Easy A

Posted on December 14, 2010 at 8:00 am

Emma Stone finally gets the breakthrough role her fans have been waiting for in “Easy A.” This is the moment that takes her into the front rank of movie stars, sub-category: America’s sweetheart.

Stone has an immediately appealing presence on screen, unpretentious but utterly charming. Here she plays Olive, a girl who doesn’t yet realize that all of the things that make her feel invisible in high school are going to make her wildly beloved for decades after. She is impatient to be “interesting” and so after a thrill-less weekend highlighted by singing along to a greeting card she impulsively tells her best friend Rhiannon (Alyson Michalka) that she had sex with her college student boyfriend. Problem #1: the sex and the boyfriend are both imaginary. This is the kind of mistake a teenager would make. Problem #2: this confession occurs in the ladies’ room at the high school, with no checking the stalls. This is not the kind of mistake anyone would make after 7th grade, but we have to kick that plot into gear, now, don’t we?

And so the whole school immediately knows and believes this scandalous news. Which is why Olive’s closeted gay friend tired of getting picked on comes to her with a proposition. Not that kind. He wants her to have noisy public pretend sex with him so that he can be definitively proven manly. And since her reputation is already shot, what can it hurt? And why not do the same favor for some other needy souls? And then, when it seems the whole school is judging her (conveniently, her class is reading The Scarlet Letter), she decides to sew a big red A on a bustier and see what it feels like to go from invisible to un-missable.

Stone is such an effortless charmer that she keeps the story aloft, even when Olive inexplicably turns her little adventure into a for-pay enterprise, insisting on gift cards(!) in exchange for making the reputation of the guys involved at the cost of her own. A side story involving Olive’s favorite teacher (Thomas Hayden Church) and his wife, the school guidance counselor (Lisa Kudrow) is also unnecessarily tawdry. Far better are the encounters with the always delectable (and just about always underused) Amanda Bynes as the school holier-than-thou abstinence proponent and the always ultra-watchable Stanley Tucci and Patricia Clarkson as Olive’s deliciously off-kilter parents. Their scenes are warm, witty, and surprising, and livelier than Olive’s romantic ups and downs. In every way, it is Stone who is the heart of this movie, and she wins our hearts as well.

Sydney White

Posted on January 20, 2008 at 3:14 pm

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for some language, sexual humor, and partying
Profanity:	Some crude language
Alcohol/ Drugs:	Drinking
Violence/ Scariness:	Tense confrontations, comic peril
Diversity Issues:	Diverse characters, some stereotyping
Date Released to Theaters:	September 21, 2007

This updated fairy tale has some clever riffs on “Snow White” but never makes use of the considerable talents of its star, Amanda Bynes.

Sydney (Bynes) is a college freshman who wants to join Kappa, the most exclusive sorority on campus, though she is more comfortable on a construction site than at a cotillion. “You know how people joke about being raised by wolves? I was raised by construction workers,” she explains and we cut to her devoted father (“The Dukes of Hazzard’s” John Schneider) illustrating the facts of life for her with plumbing supplies. When she knew she was dying, Sydney’s mother wrote her a letter, telling her how much she loved being in the sorority. Now Sydney wants to fulfill her mother’s dream.

But Sydney does not meet the standards of the Kappa president, Rachel Witchburn (Sara Paxton). She is not blonde, she is not a size 2, and, worst of all, Sydney fails to recognize Rachel’s supreme domination over just about everything on campus — especially the handsome Prince Matt Long as Tyler Prince, the campus McDreamy.

Rachel boots Sydney out of the sorority in a humiliating public ceremony. There is only one place left on campus that will take her in, the ramshackle house occupied by the campus outcasts. There are seven of them. One has allergies and sneezes a lot. One is an exchange student with jet lag who sleeps all the time. One is bashful. One is grumpy. All are nerdy. And Rachel has a plot to tear their house down so her family can build a shiny new rec center for sorority and fraternity members only.
Echoes of the Snow White story provide the movie’s brightest moments. Rachel checks constantly to make she is still considered the fairest in the land, not in a magic mirror but in the campus “hot or not” website. The poisoned apple? An Apple laptop with an important homework assignment gets infected with a virus. And of course in the big moment Sydney is awakened by a kiss from the Prince.

It is less cute when a nasty trick has the seven dorks naked at a campus party and when they march past Rachel with a mean-spirited “Hi, Ho!” It makes it harder for us to stay on the side of the good guys when they descend to the terminology of the bad guys. And it goes overboard on the geek factor; drawing less from fairy tales than from “Revenge of the Nerd”-style caricatures. For a movie that is supposed to be all about inclusion and respecting the dork within each of us, it has a lot of fun at their expense.
Bynes is captivating despite a role that does not give her much to do but display tomboyish good spirit behind some really unfortunate hair and make-up. She looks trapped in a 1970 Yardley ad, all fake tan, shag haircut, and pale eye shadow. She can make a retort sound spirited, not snappish, as when she tells Rachel that she doesn’t “speak priss.” Her best moments are with Long, who has a great smile and a rare ability to listen to what other performers are saying without thinking he has to be doing something every second he is on screen. Newcomer Jack Carpenter as Sneezy/Lenny brings warmth and humanity to a thinly written role as the most sociable of the dorks.

But director Joe Nussbaum does not trust his performers, the material, or the audience. He keeps the tempo so synthetically sitcom-y you expect to hear a rim shot and a laugh track. Everything is exaggerated. Every joke is an elbow in the ribs. Like Rachel, he is checking his “hotness” every couple of minutes. And like Rachel, his score could use some improvement.
Parents should know that this movie has some vulgar humor and strong language (references to “hos,” b-word), implied nudity, and a drinking game at a party. A strength of the movie is its emphasis on inclusion and the importance of treating diverse people respectfully, and Sydney reaches out to all groups on campus, from the Hassids to the band geeks, cross-dressers, and Goths.
Families who see this movie should talk about when they most felt like outsiders or dorks and what they can do to make sure that people around them feel included and appreciated for who they are.

Families who enjoy this movie will also enjoy other takes on classic fairy tales like Ella Enchanted and Shrek. Barbara Stanwyk and Gary Cooper co-starred in an earlier update of Snow White, Ball of Fire.