Sparkle

Posted on August 16, 2012 at 10:28 pm

You can’t help wondering what Whitney Houston was thinking when she decided to co-produce and star in the remake of a flawed but beloved 1976 musical melodrama about a singer who becomes involved with an abusive performer and becomes addicted to drugs.  Was this a cautionary tale?  A reflection on her own choices?  In this movie she plays Emma, the very strict mother of three musical daughters, living in 1968 Detroit.  She is determined that her daughters will adhere only to the three priorities she drills into them: respect, education, and having a relationship with the Lord.

Emma once tried to make it as a singer herself and is determined that her girls will not suffer the heartbreak she experienced.  But her youngest daughter, Sparkle (“American Idol’s” youngest-ever champion Jordin Sparks) wants to writes songs, and she wants to be a star.  She does not have the stage presence of her sultry oldest sister, Tammy, known to everyone as Sister (an electrifying Carmen Ejogo) and is too timid to tell the truth about her feelings in her lyrics.  The third sister, Dolores (Tika Sumpter), just wants to go to medical school.  She agrees to sing Sparkle’s songs so she can get money for school and Sister agrees because she likes the money and excitement.

They sneak out at night to perform so their mother does not know.  Their manager is the poor but ambitious Stix (Derek Luke), whose cousin Levi is in love with Sister.  But Sister wants money and excitement.  She agrees to marry Satin (Mike Epps), a comedian who specializes in the kind of racial humor that makes white audiences feel comfortable.  Emma throws them out.  The trio becomes more and more successful, but Sister’s life with Satin is filled with domestic abuse and cocaine and she resists her sisters’ efforts to help her.

Some intriguing themes about the racial conflicts of the era are raised almost in passing and never developed while the soapy parts of the story drag on and the storyline loses any pretense of believability.  Sparks is not an actress, and Houston spends most of the movie giving that “Hell to the no” look we saw too often in her reality show.  Ejogo is a sensation and Luke continues to be one of Hollywood’s overlooked treasures, bringing a dignity and sweetness to the role.  Epps is excellent, showing us Satin’s volatility and magnetism.  The musical numbers raise the roof, especially the cover of the earlier film’s biggest hit, “Giving Him Something He Can Feel” (later covered by En Vogue) and Sparks’ rousing finale.  But the highlight is Houston’s passionate “His Eye is on the Sparrow,” a powerful spirit-lifter and a sad reminder of her once-to-a-century gifts.

Parents should know that this film includes a scuffle, domestic abuse, characters who are injured and one killed, tense emotional confrontations, sexual references including teen pregnancy and non-explicit situations, some strong language including ugly racial epithets, smoking, drinking, and drug use.

Family discussion:  Why did the three girls have such different ideas about what they wanted?  Why was their mother so strict?  Why did Sister tell the other two they had to leave her house?

If you like this, try: the original Sparkle with Lonette McKee and Irene Cara, “Dreamgirls,” and “Grace of My Heart”

 

 

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Drama Family Issues Musical Remake Romance
For Thanksgiving: ‘Pieces of April’

For Thanksgiving: ‘Pieces of April’

Posted on November 23, 2011 at 3:56 pm

Another of my favorite Thanksgiving movies is Pieces of April, with Katie Holmes as the estranged daughter making dinner for her family, including her mother (Patricia Clarkson), who is dying of cancer.  Derek Luke plays her boyfriend and Alison Pill plays her sister in this brilliantly performed, touching, and warm-hearted story.

 

http://www.youtube.com/watch?v=sz6pGSKGdho&feature=related
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Pieces of April

Posted on November 23, 2010 at 8:00 am

One of my favorite Thanksgiving films is this touching story of a young woman, estranged from her family, who invites them to Thanksgiving dinner at her apartment.
I love movies that don’t feel like they have to tell you everything.

“Pieces of April” is a movie that does more than trust its audience; it invites the audience to participate by bringing their own ideas and experiences to fill in the story.

It takes place on that most terrifying of holidays, Thanksgiving. April (Katie Holmes) and Bobby (Derek Luke) wake up very early in their apartment on the Lower East Side of New York. He is looking forward to hosting the family and she is not. This is because it is her family that is coming.

April and Bobby start to get things ready, and then he leaves because he has “that thing” he has to do. As soon as he goes, April discovers that her oven does not work. She has to wander through her apartment building, her turkey dressed and stuffed but still raw, trying to find someone who will allow her to borrow an oven.

Meanwhile, her family is on its all-but-inexorable way from the Pennsylvania suburbs, no happier about it than she is. Joy (Patricia Clarkson), April’s mother, has cancer. This will probably be her last Thanksgiving. She and April have never been comfortable with each other and both are overwhelmed by the fear that they will not be able to find a way to make it work this time. One desperately needs a good memory to die with and one desperately needs a good memory to live with.

The family drives to New York: daughter Beth (Alison Pill) trying to be perfect, son Timmy (John Gallagher, Jr.) trying to remove himself by taking pictures of everything, dad Jim (Oliver Platt) trying to keep everyone happy, and Joy’s mother (Alice Drummond), trying to hold on to her own memories, and Joy, angry and bitter and trying not to try anymore.

The film is shot on digital video, which gives it intimacy and a little messiness. It’s easy to believe that it is a home movie. The performances are fresh and unaffected. The look on Pill’s face as she tries to maintain her cheerful demeanor after her feelings are hurt; Jim’s eyes as he looks over at Joy, not sure whether she is sleeping or dead; Bobby’s description of being in love, the neighbors’ cooking advice, April’s explanation of Thanksgiving to a Chinese family, and especially the lovely last scene are moments that are real and touching and meaningful.

Parents should know that the movie has some strong language and some off-screen violence. A character uses medicinal marijuana. There are some brief graphic images. The themes of the film may be difficult for some viewers. One of the movie’s great strengths is its non-stereotyped portrayals of minorities, including one of the most often stereotyped minorities portrayed in movies, terminally ill people. African American and Asian characters are vivid and complete individuals. The movie cleverly (and sweetly) confounds the audiences’ expectations for one African American character.

Families who see this movie should talk about its theme of memories. What are some of your favorite memories and what memories do you most want to make? They should also talk about how each member of the family reacted to Joy’s illness (including Joy) and what it says about them and their relationship to the family.

Families who enjoy this movie will also enjoy other Thanksgiving movies about family stress like Hannah and Her Sisters, Avalon, Home for the Holidays, and especially What’s Cooking, by the writer/director of Bend it Like Beckham.

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Drama Family Issues Holidays
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