Women Journalist Film Awards

Posted on December 13, 2009 at 7:54 pm

The Alliance of Women Film Journalists has announced its awards for 2009:
With sincerest appreciation of all the great work that’s been done in film this year, the Alliance of Women Film Journalists is pleased to announce the winners of the 2009 EDA Awards for the best and worst of the year. The AWFJ, like the LA Film Critics, selected Kathryn Bigelow as best director for “The Hurt Locker,” and named it the best film as well. AWFJ also selected “winners” in categories like “sexist pig” (“The Ugly Truth”), biggest age disparity between leading man and lady (40 years in “Whatever Works”), and actress most in need of a new agent (Hilary Swank, whose film “Amelia” was selected as “film you most wanted to love but couldn’t”). The momentum continues to build in for supporting actor Christoph Waltz and supporting actress Mo’Nique, giving them a virtual shut-out so far. If the Broadcast Film Critics select them, too, they will be hard to beat for the Oscars.
Best Film:
The Hurt Locker
Best Animated Film:
Up
Best Director:
Kathryn Bigelow – The Hurt Locker
Best Screenplay, Original:
(500) Days of Summer – Scott Neustadter and Michael H. Weber
Best Screenplay, Adapted
Up In The Air – Jason Reitman and Sheldon Turner
Best Documentary
The Cove
Best Actress
Carey Mulligan – An Education
Best Actress In Supporting Role
Monique – Precious
Best Actor
Jeff Bridges – Crazy Heart
Best Actor in a Supporting Role
Christopher Waltz – Inglorious Basterds
Best Ensemble Cast
The Hurt Locker
Best Editing
Sally Menke – Inglorious Basterds
Most Beautiful Film
Bright Star
Best Non-English-Language Film
Summer Hours
EDA FEMALE FOCUS AWARDS
Best Woman Director
Kathryn Bigelow – The Hurt Locker
Best Woman Screenwriter
Jane Campion – Bright Star
Best Animated Female
Coraline in Coraline
Best Breakthrough Performance
Carey Mulligan – An Education
Women’s Image Award
Kathryn Bigelow
Perseverance Award
Agnes Varda
Actress Defying Age and Ageism
Meryl Streep – Julie & Julia and It’s Complicated
Sexist Pig Award
Robert Luketic for The Ugly Truth
This Year’s Outstanding Achievement By A Woman In The Film Industry
Kathryn Bigelow for The Hurt Locker
Lifetime Achievement Award
Agnes Varda
AWFJ Award For Humanitarian Activism
Rebecca Cammisa for Which Way Home
EDA SPECIAL MENTION AWARDS
AWFJ Hall Of Shame Award
Robert Luketic – The Ugly Truth
Actress Most in Need Of A New Agent
Hilary Swank
Movie You Wanted To Love But Just Couldn’t
Amelia
Unforgettable Moment Award (Tie)
Inglorious Basterds – Shoshanna (Melanie Laurent) burns down the theater
Precious – Mary (Mo’Nique) admits the abuse
Best Depiction Of Nudity, Sexuality, or Seduction (Tie)
An Education – Carey Mulligan and Peter Saarsgard
It’s Complicated – – Meryl Streep and Alec Baldwin
Sequel That Shouldn’t Have Been Made Award
Transformers Revenge of the Fallen
The Remake That Shouldn’t Have Been Made Award
Land of the Lost
Cultural Crossover Award
District 9
Bravest Performance Award
Mo’Nique in Precious
Most Egregious Age Difference Between The Leading Man and The Love Interest Award
Whatever Works – Larry David and Evan Rachel Wood (40 years difference)
To make sure you see the best of 2009, check out all the nominees.

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Women Critics on Superhero Movies

Posted on July 5, 2008 at 6:00 pm

The members of the Alliance of Women Film Journalists speak out on superhero movies. Are they just for boys?
ironman-05_normal.jpgMaryAnn Johanson, who’s carved her critic’s niche by taking superhero movies seriously, provides an introduction:
“Comic books and comic book movies ain’t just for boys anymore-if they ever were. The latest slew of superhero flicks, which began to come of age with 2000’s “X-Men,” have gotten increasingly sophisticated and now focus equally on the existential dramas of their heroes and the mythic arcs of their typically tragic stories as they do on slam-bang action…Today we’re seeing fantasy drama with an accent on the drama. Superhero movies are not longer lighthearted comedies dressed up in capes-as in 1978’s “Superman”-or expressions of over-the-top outrageousness-as in Jack Nicholson’s Joker in 1989’s “Batman,” for example. Even “Hancock,” which was marketed as a comedy, turns out to be more intensely dramatic than it is funny.

Lexi Feinberg comments, “I’d say they’re mythic. Adam Sandler movies represent the dumbing down of audiences much more than “Spider-Man” or “Batman”.”
The critics overwhelmingly chose “Iron Man” as the best recent superhero movie and hope for better superhero movies featuring women. The survey quotes my comment about Elektra and Catwoman: “they were made by people who don’t understand women, comics or movies.”

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