Maleficent

Posted on May 29, 2014 at 5:59 pm

B
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for sequences of fantasy action and violence, including frightening images
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Fantasy/fairy tale peril and violence with characters injured and killed, death of parents, scary creatures
Diversity Issues: None
Date Released to Theaters: May 30, 2014
Date Released to DVD: November 3, 2014
Amazon.com ASIN: B00M4ADWTK

Maleficent

What makes bad guys bad?  We’ve always been told that Sleeping Beauty was cursed at birth by a wicked fairy caught up in a jealous fury because she was not invited to the christening.  In the classic 1959 Disney animated version of the story, she has a name that contains the root syllables for evil and for grand-scale power, a combination of malevolent and magnificent: Maleficent.  And in the climax of the film she transforms herself into a fire-breathing dragon to prevent Prince Philip from getting inside the castle to wake Sleeping Beauty with true love’s kiss.

Now we get to see her story, meeting her first as a friendly young fairy who sweetly says good morning to all of the magical creatures in the fairyland that abuts the human world.  No one is supposed to cross that boundary, but Maleficent meets the young human boy Stefan when he crosses the boundary to try to steal a jewel.  They become friends and, as they grow older, they care for each other.  But Stefan (Sharlto Copley) is ambitious.  He steals her wings, and is thus able to marry the king’s daughter and ascend to the throne.  When their baby, Princess Aurora, is born, Maleficent arrives at the christening for the curse we all remember — on her 16th birthday she will prick her finger on a spinning wheel’s spindle and then fall into a deep, permanent sleep, to be awakened only by true love’s kiss.

Director Robert Stomberg, who worked with Tim Burton as a visual effects and production designer, keeps a more consistent tone in the settings than in the storyline.  The fairy settings are imaginative, with some enchanting details.  Maleficent herself is brilliantly designed with wings that seem part-bat, part-eagle and cheekbones sharp enough to cut glass.  The script feels pieced together and uncertain.  The reason to see the movie is Jolie, clearly having a blast and giving a performance filled with heart, wit, and spirit.  As in the Disney version, Princess Aurora is bundled off to a remote cottage under the care of three bickering pixies (poorly used Imelda Staunton, Juno Temple, and Leslie Manville), to keep her from ever seeing a spinning wheel.  Maleficent cannot keep away and watches the Princess constantly, as a baby, a toddler (played by Jolie’s daughter because she was the only little girl who was not afraid of the scary Maleficent costume), and then as a young woman (Elle Fanning, whose role consists primarily of smiling, but does that very well).  The sunny, loving qualities of the young Princess (enhanced, perhaps, by the wishes of the three fairies at her christening), begin to melt Maleficent’s heart.  But the curse cannot be undone.

The classic tale can be undone, or at least rearranged.  A handsome prince, a fire-breathing dragon, and, yes, a sleeping beauty all come together, with some clumsy switches.  The real enchantment here is not the story but the star.

Parents should know that this film includes fairy-tale peril and violence with fire, swords, scary-looking creatures, and a fire-breathing dragon, characters injured and killed, death of parents, betrayal, and some disturbing images.

Family discussion: What other stories would you like to see from the villain’s point of view?  Why did Stephan and Maleficent have different responses to fear and disappointment?

If you like this, try: “Stardust” and Disney’s animated classic Sleeping Beauty

Related Tags:

 

3D Based on a book DVD/Blu-Ray Pick of the Week Fantasy Remake

4 Replies to “Maleficent”

  1. It wasn’t what I expected, so I’m glad to have that surprise from not reading too much beforehand. Spoiler: I was pleased that my 10-year-old daughter, sitting in front of us with two friends, immediately understood which true love’s kiss would free Aurora from her sleeping curse. She whispered to one of them, “Ohhh, I bet it’s Maleficent’s true love kiss!” The movie showed how one’s way can be lost due to hatred and bad experiences but regained with love and acts of kindness and self-sacrifice. The king’s sinking into darkness was a great parallel to Maleficent’s redemption.

    1. Agreed on all points, Donna! So glad your daughter gets to see films that are not all about “some day my prince will come.” Don’t you love the scene where Angelina Jolie acts opposite her real-life toddler?

  2. Maleficent – the mistress of the animals (and the woods) should not be
    violated and mutilated, since only she is capable of loving all creatures with
    UNCONDITIONED LOVE, including loving humans (domesticated-civilized „little
    beasties“).

    Philipp can only love what he „knows and what he can trust“, hence he fails
    to awaken the girl.

    No wonder that all fairy queens, magicians and shamans have died out in „our“
    world of iron cages (buildings, cars, electric current wires, mobile phones, …),
    iron wings (drones), and iron coins (money)…

    By the way: there is also some „master of the animals“, but even he has died
    out in „our“ iron(ic) world as well…

    https://www.youtube.com/watch?v=XlbCP92XMEM

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