya Hamilton and two of today’s most gifted actors have produced a sensitive drama with a powerful conclusion. Night Catches Us takes on some of the most complicated and painful issues of the era that saw the struggle for civil rights shift from “We shall overcome” to “Burn, baby, burn.” It is rare that we see those issues portrayed, rarer still that we see them explored with any recognition of complexity and nuance, and just about unheard of that we see how much more complicated and nuanced the issues were for the women.

It is 1976, and the United States is celebrating its 200th birthday. Some Americans are still feeling marginalized, neglected, or locked out.

Marcus (Anthony Mackie) who returns to his home in Philadelphia following the death of his preacher father. He seems rootless and restless. But it is immediately clear when he sees Patricia (another exquisite performance by Kerry Washington), a lawyer and single mother, that they have some history and that he wants to know whether they might have a future.

No one else seems happy to see Marcus, even his brother. It is apparent that the people he left behind feel abandoned and betrayed by him. Everyone seems to think he is the one who gave the police information that led to the death of one of the leaders of the Black Power movement. But it is also clear that he is a good man. Could he be protecting someone?

This is a sincere, thoughtful exploration of complex issues and complicated people. Washington and Mackie, who appeared together in “She Hate Me” give performances of great depth and dignity, spare but endlessly compelling and evocative. The story’s ambitions at times outstrip the ability of first-timer Hamilton, but it is those very ambitions that give the film its exceptional power. At its conclusion, we have to confront our own assumptions to recognize that it is really not Marcus’ story after all, and the whole movie opens up to deepen our appreciation and insight.

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Drama Neglected gem Romance
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