Tom Clancy’s Without Remorse

Posted on April 29, 2021 at 5:34 pm

B
Lowest Recommended Age: High School
Profanity: Some strong language
Alcohol/ Drugs: None
Violence/ Scariness: Extended peril and action-style violence including shooting and fight scenes, many characters injured and killed, including assassinations and the murder of a pregnant woman
Diversity Issues: Some references to historical abuse
Date Released to Theaters: April 30, 2021

Copyright Amazon Studios 2021
Let’s get right to the good stuff. As we should expect from a 1993 action-adventure spy story based on a book by Tom Clancy, this movie has all kinds of shoot-outs and fights plus two excellent underwater scenes. Also, Michael B. Jordan is, as ever, wonderfully charismatic as an actor and he takes his shirt off, also very charismatic. The cast also includes Guy Pearce and Jamie Bell, always good to see and, as always, nailing their American accents.

Let’s face it, that’s pretty much what we’re looking for here, and it delivers pretty much what we expect, unless you’re looking for the characters and events of the book, which is set in 1970 during the Vietnam war and differs in most of the details.

Nevertheless, the problem is that everything else is pretty much what we expect, very predictable given the author and the title. The focus is more on action and on creating a heroic franchise-worthy character than in making the story particularly compelling or credible.

Jordan plays John Kelly, a Navy SEAL we first see on a mission to rescue a hostage in Aleppo that does not go well. Later, he is at a party at his home, getting water for his wife, Pam (Lauren London), who is weeks from the due date for delivering their daughter. But the SEALS who participated in the Aleppo mission start getting murdered. They come for John, who is seriously wounded, and Pam is killed.

John’s first words when he regains consciousness in the hospital: “I just need a name.” Nothing matters to him anymore but destroying whoever it was who destroyed his life. He needs his former colleagues in the military and the CIA to help him get the information he needs. His equivalent of Liam Neeson’s “special set of skills” comment is in one of the movie’s best lines: “You need someone like me. And there is no one else like me.”

This story takes place in the TCCU, Tom Clancy Cinematic Universe, and John’s military contact is Karen Greer, niece of the Vice Admiral/Deputy CIA Chief played by James Earl Jones in the Jack Ryan movies. Unfortunately, the role is poorly cast, and the reserved delivery and statuesque beauty that made Jodie Turner-Smith so compelling in “Queen & Slim” does not work well for that character. In fairness, even Bell and Pearce fade into the background for much of their time on screen, partly because of their thinly written characters but mostly because Jordan is fierce and compelling and so fiery on screen you need someone with the pure star power of Tessa Thompson (“Creed”) or Chadwick Bozeman (“Black Panther”) to match him. Ideally, you’d want a script worthy of him, but for now, the action scenes will do.

Parents should know that this is an extremely intense and violent film with many scenes of military/spy peril and violence, including shoot-outs, fights, stabbing, fires, and drowning. A pregnant woman is murdered and many characters are injured and killed. There is also some strong language and social drinking.

Family discussion: How did John decide who he could trust? How did his training help him do what he wanted to do? When did he show his emotions?

If you like this, try: “Taken” and the John Wick movies

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The Courier

Posted on March 18, 2021 at 5:23 pm

B +
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for violence, partial nudity, brief strong language, and smoking throughout.
Profanity: Brief strong language
Alcohol/ Drugs: Drinking and alcoholism, smoking
Violence/ Scariness: Peril and some violence, murder, torture
Diversity Issues: None
Date Released to Theaters: March 19, 2021

Copyright Lionsgate 2020
“Maybe we’re only two people. But this is how things change.” In this tense, engrossing, Cold War spy drama, based on a true story, things change because of two people. The set-up is like something out of Hitchcock, an ordinary man thrust into a geopolitical heist saga with fate-of-the-world stakes. But it happened.

Oleg Penkovsky (Merab Ninidze) is one of the highest-ranking Soviet officials, a multiply-decorated WWII veteran, with access to the most sensitive secrets of the Soviet military and a growing uneasiness with the volatile, aggressive leadership of Nikita Khrushchev. Greville Wynne (Benedict Cumberbatch) is a smooth-talking British salesman, in every way an ordinary citizen, with no background or interest in espionage. But what he does have is a relatively unsuspicious reason for an Englishman to visit Moscow. Representatives from the CIA (Rachel Brosnahan as Emily Donovan) and MI6 ask Wynne to try to set up some sales meetings in Moscow as cover for bringing back files from Penovsky. “Nothing dodgy, nothing illegal,” they assure him. Not true. “We want you to act like the ordinary businessman you are…If this mission were the least bit dangerous, frankly you’re the last man we’d send.” Also not true. They do warn him that everyone he meets will be spying on him, even some who may be too far to hear what he is saying but who can see him well enough to read lips.

