MPAA Trailer Rule Update

Posted on September 14, 2009 at 3:59 pm

Top entertainment reporter/commentator for the LA Times Patrick Goldstein wrote a terrific blog post about my story on the MPAA’s secret change to the rules governing the content of trailers, calling the consequences of this change “a whole new level of unintelligibility.” My story in the Chicago Sun-Times and commentary here got nice mentions in Christianity Today (thank you, Brandon Fibbs), Reel Fanatic (thank you, Keith Demko), and Movie Marketing Madness (thank you, Chris Thilk). And thanks to Kevin “BDK” McCarthy for inviting me to discuss this issue in his weekly podcast.
I heard from the MPAA, too. Elizabeth Kaltman, MPAA vice president for corporate communications, who was quoted in my article, wrote a comment here on my blog post. Here it is in full, followed by my response:

Ms. Minow got it wrong. The MPAA’s Advertising Administration has not eliminated restrictions on film advertising; rather, we have further enhanced the process to ensure appropriate content is put in front of the right audiences. To be clear, what this means is that the content of the trailer is appropriate for the audience viewing the trailer with the movie they have chosen to see.

The intent of the change from “All Audience” tags to “Appropriate Audience” tags is to indicate to the audience that we consider the placement of the advertising material is appropriate for that audience, but that it may not be appropriate for all audiences. This change allows distributors greater freedom to accurately target and promote their movies, while at the same time honoring our pledge to parents that stronger advertising material will not reach younger audiences.

As Ms. Minow accurately points out, the Advertising Administration goes to great lengths to limit access to content which is intended for mature audiences.

Over the course of many years we have received feedback from parents that content for some movies in a trailer with an “All Audiences” tag was misleading. This new change reflects the Advertising Administration’s increased vigilance to target advertising to appropriate audiences, in keeping with the purpose of ensuring that advertising content reflects the true spirit of the film.

First, I want to thank Ms. Kaltman, who was extremely helpful and responsive as I was writing my article. I appreciate the difficulty of her position. I know how hard it is to have to try to justify actions and positions like the ones taken by the MPAA here. I well understand the techniques of spin and distraction. I appreciate that she has tried her best, but her comment further reveals the failure of any credibility in the MPAA’s arguments. She is unable to dispute any of the facts or arguments I presented.
Ms. Kaltman begins by saying I am wrong, but she then explicitly or implicitly concedes every point I made. She says “To be clear, what this means is that the content of the trailer is appropriate for the audience viewing the trailer with the movie they have chosen to see.” Well, if some determination has been made about the content of the trailer, why not disclose it? Since a significant number of movie trailers are assigned to films by the theater manager, wouldn’t it be helpful to them as well as to parents to have enough information to be able to understand the basis for the “appropriate” determination? She does not respond to my point that a trailer with PG-13-level violence could be paired with a movie like this week’s “The Informant!” that is rated R for language only.
Significantly, Ms. Kaltman does not address the two most significant objections I made to the policy. The first is that the prevalence of trailers online, uncoupled from any “appropriate” feature films, makes it impossible to limit them to “appropriate” audiences. Aggregator sites like Yahoo! Movies, Apple Trailers, and YouTube show dozens of trailers that can be accessed by anyone, so there is not way to limit them to “appropriate” audiences. She says:

The intent of the change from “All Audience” tags to “Appropriate Audience” tags is to indicate to the audience that we consider the placement of the advertising material is appropriate for that audience, but that it may not be appropriate for all audiences. This change allows distributors greater freedom to accurately target and promote their movies, while at the same time honoring our pledge to parents that stronger advertising material will not reach younger audiences.

