Scholastic: A Night Before Christmas (with Hannukah and Kwanzaa)
Posted on December 7, 2009 at 8:00 am
A-
Lowest Recommended Age:
All Ages
MPAA Rating:
NR
Profanity:
None
Alcohol/ Drugs:
None
Violence/ Scariness:
Mild peril
Diversity Issues:
Diverse characters
Date Released to DVD:
2009
My very favorite series has a special family treat for the winter holidays. Clement Moore’s classic poem about Santa Claus is read by Anthony Edwards. Theodore Bikel reads “In the Month of Kisley,” a delightful Hannukah story about a poor but happy family who teach a wealthy man the meaning of the holiday, featuring some clever insights into family happiness and a very wise judge. In “Seven Candles for Kwanzaa,” the Pinkney’s story and illustrations teach us the values of family, history, and community that each of the nights of the holiday symbolize, with Alfre Woodard narrating. Ed Martinez tells us about how Maria might have lost her mother’s ring in the “Too Many Tamales” she is making for Christmas dinner (Spanish and English narration). The set also includes three other Christmas stories: “Max’s Christmas,” “Morris’s Disappearing Bag,” and “The Little Drummer Boy.”
Everything is bigger, better, and especially funnier in this sequel to the surprise hit Night at the Museum. In the original, Larry (Ben Stiller) was an unsuccessful inventor who took at job as a security guard at New York’s Museum of Natural History and found that all of the exhibits came to life at night. With the help of Theodore Roosevelt (Robin Williams), and the young Pharaoh Ahkmenrah (Rami Malek), Larry was able to reconcile the dispute between a cowboy named Jedediah (Owen Wilson) with his neighboring diorama-mate Octavius (Steve Coogan), tame both a dinosaur skeleton and an enormous totemic sculpture, and defeat the bad guys who tried to set him up and steal the magic tablet.
As this film begins, Larry has achieved his dream of success and is doing infomercials with inventions like the glow-in-the-dark flashlight. He is so busy he seldom sees his old friends at the museum and he is shocked to find that they have all been packed up. The museum is going all 2.0 and is about to be tricked up with fancy interactive animatronics. And all of the old exhibits are being shipped off to the Smithsonian Institution in Washington, not for display but for storage.
And that is how Larry, the Museum of Natural History exhibits from the first movie, and dozens of new characters from the world’s biggest museum complex in Washington DC, the Smithsonian. Ahkmenrah’s evil brother Kahmunrah (Hank Azaria) wants to use the tablet to raise an army of the dead to take over the world. Larry will have to rely on his old friends and some new ones, like Amelia Earhart (Amy Adams) and George Armstrong Custer (Bill Hadar) to fight Kahmunrah and his allies Ivan the Terrible (Christopher Guest), Napoleon (Alain Chabat), and Al Capone (Jon Bernthal), who is in black and white because he was brought to life from an old photograph.
Yes, even the pictures, paintings, the gift shop bobble heads and the sculptures come to life in this film and there is one sequence where Larry escapes into Alfred Eisenstadt’s classic photo of VJ Day in Times Square, and he later empties the water out of a Turner seascape. The special effects are exceptionally well done, but what makes the movie work is its inspired cast, all having a blast and trying to top each other. Over and over, the same old gag works just fine as the best all-star comedy cast since “It’s a Mad Mad Mad Mad World” finds the sweet spot between action and inspired silliness.
Rated PG-13 for sci-fi action and violence, and brief sexual content
Profanity:
Brief strong language
Alcohol/ Drugs:
Scenes in bar, drinking
Violence/ Scariness:
A lot of sci-fi and action violence,
Diversity Issues:
Diverse characters
Date Released to Theaters:
May 8, 2009
Date Released to DVD:
May 13, 2013
Amazon.com ASIN:
B001TH16DI
Get ready for this week’s “Star Trek” release with another look at this splendid reboot of the 40-plus year old “Star Trek” series. By boldly going where many, many have gone before, J.J. Abrams of television’s “Lost” and “Alias” has managed to make a thoroughly entertaining film that respects the fans but stands on its own.
Those who will nod knowingly (or shiver with excitement) at the appearance of Captain Pike or the reference to dilitheum crystals and those who remember that Sulu can fence will be reassured that any anomalies or inconsistencies with canon are cleverly explained away and by the appearance of one key member of the original cast. Those who are new to the franchise will be reassured that the story is self-contained. They may wonder why people applaud and laugh at a few in-jokes or the inevitable origins moments of first encounters between characters whose future interactions and relationships are as well known as their own (possibly better), but there is so much happening on screen they will not have time to wonder what they are missing. Indeed, there is so much that I have seen it twice already and look forward to seeing it again. I loved it so much I wanted to Vulcan mind meld with it.
Some things will always be true. The crewman you’ve never seen before who transports to a remote location with two of the lead character is not going to last long. In the future, women will all wear very short skirts and be extremely beautiful. All planets are congenial for human life, with just the right atmosphere and gravity. Fights usually occur on catwalks and other locations with precipitous drops. Kirk has to be hanging from a ledge at least three times and have an encounter with an exotic but very beautiful lady. And everybody speaks English, except when Uhura has to show off her translation skills.
Fans are in for some surprises, especially with one romantic relationship. But Abrams is very consistent with the original show’s tone and humanistic themes. Bad guy Nero (Eric Bana) would be right at home with Khan. The characters and the actors who portray them find the right balance, portraying rather than imitating. I say this with the most tender regard for the television series — every one of these performances is better than the original, especially Zachary Quinto as the half- human, half-Vulcan Spock, Chris Pine as Kirk, Karl Urban as the perpetually choleric McCoy, Simon Pegg as a cheerful Scotty, and Zoe Saldana as Uhura. And of course even the series’ biggest enthusiasts would not claim that the special effects were its strong point. This movie’s are stunning. The story wobbles a bit, especially when one decision with potentially catastrophic consequences is explained away as a life lesson for two of the characters. But it is funny, smart, exciting, purely entertaining and enormously satisfying, and sure to be one of the year’s most enduring popcorn pleasures. The cast has signed on for two sequels and all I can say is, live long and prosper and they can beam me up any time.
Today’s special release of selected episodes from the beloved television series from Beliefnet columnist Martha Williamson is the DVD pick of the week for its compelling stories, outstanding guest appearances, and enduring message of hope and inspiration.
The Christians: The History of Christianity and Its Global Impact
Posted on November 2, 2009 at 9:58 pm
B+
Lowest Recommended Age:
High School
MPAA Rating:
NR
Profanity:
None
Alcohol/ Drugs:
Mild
Violence/ Scariness:
References to martyrs and murders
Diversity Issues:
A theme of the series
Date Released to DVD:
November 3, 2009
Filmed on location in more than 30 countries, this 13-episode series covers the history of Christianity from the time of Jesus through “two thousand years of persecution, politics, and power.” This DVD set has extras as well: a new introductory segment by host Bamber Gascoigne, a 16-page viewer’s guide with highlights, questions to consider, avenues for further learning, a timeline, and more, The Cultures of the Cross and Christ in Art photo galleries, and Architects of the Faith, select bios of people influential to Christianity. This is Christianity as a historical force, its highs (acts of sacrifice and compassion, learning, great works of art and architecture) and its lows (persecution and atrocities). It covers the largest and oldest denominations, and the briefest off-shoots, the unchanging traditions and the agile adaptations, the controversies and the conflicts.
I have one set to give away to the first person who sends me an email at moviemom@moviemom.com with the word “Christians” in the subject line. Good luck!
