Eurovision Song Contest: The Story of Fire Saga

Posted on June 25, 2020 at 5:30 pm

B +
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated PG-13 for crude sexual material including full nude sculptures, some comic violent images, and language
Profanity: Strong language
Alcohol/ Drugs: Social drinking
Violence/ Scariness: Comic mayhem and violence, characters killed, murders, explosions, some grisly images
Diversity Issues: None
Date Released to Theaters: June 26, 2020
Copyright Netflix 2020

Will Ferrell, who co-wrote and stars in “Eurovision Song Contest: The Story of Fire Saga” knows that it is impossible to exaggerate the sheer nuttiness of the annual song competition, so he does not even try. He just puts us in the middle of it, almost reassuringly bittersweet in the year of the pandemic, which has canceled the real-life Eurovision for the first time since it began in 1956.

Ferrell plays Lars, an Icelander who has been obsessed with winning the song of the year competition since 1974, when he watched the not-yet-world-conquering ABBA win with “Waterloo.” (Do not think too hard about the math. Or the plot. Or anything else.)

ABBA’s stunning appearance had an even more profound impact on another child in the room, Sigrit (Rachel McAdams), who was mute until “Waterloo” inspired her to speak and sing. Now Lars and Sigrit have formed a duo called Fire Saga, and through a combination of events, including having all of the other Icelandic competitors get blown up, they are Iceland’s representatives in the competition, located this year in Edinburgh.

“Wedding Crashers” director David Dobkin keeps things moving briskly, with the highlight of the film a delightfully staged riff-off at a party for the top competitors featuring real Eurovision stars. Dan Stevens (“Downton Abbey”) has a blast playing the contest’s flamboyant front-runner, the Russian Alexander Lemtov. Just like the real Eurovision, the musical numbers are wildly over-the-top, with klieg lights, gyrating dancers, and outrageous costumes. I mean, Eurovision makes Las Vegas look like a third grade piano recital.

McAdams does not get to show her comedy skills as she did in “Game Night,” but she is always an enormously appealing performer and provides some balance to the goofiness of the Lars character. If Sigrit believes in him, we do, too. Will there be betrayals? Romantic conflicts? Live performance mishaps? A race to the airport? Is Ferrell getting too old for these boy-man roles? And for playing a romantic interest for Rachel McAdams? Are the songs goofy fun? And what about bringing biscuits to the elves? (Ah, surprised you with that one.) All of that, plus the fun of the only Eurovision songs we’ll get this year make this a treat for the pandemic summer.

Parents should know that this film has strong language, sexual references and sexually explicit statues, comic mayhem including murders with some graphic and disturbing images including a severely injured ghost.

Family discussion: Why was Erik so hard on Lars? Why was it hard for Lars to show his feelings for Sigrid? Which song would you vote for?

If you like this, try: “Talladega Nights: The Ballad of Ricky Bobby” and watch some of the real-life Eurovision songs on YouTube

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Irresistible

Posted on June 25, 2020 at 5:21 pm

B
Lowest Recommended Age: High School
MPAA Rating: Rated R for language including sexual references
Profanity: Very strong and crude language
Alcohol/ Drugs: Alcohol
Violence/ Scariness: None
Diversity Issues: Cultural diversity a theme of the movie
Date Released to Theaters: June 26, 2020

Copyright Focus 2020
Jon Stewart swings for the fences with “Irresistible,” and you’ve got to respect that, even if he only hits a double. He has taken a whole bunch of what bothers him the most about our political system, not the fumbles, pettiness, missteps, and corruption of the individuals but the more systemic problems of money and messaging and he has tried to create a Preston Sturges/Armando Iannucci-style movie that uses humor to illuminate. Sharp one-liners and a top-notch cast come close to making the characters human enough to be interesting but they are still two-dimensional. And some uncertainty of tone throws the movie off-kilter when it shifts from slightly heightened to over the top. When it leaps so far outside the bounds of the real, it undermines its best scrutiny of what is actually happening. I live inside the Washington DC beltway and exposes of political abuse are my jam, so I enjoyed it, but even I thought it made some unfortunate blunders.

The opening is promising, with Steve Carell as Gary, a Democratic political strategist and Rose Byrne as Faith, a Republican political strategist, in the post Clinton/Trump “spin rooms,” where each team tries to explain to reporters why their candidate was brilliant and definitively trounced the other side. But what we get to hear is what’s inside their heads. Gary says he will persuade them “as long as I say it repeatedly and with confidence,” and Faith concludes, “I look forward to lying to you in the future.” We get it. They’re there to win, not to be honest. But Gary was probably being honest when he predicted that Clinton would win. He was just wrong. And so for his professional future and possibly for the good of the country, he has to get his credibility back and he has to figure out how to communicate with the “rust belt blue wall” he thought was “impenetrable” until Trump got a lot of those votes and won the electoral college.

