Interview: Us the Duo from “The Book of Life”

Posted on October 13, 2014 at 8:00 am

It’s a Cinderella story times two. Carissa and Michael Alvarado had a romance right out of a fairy tale. And then their creative and professional dreams became reality. One moment they were uploading six-second covers of popular songs to Vine and the next the song they wrote for their wedding was featured in a film (“The Book of Life”) and then they were on tour with Oprah.

If so many wonderful things are going to happen, these are the people you want them to happen to. Carissa and Michael are purely delightful, with enthusiasm and humility, committed to giving their best to each other, their art, and their audience.

Copyright Nell Minow 2014
Copyright Nell Minow 2014

You wrote the song that’s in the movie for your wedding, right? When you perform it in concert now, does it bring that moment back to you?

Carissa: Totally, we actually go back in our minds to that day when I’m walking down the aisle and he’s crying like a baby and I’m trying not to cry because I don’t want to get my make-up all over my face. People were laughing because here I am in my wedding dress and I have this big old drum that I put around my neck. But it’s nice that every time we perform it we kind of are reminded about that day when we got married. It was the best day of our lives so it’s really nice to get to go back there every time we perform the song.

How long have you been married?

Carissa: About two and a half years now we’ve been married, yes.

Okay, so you performed it at your wedding, you put it up on Youtube and then what happened?

Michael: And then it went viral which was so weird. It had a million views in a week. And we were like, wow! I didn’t know this was that special to everyone. For us it was very special but to the public I didn’t think that they would take to it so well. We honestly just put it up just so we could share it with our friends and our family. So Fox was trying to complete this movie, “The Book of Life.” There was one scene left and it was missing music and they needed this triumphant love song to pull together the whole story. They reached out to our record label Republic and said, “Do you have anything that fits this moment?” And they recommended our song.

They called and said, “I have this opportunity, I don’t know if you’re interested.” We had just signed so everything is very new to us. Six months ago we were just mowing the lawn and playing with our dog and now we are doing this. “Hey, your song is going to be in a feature film and they want to meet with you.” And this is Fox! I mean these are big names. We show up to their studios and we play and they said, “Okay, you guys are great. We want to actually animate our characters to your song.” So not only is the song in the film but the actors are singing our song and they are animating to it, it’s amazing!

So our mind is blown and then Oprah sits down to watch this movie as she hears the song, falls in love with it and then asks us if we can come on tour with her and again, we are just…

Carissa: I am like pinching myself! Is this real? Like every day. It was a dream come true. First of all, to get to meet Oprah, which is pretty awesome! She hugged me and I’m like, “I don’t want to hug anyone else because I don’t want to get rid of this hug.” I’m like, “I want to hold on to you forever.”

Michael: I didn’t get hugs for a week!

Carissa: It’s crazy because the first day we performed on this tour, she actually surprised us and everyone else that was watching and came onstage. We didn’t expect that at all and my jaw about dropped to the floor.

Michael: There is a picture of it; she’s standing in between us and we are hugging her and our faces are like…

Carissa: Like shock face. But she is so sweet, she is a great hugger, she smells good.

So tell me a little bit about the tour. What does that involve?

Carissa:  It’s kind of just motivational speaking to everyone and it’s inspiring people to do what they love and live the life that they want to live.  That’s perfect for us because that’s kind of our passion as well and what I think is our calling to do; it’s a positive message and shows that you should follow your heart and follow your passions.

You met at a music video?

Michael: Yes, a music video shoot. We were both extras and there she is. I grew up in North Carolina so I never went to LA but I was there visiting and I end up at this music video shoot.  It was love at first sight for me and so I flew back to North Carolina and tried to make her fall in love with me for the next six months over social media, which worked!  She said, “Sure, I feel the same way about you.” So I packed my bags, moved to LA, I asked her to marry me; all very quick again. And we got married and then we started making music together.  But we were both musicians before that happened and nothing ever really happened in our careers.  We always wondered, “What is that missing piece?” We felt something was missing. And then when we got together for the first time and started singing and harmonizing, we looked at each other with this stare.  I am like, “Oh my gosh, did you hear what I just heard?”  Solo we are okay but together something unique happens.  We got married and then we started Us the Duo, just a few days after our marriage so it was really surreal and kind of crazy how it all came together.

What’s your best advice for a happy marriage?

Michael: Our advice is more about working together and balancing that with our relationship. I think it’s important to always keep the marriage first and the music will kind of follow and it will trickle-down into whatever we are playing. And we have seen the balance kind of switch and we get panicked like, “Man what are we doing?” So no matter if we are arguing or what’s happening we always work that out before we step on stage or before we go into an interview. Like, “We need 10 minutes just to figure this out and talk through it.” So communication really is the key and always keeping that as our top priority and then work second.

You became a Vine sensation with six-second covers that just showed the bottom of your face.  How did that happen?