He agrees. Maybe he is patriotic. Maybe he is looking for something more exciting than missing an easy putt to accommodate potential customers. But his business is a good cover. “No matter what the politicians are doing, factories still need machines and machines still need parts.” Penkovsky tells Wynne that there is one important question for anyone wanting to do business in the Soviet Union. “Can you hold your alcohol?” Wynne smiles and we see why he is a good salesman. “It’s my one true gift.”

The Soviets do not intend to do business. They hope to learn enough about British products from Wynne to copy them. And MI6 gives him some hard to get but not classified information to leak to them to bolster his credibility.

“You’re — I think the word is — amateur,” Penkovsky says. But the two men form a kind of friendship. They are both devoted fathers, each with just one child. And they realize that the future for those children may depend on what they are doing.

The script is smart but it is also wise, balancing intimate personal details with the tension of tradecraft. We see the strains on Wynne’s marriage from keeping the secrets, with Jessie Buckley excellent as his wife, especially their meeting after things go badly. Wynne’s last meeting with Penkovsky is heart-rending. Cumberbatch, who also co-produced, gives one of his best performances, as we see Wynne go from almost looking at what he is doing as a bit of a lark to having to call on unimaginable stores of courage and integrity.

Parents should know that this movie includes tension, peril, and some violence, including a man executed in front of his colleagues and torture of prisoners. There is some brief strong language and non-sexual nudity.

Family discussion: Would you accept a mission like Wynne’s? What was his biggest challenge? Who was right about how he should be treated by the British government?

If you like this, try: “Bridge of Spies” and “13 Days”

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My Spy

Posted on June 25, 2020 at 5:42 pm

B-
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for action/violence and language
Profanity: Some strong language
Alcohol/ Drugs: None
Violence/ Scariness: Mayhem and spy-related action violence, many characters injured and killed, off-screen death of parent
Diversity Issues: Diverse characters
Date Released to Theaters: June 26, 2020

Copyright 2020 Amazon Studios
“My Spy” does not try to conceal the sources it relies on for its storyline — other movies. This is a movie about a CIA agent who refers to “Notting Hill” twice, once in the first five minutes. It is also a movie that thinks it is okay to copy one of the best sequences from “Raiders of the Lost Ark” because it makes a weak joke about doing so. There is even a reference to the wedding scene in “Shrek.” The whole movie is propelled by pieces from other movies, from Melissa McCarthy’s “Spy” to Arnold Schwarzenegger’s “Kindergarten Cop” to Richard Dreyfuss and Madeleine Stowe in “Stakeout,” director Peter Segal’s own “Get Smart” and star Dave Bautista’s “Stuber.” The best I can say is that it does not lift any of its storyline from lesser films along the same lines like “Mr. Nanny” or “Stop or My Mom Will Shoot.”

So, no surprises here but that does not mean it’s not mildly entertaining along the way. Unfortunately, it is too violent for the elementary school audience most likely to enjoy it.

Bautista plays J.J., a special forces veteran now working as a field agent for the CIA. He is still better at shooting people than at spycraft. When he kills a bunch of bad guys instead of obtaining the information he was supposed to bring back to Langley his new assignment is designed to keep him out of trouble. He and Bobbi (Kristen Schaal), a tech specialist, will be on a stakeout, watching Kate, a single mom (Parisa Fitz-Henley), and Sophie, her 9 year old daughter (Chloe Coleman of “Big Little Lies”), from the apartment down the hall. They are new in town and Sophie is having trouble making new friends at school. The CIA thinks that Sophie’s uncle, who has the information they need about a possible nuclear weapon, may show up there.

But they are almost immediately busted by Sophie, who threatens to expose them unless J.J. helps her out, first by taking her to the skating rink, then by coming to school for “parents and special friends day.” He agrees, but he warns her that “This ain’t gonna end up like some movie with you and me sitting in little chairs having a tea party with dolls.” But what Sophie wants is to learn important spy stuff like lying and walking away from an explosion without looking back. And what J.J. needs is to learn how to develop actual relationships with anyone other than his fish, Blueberry and his affection for “Hit Me Baby One More Time.”

Both the action scenes and the “J.J. learns how to be vulnerable and talk to people” scene are generic and there is a lot of carnage for a movie about an endearing child. But Coleman is a gifted performer who knows how to deliver lines that are too grown-up for her age without sounding overly precocious, and her scenes with Bautista have some real warmth. The understated diversity of the cast is a plus. Ultimately, the reason we see this kind of set-up so often is that we are programmed to enjoy it.

