Galaxy Quest

Posted on December 13, 2002 at 5:16 am

This is one of the funniest movies of the year, hilariously but affectionately skewering television sci-fi, its stars, and its fans. Not since William Shatner told Trekkers Dana Carvey and Jon Lovitz to “get a life” back on Saturday Night Live has there been such a sublime look at this world, reminding us, in these days of Adam Sandler and the Farrelly brothers, that intelligence and humor are not mutually exclusive. The fast, funny, and fresh script takes a terrific premise and unreels it in a tightly constructed farce that is filled with surprises. Perhaps the biggest one is that we really come to care about the characters.

Tim Allen, Alan Rickman, and Sigourney Weaver play former stars of a cheesy “Star Trek”-style show that ended nearly 20 years ago. Their only paying jobs are appearances at conventions of fans and store openings with their co-stars. A group of aliens who received the television transmissions of the program’s reruns and thought they were documentaries comes to Earth to ask for their help.

The TV stars find themselves on a real-life replica of their television series spaceship, lovingly constructed by the aliens to replicate every detail from the show. And they find themselves in a real-life confrontation with a lizard-looking tyrant named Sarris, trying hard to remember lines and plots from old episodes to help them defeat him.

The people behind this movie have watched a lot of Star Trek. Rickman, who played a character somewhere between Dr. McCoy and Mr. Spock, stares glumly at his alien gill make-up in the mirror and murmurs about the time he got five curtain calls as Richard III. Sam Rockwell (very far from his role earlier this month as the evil prisoner in “The Green Mile”) plays an extra who was killed on one episode, worries that he’ll be killed for real on this mission, because “my character is not important enough for a last name.” Tony Shaloub, as the Scottie equivalent tries to reassure him: “Maybe you’re the plucky comic relief!” The responsibility assigned to Sigourney Weaver, the Lt. Uhura equivalent, is repeating everything the computer says (and wearing a low-cut uniform).

After a string of slob comedies, it is a special joy to see one that is so sharply written and performed. Acting! Satire! Dialogue! Plot! I remember those! I’m just glad someone else does, too. If movies got curtain calls, I’d give this one five. (Be sure to check out the brilliantly designed “unofficial” website at http://www.galaxyquest.com/galaxyquest)

Parents should know that there is some cartoonish sci-fi violence, some of it rather gross, and one sad death, a character gets so drunk he passes out, and is then very hung over, and there are mild references to Allen’s character sleeping “with every Terakian slave girl and moon princess” on the show.

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Comedy Satire Science-Fiction

The Truman Show

Posted on December 13, 2002 at 5:16 am

Truman Burbank (Jim Carrey) is an insurance salesman who gradually realizes that everyone around him is part of an elaborate “show,” and that every aspect of his life has been orchestrated and broadcast throughout the world. Truman’s “ideal” suburban community is an elaborate set, his wife and best friend are actors. Sponsors pay for the show by having the participants praise their products. And all of it is presided over by Christof (Ed Harris), who leans into his microphone to give direction: “Cue the sun!”

A thought-provoking story and outstanding performances (including a sensitive and subtle portrayal by Carrey) make this is a very worthwhile movie for families to watch together. Teenagers will relate to Truman’s sense (correct in this case) that he is constantly being watched, and that the world is organized around him. While the satire may be above the heads of younger children, there is a still lot to discuss. They may enjoy the clever Free Truman! web site created by Paramount to further perpetuate the illusion.

Younger school-age children will be interested by the fascination that Truman’s “real” story has for a world-wide audience with an insatiable hunger for something to watch on television, at the same time rooting for him to find a way out and wanting him to stay so they can keep watching him. Families can talk about how Truman figures out that something is wrong and whether it was fair for Christof to raise Truman that way. They can also talk to children about why television is so interesting, whether they would want to watch someone who did not know he was on television, and what Truman will think of the messier reality he finds when he leaves the set.

Families who enjoy this movie may also like “Ed TV” (not for young children) the story of a man who agrees to have his entire life broadcast on television.

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Drama Satire

Who Framed Roger Rabbit?

Posted on April 14, 1999 at 3:06 pm

In this technical marvel of a movie, human and animated actors interact seamlessly. It begins with a cartoon, loveable Roger Rabbit taking care of adorable Baby Herman, despite every kind of slapstick disaster. Then, as birdies are swimming around Roger’s head after a refrigerator crashes down on him, a live-action director steps in to complain that the script called for stars, and we are in a 1947 Hollywood where “Toons” are real.
A private detective named Eddie (Bob Hoskins) is hired by the head of Roger’s studio to get evidence that Roger’s gorgeous wife Jessica is seeing another man. Eddie does not want the assignment. Once a friend to the Toons, he hates them since one of them killed his brother. But he needs the money badly, so Eddie goes to the Ink and Paint nightclub, where Jessica performs, and he takes photos of her playing “patty-cake” (literally) with Marvin Acme (Stubby Kaye), maker of novelties and gags. Roger is distraught when he sees the photographs. But it turns out that Jessica is completely faithful to Roger, and that she is caught up in a complex plot to close down Toon Town and Los Angeles’ excellent public transportation system to build freeways. Eddie’s efforts lead him to Toon Town and then to a warehouse where the real villain is revealed.
This was a one-time opportunity for cartoon characters from all the studios to join forces, and it is one of the great pleasures in movie history to see them all together. Donald Duck and Daffy Duck perform a hilarious duet at the Ink and Paint Club. On his way out the door at Maroon studios, Eddie brushes by several members from the “cast” of “Fantasia.” The penguin waiters from Mary Poppins show up in another scene, as do Pinocchio, Mickey Mouse, and Woody Woodpecker. The mix of characters and styles works extremely well, and kids will enjoy seeing some of their favorite characters in a different context. Kathleen Turner provided the sultry speaking voice of Jessica Rabbit, but her singing voice was Amy Irving.
Children will be delighted with the Toon characters, and with the interaction of the cartoons with the human actors and with the physical world. Eddie’s venture into Toon Town is almost as good. The story is fast-paced and exciting, and the slapstick is outstanding. But the human and cartoon characters mix more smoothly than the combination of slapstick and film noir references in this movie. The plot includes murder, corruption, and suspected adultery. The premise that the only possible explanation for the traffic system in Los Angeles is that it was the vision of a sinister madman is funnier for adults than it is for kids. Eddie is not an especially attractive leading character. Still reeling from his brother’s murder, he drinks too much and is surly to his clients, to his girlfriend, and to Roger.

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Animation Based on a book Comedy Fantasy For the Whole Family Satire
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