He sees a chance to prove himself when a video of a Deerlaken, Wisconsin city council meeting goes viral due to an impassioned speech by a local farmer, a retired Marine named Jack (Chris Cooper), speaking out plainly but eloquently on behalf of immigrants in his community. Gary tells the Democratic party leaders that “this square-jawed paragon of Americana is our key back to the Forbidden City. He’s a Democrat, but just doesn’t know it yet.” He thinks if he brings his national-level political expertise to a small town in Wisconsin, he can persuade Jack to run for mayor, get him elected, and “road-test a more rural-friendly message” in a place he refers to as “the middle of nowhere” he can re-invigorate progressive messaging and, by the way, his own career. So, he fires up the private jet and checks out what Wikipedia has to say about Wisconsin. In real life, he would have a ton of data in a briefing package, but it’s more fun to make him look like a big city doofus.

Jack agrees to run, the race gets some national media attention, and so Faith arrives, to make sure that they do not break the city’s record of not electing a Democrat since Robert LaFollette (Governor 1901-1906). In Stewart’s view, the only issue anyone cares about is the power of the parties; any specifics are about leverage, with no more focus on reproductive health or even the immigration issue that Jack spoke about in the viral video than on gaffes and embarrassing secrets about opposing candidates. It’s just about votes. The weakest part of the film is the blaming of the consultants who are the symptom (okay, a truly unpleasant one), not the disease. The movie very briefly touches on the funding issue, with stand-ins for the Kochs and a generic, literally high-tech billionaire with just one issue literally half a world away from Wisconsin and a scene at a Manhattan fund-raiser but barely addresses the real and most democracy-destabilizing problem of dark money and Citizens United. The small reference to super PACS, with a winking nod to “non-coordination” deserved more attention.

It’s fun to watch because it has a great cast and clever dialogue and more substance than most feature films. But it is a disappointment that someone who has such a deep understanding of American politics goes for cheap laughs about clueless big city folks not understanding the folks in the heartland instead of looking at the less-examined obstacles at least equally rich in potential for satire. The movie has at least four different endings, and at least three of them seem to undercut the point the film is trying to make. Stewart makes the same mistake Faith and Gary do; he condescends to his audience.

Parents should know that this movie includes very strong language and very crude sexual references.

Family discussion: Which candidate would you vote for and why? Would you ever run for office? What changes in the system is this movie promoting and what changes would you suggest?

If you like this, try: the documentaries “Slay the Dragon” (about the fight against gerrymandering in Wisconsin and other states) and “Primary” (about John F. Kennedy and Hubert Humphrey campaigning against each other in Wisconsin for the Democratic nomination for President) and “Welcome to Mooseport,” with Gene Hackman as a former President who runs for mayor in a small town in Maine.

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Jungle Beat

Posted on June 25, 2020 at 5:15 pm

B-
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated G
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Mild peril
Diversity Issues: A metaphorical theme of the movie
Date Released to Theaters: June 26, 2020
Copyright Timeless Films 2020

“Jungle Beat” is welcome as a rare G-rated animated feature, even if it confirms the stereotype of “for all audience” films as a bit babyish and slow. Young children may enjoy the colorful jungle animal characters and sweet storyline about hugs and affirmations but anyone over age nine may find that it is overlong and a bit dull. It’s better suited to its original form as a TV series.

A group of jungle animals are surprised to find that all of a sudden they can not only talk but speak fluent English (in the series it’s just pointing and grunting). A new arrival, a purple alien from another planet named Fneep (Ed Kear), has a communications device that gives anyone nearby the power of speech. The animals are very excited and happy, especially the monkey named Munki (David Menkin) and the elephant named Trunk (Ina Marie Smith), Rocky the hippo Rocky (also David Menkin) and Humph the hedgehog (David Guerrasio). They are happy to have Fneep as a friend and offer to help him get back to his spaceship, which has crashed in another part of the jungle.

What they don’t know is why Fneep has come to earth. The people (for want of a better word) of his planet have only one goal, conquering as many planets as possible. This is Fneep’s first time, and if he does not conquer earth, it will be a humiliating defeat. Humiliation is one of what are apparently only two emotions on Fneep’s planet. The other is triumph. There is a funny scene when Freep tries to press the help button on the crashed spaceship letting us know that on Freep’s planet, failure is literally not an option.

The character design is just fair but the animation has some vigor and a strong sense of three-dimensional spaces that keep the action scenes lively. It takes a while to get there but the sweet message of friendship and kindness is delivered sweetly and it is all too rare to see a story where being nice is triumph of its own.

Parents should know that this movie has some mild peril and hurtful parental disapproval.

Family discussion: What does friendship feel like to you? Why didn’t Fneep’s planet know about kindness and friendship? Would you like to explore other planets?

If you like this, try: “Planet 51” and “Monsters vs. Aliens”

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Animation movie review Movies -- format Movies -- Reviews

Miss Juneteenth

Posted on June 18, 2020 at 3:47 pm

B +
Lowest Recommended Age: High School
MPAA Rating: Not rated
Profanity: Some strong language
Alcohol/ Drugs: Drug references, alcoholism
Violence/ Scariness: Criminal activity
Diversity Issues: A theme of the movie
Date Released to Theaters: June 12, 2020

Copyright Vertical Entertainment 2020
Nichole Beharie is incandescent as a former beauty queen determined to create a different outcome for her daughter in “Miss Juneteenth,” inspired by the Texas holiday commemorating the date more than two years after the Emancipation Proclamation when word came through that slavery was no longer legal.