Parents should know that this movie has a lot of violence for a PG-13 with shoot-outs, chases, and explosions, and a child in peril. There is a reference to a sad off-screen death of a parent and the issue of learning upsetting news about what he may have done. A crotch hit is portrayed as comic. There are some school mean girls and brief cyber-bullying. Lying is portrayed as an enviable skill. Strong language includes the b-word, the s-word, and more.

Family discussion: What does J.J. learn from Sophie? Why doesn’t Sophie tell her mother about J.J.? What facial cues are you good at reading?

If you like this, try: “The Game Plan,” (PG) and the PG-13 rated “Kindergarten Cop” and “Spy”

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The Rhythm Section

Posted on January 30, 2020 at 5:39 pm

C
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for violence, sexual content, language throughout, and some drug use
Profanity: Very strong language
Alcohol/ Drugs: Drug use
Violence/ Scariness: Extended very graphic and intense peril and violence, characters injured and killed, terrorism, suicide bomber, guns, knives, chases, explosions, disturbing images
Diversity Issues: None
Date Released to Theaters: January 31, 2020
Date Released to DVD: April 27, 2020
Copyright 2020 Paramount

What is this weird fascination with stories of men taking lost, pathetic, but lissome young women and turning them into spies and assassins? A century ago, we had Henry Higgins teaching a flower girl to speak like a duchess. Now, we have “La Femme Nikita” and its American remake “Point of No Return,” its Hong Kong version, “Black Cat,” its Italian version, “Sexy Killer,” its two television series, the Jennifer Lawrence film “Red Sparrow,” the Jennifer Garner series “Alias,” Luc Besson’s 2019 flop “Anna,” and the father/daughter version — movie and television series — “Hanna.” When that training includes masquerading as a prostitute so we can see her in her skivvies, it becomes clear how outdated this set-up has become.

And now we have The Rhythm Section, with Stephanie Patrick, played by Blake Lively in a series of bad wigs, as the brilliant Oxford student turned narcotic drug abuser and prostitute after the death of her family in a plane crash three years before this movie begins. I should say played by a series of bad wigs with Blake Lively in a supporting role, because this very talented actress is given little to do but look sullen, sullen and a little afraid, and sullen and a little determined. Please add “A Simple Favor” to your Netflix queue if you have not seen it yet to get a look at how good she can be.

The people behind this film are the producers of the Bond films, and they are clearly trying to create a distaff franchise, based on the books by Mark Burnell, who also wrote the screenplay. Unfortunately, it is weak on character and plot and fails to have any of the ingredients that make the Bond movies work. While there are stops in many cities, identified on screen but otherwise mostly interchangeable, it does not have the glamor, the urgency, or the fun of seeing all the gizmos and how they get deployed. Revenge is so reliable and relatable a motive that it is almost impossible to get wrong in a movie, but even that cannot bring this story to life. It’s supposed to be all you go girl! with a badass female lead. But, sigh, it’s more male gaze again, with one of her disguises being high-end call girl in skimpy skivvies and somehow a shocking tragedy inexplicably inspires her to jump into bed with someone she barely knows.

A journalist named Proctor (Raza Jaffrey) finds Stephanie, a drugged-out prostitute constantly replaying images of the last time she saw her parents and brother and sister, and the voicemail message her mother left her before getting on the doomed plane. He says he has information showing that it was not an accident; it was a terrorist bomb, and he knows how to find the man who built the bomb. She initially refuses to have anything to do with him, but then goes to his apartment, where he has one of those movie-friendly rooms with walls covered with clippings and photos. He unwisely leaves her there, giving her money and keys, and she unwisely tips off the bomber, and soon Proctor is dead, on the floor in a pool of blood.

Stephanie follows a clue she got from the photos on the wall to track down the Proctor’s source, a former spy turned rogue played by Jude Law. No cold turkey montage (“I’m a user, not an addict,” she explains), so straight into the training montage, turning Stephanie into a lean, mean, fighting machine in a matter of months, while we flashback to Jude Law doing the same thing for Captain Marvel, only better.

The action and characters would have to be so much better to persuade us to miss the howling plot holes and tinge of misogyny — really, she has to be a prostitute? Luckily for the movie, we never invest enough in it to care.

Parents should know that this movie includes extended and very graphic peril and violence, murders, chases, explosions, terrorism, knives, guns, bombs, poison, characters injured and killed, disturbing images, very strong language, prostitution, and drugs.

Family discussion: What were Stephanie’s most significant assets in accomplishing her goals? Why did the reporter want to contact her? What will she do next?