Carissa: It’s funny because it started out, he came out to me and was like, “Hey, I have an idea.” When he gets an idea, he’s very passionate about it and he asked to do it in the moment.  So he found out about Vine, about 10 PM, I am on the couch there with the dog watching TV in my PJs, no makeup on and I’m ready just to hang out. He comes to me and he’s like, “Hey, we’ve got to film a Vine. I know you don’t know what Vine is but we’re going to do it right now.” And am like, “What are you talking about? I look like a wreck right now, my hair is looking crazy.” He says, “Okay, fine, we can film it from your nose down so people don’t know you look tired.  And I said, “Okay, fine.”  So we do it and then it kind of becomes our brand.  And he kept going and am like, “Okay, let’s just keep doing this, is our thing now.” And then Good Morning America invited us out and we did like a reveal of the rest of our faces, a dramatic reveal showing who we are, our identities.

And do you do covers when you perform before audiences?

Michael: Yes, and we end with the theme song from “The Fresh Prince of Bel Air.”

What you want people to know about “The Book of Life?”

Carissa: Oh my gosh everyone can see it, the whole family can go and see it.  It’s funny, it’s romantic, it’s adventurous and it’s just a mixture of all genres.  It kind of takes you on this journey with them and inspires people. And then you leave wanting to follow your passion, follow your heart.

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Interview: Matthias Malzieu of “Jack and the Cuckoo-Clock Heart”

Posted on October 5, 2014 at 8:00 am

First it was a concept album of ethereally bittersweet songs from the French group Dionysos, and then it was a graphic novel, and now, writer/musician Matthias Malzieu has brought his tenderhearted fantasy love story to the screen in the animated Jack And The Cuckoo-Clock Heart. It is a gentle fairy tale about a boy with a cuckoo-clock for a heart who is told he must never fall in love, but who cannot help falling for a visually impaired singer, available on DVD and Blu-Ray October 7, 2014, with both English and French dialogue.

With some help from a translator, I spoke to Malzieu about creating this omni-media story, which, like “Hugo,” is a fictional tale but features real-life pioneering filmmaker Georges Melies as a character. He said, “Surrealism was the esthetic influence. We made a lot of researches and found a lot of Jules Verne, George Melies, this moment of history when medical things, magic things, and inventions, science, were completely mixed, charlatanism, religion, doctors, scientists -– a fog of sensation between all these things. Everything was possible for real. The story takes place in this moment of history, steampunk, trains, steam machines, first cameras, all these magical machines that seem to have a soul. It brings up the nice problem of the character, a machine with a soul. It has joy like a human, but the technical problems of a machine.”

One of the most striking scenes in the film is a train ride.

“The train is the link between the dream and reality,” Malzieu said, “all the atmosphere and spirits of the movie in one scene, dancing strange monsters, like a dream but scary, dance and silence just after a very loud scene with a lot of punk rock music and movement. Then just rocking in silence with no melody, the poetry and simple human emotion at the same time.”   He went on.  “The train and the music drive the dreams of escape of the character. The train is on paper to show it is fragile and small and even a breath can move it but it’s exciting.  This heart’s way of doing it with human hands, little things we like that a lot of people can see and feel all the mechanics.”  He explained that he identified with Melies, a stage magician before he became a filmmaker and pioneer of special effects.  “Making a movie was very close to making a magic trick, telling a story with little magic things. The producer and animators are like a magic tool of my own dreams, a human magic tool, always fragile, and delicate.”

He worked with illustrator Nicoletta Ceccoli in creating the look of the film and said it was “like Christmas to receive her messages, a strange train with wings, a character with a xylophone on his spine, not too soft a look, though.  It had to be alive but look like porcelain, maybe a little Pinocchio-esque but with very realistic eyes, and bodies not too elastic.”

The opening scene, with a woman trying to reach a midwife before she delivers her baby on the coldest day in history, had to be “intense and funny and mysterious at the same time.”  The main character has a clock instead of his heart, “so when I think about the movie I really want to show the emotion that he can bring with his machine. I would like to film a lot of the cogs and mechanical aspects.  With this mechanics he can love or not love, be a human and a machine.  I like the poetry that brings this together and want to see inside of the heart in a metaphoric way and a real way. The art and mechanics of the character are similar to the connection between George Melies and his camera.”

This movie is “about love in a passionate way.”  The lead female character is a visually impaired singer,  “She did not trust herself, so when she is angry she has vines with thorns around her. She is supposed to know everything about this emotion but she is scared by Jack who is different, and she rejects him because she is scared of herself.  When you are too scared of doing bad things you do bad things. She thinks she can’t risk breaking his heart. She’s scared, not of Jack but of making bad things happen to him.”

Malzieu says the story started with the idea of the character, about falling in love deeply and being different. “In the book, I wrote sometimes love can turn us into a monster of sadness, sometimes a monster of wonder, sometimes similar. A character with a mechanical heart is different so I can talk about the difference between people in a poetic way, and about the fragility.  Jack’e heart needs to be wound every morning to stay alive. And love is dangerous. He can’t fall in love but he will try to, and people will try to break his dreams.”

He describes Melies as “a fantastic inventor and magician, like the doctor of love,  the opposite of Madeleine,” who builds Jack’s heart.  “She’s like the mother.  She wants to protect, but maybe too much protecting.  Melies is the opposite.  He wants adventure and thinks it is good for the health.  That’s two different visions of life.”  And Malzieu finds appealing “the analogy between the camera and the heart – a machine with soul and emotion,” so he has Melies make a romantic movie inside the movie.  He is “the father, the friend everybody dreams to have, clever, funny, creating fantastic things all the time.”

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