Aloha

Aloha

Posted on May 28, 2015 at 5:37 pm

Copyright 2015 Columbia Pictures
Copyright 2015 Columbia Pictures
Writer/director Cameron Crowe presents us with an attractive and talented but messy and compromised hero in “Aloha,” and asks us to root for him. The problem is that the film itself is attractive, talent-filled, messy, and compromised, and harder to root for than the hero of the story.

That hero is Brian Gilcrest (Bradley Cooper), once an 11-year-old who loved the sky so much he wanted to identify everything in it. In a quick narrated recap that opens the film we learn that after he grew up things went well for him (in the military) and then not so well, and then badly. While working for a private contractor in Kabul, he was badly injured, and apparently not in the way that gets you a Purple Heart.

Brian arrives in Hawaii and needs to prove himself. His former employer, Carson Welch (Bill Murray) is one of the wealthiest men in the world, presiding over a telecommunications empire. He and the Air Force are working together on a big project that involves the development of land on the island that was a burial ground for the indigenous people. The Air Force assigns a “fast burner” named Sergeant Ng (Emma Stone) to work with get the cooperation of the King of the native population to build on that property, and to show that by performing a blessing ceremony. The King is played by real-life King Dennis “Bumpy” Kanahele, and he is one of the few from Brian’s past who seems to like him much. Welch does not. The Air Force General (Alec Baldwin, volcanically angry) does not. Then there is Brian’s ex-girlfriend, Tracy (Rachel McAdams), now married to an Air Force pilot and the mother of two children.

It totally goes off the rails several times, with a plot that would daunt a Bond villain thwarted by a completely ridiculous hacking scene, plus a last-minute redemptive reconciliation that is so far off the mark of any known human response the characters would be just as likely to sprout feathers and levitate off the ground. While the Hawaiian natives and their struggle against what they see as American imperialism and colonialism are sympathetically portrayed, it is still a story that is about white people and their problems. And the casting of Emma Stone as bi-racial is insensitive at best.

But like its hero and its writer/director, it won me back with the crackle of its dialog and charm of its poetry, even in the hacking scene, and especially in a statement of romantic intent that is one of the best I’ve seen in many months. It is also very funny, with a wonderfully expressive performance from Krasinski as the taciturn Woody, and thoughtful work from Cooper, who keeps getting better at finding moments of surprising insight and nuance with every performance.

Parents should know that this film includes strong language, sexual references and non-explicit situation, paternity issue, references to war-related violence and injuries and to weapons of mass destruction, references to imperialism and colonialism, and alcohol.

Family discussion: Why did Ng talk so much about being one-quarter Hawaiian? Why was the King the only person from Brian’s past who seemed to like him? What happens when billionaires make decisions that used to be made by government?

If you like this, try: “The Descendants,” and “Almost Famous”

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Comedy Drama Romance
American Sniper

American Sniper

Posted on May 18, 2015 at 8:00 am

B+
Lowest Recommended Age: Mature High Schooler
MPAA Rating: R for strong and disturbing war violence, and language throughout including some sexual references
Profanity: Very strong language
Alcohol/ Drugs: Drinking and drunkenness
Violence/ Scariness: Wartime violence including battles and snipers, characters injured and killed, disturbing images
Diversity Issues: A theme of the movie
Date Released to Theaters: January 16, 2015
Date Released to DVD: May 18, 2015
Amazon.com ASIN: B00RGZ915C
Copyright 2015 Warner Brothers
Copyright 2015 Warner Brothers

The highest-grossing movie of 2014 is also one of the most controversial. Director Clint Eastwood and producer-star Bradley Cooper have made a more subtle and nuanced film than either the people who loved it or the people who hated it give him credit for. Extremists on both sides found validation for their views, whether for or against the wars in Iraq and Afghanistan or for or against the actions of the military there. That may be the most significant proof of the evenhandedness of Eastwood, a man who made two separate films about Iwo Jima to tell the stories of both the Japanese and American military.

We see Chris Kyle as a young boy, hunting with his father (Ben Reed). We learn two key facts. First, even at that age, Kyle is a very good shot. Second, we hear his father explain that there are sheep, wolves, and sheepdogs, and he expects his boys to grow up to be protectors of sheep, not wolves or their victims.

Nevertheless, Chris grows up (now played by a bulked-up Cooper) without much direction until he decides to enlist. In the movie, it is a response to news reports about Americans being killed by terrorists, following time spent as a ranch hand and finding his girlfriend in bed with another man. In fact, Kyle had always planned to join the military and he does not mention the girlfriend in his book.

This is the kind of diversion from the truth that has caused some viewers to argue that the portrayal is slanted. Later on, as he becomes the deadliest sniper in US military history, the film again unnecessarily ramps up the drama as though Eastwood does not trust the audience to appreciate the intensity, moral quandaries, and psychological impact of war or the courage and skill required of the military. They really did not have to inflate the story of the bounty being put on his head or make it seem as though he was the only one.

The movie and Kyle’s book both begin with a real-life story of Kyle’s first day, where he shoots a woman with a grenade (in the movie, he shoots the child she hands it to as well). This parallels a later moment where he has to decide whether to shoot. Kyle says in both book and movie that he has no regrets. Whether the viewer concludes that is the reason or the result of combat is left to us.

Parents should know that this movie concerns the real-life experiences of a military sniper in combat, with many characters injured and killed and disturbing images. Characters use strong language and there are sexual references and situations and drinking and drunkenness.

Family discussion: Who are the sheep/wolves/sheepdogs in your life?

If you like this, try: “The Hurt Locker” and “The War Tapes”

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Based on a book Based on a true story DVD/Blu-Ray Pick of the Week Romance War

Want to See A Movie With Bradley Cooper, Emma Stone, and Olaf the Snowman’s Josh Gad?

Posted on March 21, 2015 at 8:00 am

I am quite fond of a little film from 2008 called “The Rocker,” starring Rainn Wilson. And it’s even more fun now, as three of its actors have become big stars. Wilson plays a drummer who was let go just before his group became hugely successful in 1998. Twenty years later, his life is a mess and he is living with his sister and her husband (Jane Lynch and Jeff Garlin). His nephew (Josh Gad) has a rock group called A.D.D. that will be performing at prom, and they need a drummer. The group takes off — in both senses of the word. Emma Stone plays the group’s bass player. And Bradley Cooper is unrecognizable under a massive wig in a brief but funny as a member of Wilson’s original band, along with Will Arnett and Fred Armisen. The cast also includes Demetri Martin as the director of A.D.D.’s music video, Jason Sudeikis as their manager, and Christina Applegate as the mother of A.D.D.’s frontman, real-life musician Teddy Geiger. It’s a lot of fun and the music is great.

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