If you like this, try: “La Femme Nikita” and “Hanna” (movie and television series)

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Spies in Disguise

Posted on December 24, 2019 at 5:05 pm

B +
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for action, violence, and rude humor
Profanity: Some schoolyard language
Alcohol/ Drugs: Transformation potion
Violence/ Scariness: Action/cartoon-style violence, consequences of violence an issue in the film
Diversity Issues: Diverse characters and issues of diversity but includes the "bad buy with disabilities" cliche
Date Released to Theaters: December 25, 2019
Date Released to DVD: March 9, 2020

Copyright 20th Century Fox 2019
Will Smith is one of the most charismatic performers in movie history, and his confident physical grace and handsome face are movie magic. But it just might be that his highest and best use is as the voice of an animated character, For “Spies in Disguise” he plays super-spy Lance Sterling, as cool and crisp as a stirred-not-shaken martini, who never musses his impeccably tailored tuxedo as he takes on dozens of bad guys with an assortment of whiz-bang gadgets, an occasional well-placed karate chop, and a banging playlist. Like Robin Williams in “Aladdin,” only animation can keep up with Smith’s mercurial imagination (and help us forget Smith’s well-intentioned but short-of-the-mark efforts to re-create that character in this year’s live actin version). Smith does not cycle kaleidoscopically between dozens of characters as Williams did; he is always himself, but as we see here he contains rapidly shifting moods and thoughts that “Spies in Disguise” brings to life with visual wit and energy that match everything Smith brings to the film. “Spies in Disguise” is a stylish spy caper with heart and humor, an endearing friendship, and an equally endearing affection for Team Weird. Come on, you know you’re part of that team, too.

Lance is after some sort of MacGuffin thingamajig about to be sold by international weapons dealer Kimora (Masi Oka) to a mysterious buyer with a robot hand named (in case we didn’t know he was the villain) Killian, played by Ben Mendelsohn, who seems to own all the bad guy roles these days. (It is too bad this film could not avoid the tired convention of the evil guy with disabilities.) With astounding skill and panache — and some cool-spy quips — Lance saves the day and is greeted at home back in CIA headquarters as a hero.

Until….it turns out that the briefcase he so cleverly snatched away from Killian is empty. And it also turns out that surveillance footage shows Lance himself is the one who grabbed the whateveritis. Suddenly, the whole CIA is after him.

Meanwhile, Walter (“Spider-Man’s” Tom Holland) is a quirky, unashamedly weird gadget guy whose non-violent inventions include the “inflatable hug” protective device and “kitty glitter” that distracts the bad guys with adorable pictures of cats suspended in air. He was working out of tiny closet-like space in the CIA, until he was impulsively fired by Lance.

Lance likes to think he works alone and never needs anyone else’s help. But it is part of his job to know how to solve problems, and he has to admit that not only does he need help to hide from the agency while he tracks down whoever is pretending to be him, he is going to need resources he cannot get from the CIA any more.

Unfortunately, the only one who can help him is Walter, who is now pretty much off the grid as far as the CIA is concerned. Lance remembers Walter saying he could make spies disappear. So, Lance tracks him down and then discovers that it’s not “disappear” as in “invisible.” It’s “disappear” as in “bio-dynamic concealment,” transformation at the cellular level into someone, or something, no one will notice.

Lance learns too late that what he was been turned into is a pigeon. “Un-bird me!” he demands. But the antidote will take some time. And as much as Lance resists help, there are some things he cannot do as a winged creature who weighs about two pounds. So, Lance-as-pigeon and Walter with a backpack of gadgets and his personal comfort pigeon Lovey go off to find Kimora and Killian.

In the midst of all the action, Walter and Lance have a thoughtful conversation about the best way to resolve conflict. Lance believes in fighting fire with fire (“Evil doesn’t care that you’re nice”) and he never wants to depend on anyone. Walter believes in working as a team and does not think that hurting other people solves anything. This slightly mitigates the unfortunate reliance on the outdated cliche of a disfigured/disabled bad guy by making Lance face (literally) the consequences of his dashing “fire with fire” strategy.

Directors Nick Bruno and Troy Quade have created a film that is gorgeously designed with a swanky, stylish, slightly retro design, “Spies in Disguise” is visually bright, graphic, and engaging, and the characters and their interactions are vivid and appealing. Here’s hoping Blue Sky retains its quirky charm under its new ownership — and that we get to see Lance and Walter team up again.

Parents should know that the film has extended cartoon/action-style peril and action, with some characters injured and killed, chases, shoot-outs, and explosions. A theme of the movie is the consequence of collateral damage. There is some schoolyard language and some potty humor. Unfortunately, the movie relies on the outdated cliche of the disfigured/disabled villain whose injuries are a reason for his cruelty and anger.

Family discussion: Which of Walter’s gadgets would you like to have? Who is on your team and whose team are you on? What’s the best part of being weird?

If you like this, try: “Megamind,” “Robots,” and “Rio”

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