But she does not explain how to ensure that “stronger advertising material” that “may not be appropriate for all audiences” will “not reach younger audiences” when they can access the trailers online without any guidance for parents at the beginning of the trailer about the “stronger” material it contains.
My second objection is to the MPAA’s decision to make this change without any public announcement, explanation, or opportunity to comment. In what way is this “honoring our pledge to parents?”
Ms. Kaltman was unable to find a single factual error in what I wrote. She objects only to my characterization of the change in policy as “eliminating restrictions.” In her view they have “further enhanced the process.” I believe the dictionary supports my language. Material that previously was not permitted in a trailer is now permitted. That is what eliminating restrictions means. It is now harder to figure out whether a trailer contains material that may not be suitable for all audience members. That does not meet any definition of enhancing the process. Trying to sneak this change past parents is about as far from an enhancement as it is possible to be. I believe the MPAA knew they were doing something parents would not like and that is why they did not tell anyone.
I have written to the MPAA to ask them to reconsider this decision and to make a commitment to public disclosure of any further changes to the rules. I have also written to the Division of Advertising Practices at the Federal Trade Commission’s Bureau of Consumer Protection to ask them to investigate whether this change violates the rules about marketing inappropriate films to underage children. I have asked for meetings with both, and will keep you posted on any replies.

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Ask Amy Recommends My Blog!

Ask Amy Recommends My Blog!

Posted on August 31, 2009 at 7:55 pm

The wonderful Amy Dickenson of Ask Amy was kind enough to recommend my blog as her favorite resource for checking out movies.

Minow smartly distills plots and rates films with kids and families in mind. In two minutes I learned that “Brüno” uses “very strong, vulgar language” along with “extremely graphic and explicit nudity (male and female).”

Let me take this opportunity to recommend Amy Dickenson’s heartwarming memoir of three generations of strong, wise women in her family, The Mighty Queens of Freeville: A Mother, a Daughter, and the Town That Raised Them.

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Tom Clocker Interviews The Movie Mom

Posted on July 9, 2009 at 3:58 pm

Many thanks to Baltimore movie critic Tom Clocker for a terrific profile and interview.
Some selections:
Tom: You don’t have to get into too much detail since everyone can check out the full article from The Washington Post, but it seems like you are incredibly busy with your two jobs: Movie Mom, and Corporate Analyst. How do you find the time to see several movies a week, write reviews, and participate in many radio interviews in addition to your second career? Sounds like you should throw in some seminars on Time Management while you’re at it.
Nell: I never use the word “busy” about myself or let anyone else use it about me. In Washington, especially, it is often used in a macho way by people who want to make themselves seem important. Even worse, it is often used by people to explain why they are not doing things they should or would like to do. I told my children if someone says, “I’m too busy” it means “what you’re asking about is not important to me.”
It takes a lot of courage and honesty to take responsibility for the decisions about what you will and won’t do. Sometimes I miss a meeting for a movie. Sometimes I miss a movie for a meeting. But I am always clear with myself and my colleagues and family about what my priorities are. And my family comes first, always.
Tom: If circumstances ever forced you to pick one of your two jobs, and we all hope that never happens, which one would get the boot?
Nell: I’ll bet if one job ended, instead of doing the other full-time, I’d find another part-time job. I’m A.D.D. and find the feeling of going back and forth between two things both soothing and energizing!

Tom: I’m sure everyone wants to know: What is your favorite movie? And, if it is different, what is your favorite Kid’s or Family movie?
Nell: I was supposed to write a book with 200 movies and it ended up with 500, so I have a lot of favorites! But my all-time favorite is The Philadelphia Story. Other favorites include To Have and Have Not, His Girl Friday, Ball of Fire, Eternal Sunshine of the Spotless Mind, The Music Man, Yellow Submarine, and many more!
Tom: Finally, do you have any advice for aspiring movie critics? What does it take to become successful and get noticed in a world where anyone with a computer can be an on-line movie critic?
Nell: I have the same advice for any aspiring writer — write! Learn as much as you can and write as much as you can. Have a distinctive voice and point of view. Your reviews have to be lively and informative.
I wrote more than 500 reviews before I got paid for it. Dana Stevens was an unemployed PhD who wrote reviews for her own website that were so good within a year she was writing for the NY Times and is now the movie critic for Slate. This is the best time in history for a writer because anyone can be published. On Rotten Tomatoes, all the critics are right next to each other, print and online, so if you’re good, people will read you. Anyone who has talent, courage, and dedication can make it happen.
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