The Miss Juneteenth pageant is central to the Black community in the small Texas town near Fort Worth where Turquoise Jones (Beharie) works as a waitress and all-around staff in a tiny barbecue restaurant. The pageant participants are drilled on what it means to be “ladies,” and elegance, poise, graciousness, and deportment determine which girl will wear the tiara and win the scholarship. Great things are expected of the winners, and most of them have gone on to become women of achievement and contribution. “We are expecting greatness,” the head of the pageant explains in dulcet tones. They have strong ideas about what it means to be “successful young ladies” and it includes knowing the difference between a salad knife and a dinner knife. “One would surely not eat the main course with that.”

Turquoise takes her place at a pageant event in the seats reserved for former winners, who know how to use those dulcet tones and gracious words to make it clear they consider themselves superior and want her to know that. “How wonderful that you’re looking to replicate your success,” one murmurs. “It slipped my mind that you had a daughter old enough to compete,” says another one. It is never stated, but we understand that the reason Turquoise’s path toward greatness was sidetracked was her pregnancy with Kai (Alexis Chikaeze), now almost 15. Turquoise is determined that Kai will win the crown and go on to college with the scholarship money.

But teenagers have their own ideas about what success means. Kai checks her phone during the inspirational opening remarks about the pageant. She does not want to memorize the Maya Angelou poem her mother read as her talent when she competed. Turquoise gets little support from Kai’s father (Kendrick Sampson as Ronnie) and none from her own mother, who says, “You won that thing. What good did it do you?”

First-time feature writer/director Channing Godfrey Peoples creates an exceptionally evocative sense of place and community in this film. We really believe the deep and complicated history of this group of people. Beharie shows us that pushing Kai is as much about a second chance for herself as it is about Kai, and that she is bringing that same sense of determination that won her the crown to make it happen. Even the smallest parts are layered, sympathetically portrayed, and real, especially Sampson’s Ronnie and Lori Hayes as Turquoise’s mother. The issue of “success” defined as emulating upper-class white traditions and of the eternal struggle of parents to provide guidance to adolescents while allowing them to be themselves are explored with delicacy. The heart of the film in every way is Beharie, who makes Turquoise every bit the phenomenal woman her pageant poem describes.

Parents should know that this film has some strong language, family conflict, alcoholism, criminal activity, struggles with money, sexual references and non-explicit situations.

Family discussion: Why was the pageant so important to Turquoise? What did she learn about herself? About Kai?

If you like this, try: “Miss Firecracker” and “American Violet”

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Dads

Posted on June 18, 2020 at 8:00 am

B +
Lowest Recommended Age: Middle School
MPAA Rating: TV-14
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Family issues
Diversity Issues: Diverse characters
Date Released to Theaters: June 19, 2020
Copyright 2020 Imagine Documentaries

Bryce Dallas Howard’s loving tribute to the men in our families is personal. It features her father, actor/director Ron Howard, his father, the late actor Rance Howard, who tells a beautiful and very meaningful story about then-Ronny Howard’s first day of filming on “The Andy Griffith Show,” and her brother, a soon-to-be father as the documentary begins and a happy but exhausted new dad at the end. The movie also features celebrities like Jimmy Kimmel, Conan O’Brien, and Will Smith with their own comments on being dads, and visits to the homes of “ordinary” but extraordinary dads, in the US and other countries, including a couple of fathers who adopted four special needs kids in six months and a stay-at-home father of four small children. Plus clips of various child and teen meltdowns that are hilarious if they are not yours. So yeah, I cried through the whole thing. My dad is awesome. So is my husband, a magnificent dad to our two children.

The celebrities are fun but the heart of the movie in every way are the dads no one outside their families may know but who are heroes in what they do every day. There have been fathers since there have been people, but the idea of what a father can and should be has changed, and this movie shows us how dads are inspired by, influenced by, and reacting to the fathering they received. The variety of dads includes not just racial, cultural, and nationality diversity but diversity in family connections, some parents still together, some not.

Today’s dads may be more involved in the moment-to-moment details of their children’s lives than some traditional briefcase or lunchbox toting dads who went to work all day and came home to dinner on the table and kids bathed and ready for bed in the old days. One of the movie’s subtle themes is the combination of what is eternal and what is changing or what can change and is decided by each of us as we grope toward our own parenting styles and how to use that style to communicate unconditional love while urging our children toward independence, gratitude, empathy, and finding a way to use their own strengths to determine their paths. This film is a heartwarming tribute to the dads who give us so much and in return get a tie, and a smudgy hand-made card. I’d just like to end this with thanks to my wonderful dad, who told me the coffee I made for his breakfast in bed on Father’s Day was so delicious he was going to bring it into the bathroom with him while he shaved. I was so proud of myself. Now, I’m proud of him.

Parents should know that this film includes depiction of special needs and health challenges and some bodily function moments.

Family discussion: Which of these dads is most like your father? Most like the father you’d like to be? How was being a father different from what these men expected? If you were creating a user guide for parents, what would it say?

If you like this, try: “The Other F Word”

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