The Yearling

Posted on December 13, 2002 at 5:17 am

Plot: This quiet, thoughtful, visually striking adaptation of the Pulitzer Prize-winning novel by Marjorie Kinnan Rawlings covers a year in the life of the Baxter family, post-Civil War settlers in remote Florida. The focus is on Jody (Claude Jarman, Jr.), 12, a dreamy boy who loves animals and wishes he could have a pet, “something for my own, something to follow me.” Pa Baxter (Gregory Peck) is warm and understanding. Ma (Jane Wyman) seems harsh and rigid, but only because she has been so devastated by the loss of three children that she feels she has to contain her feelings, that if she allows herself to be vulnerable she will not be able to stand the pain.

The only other boy Jody knows is a frail boy named Fodderwing, who lives nearby. Jody loves to visit him, to hear his imaginative tales and play with his pets. Over Ma’s objections, Pa insists that Jody be allowed to have a young deer as a pet, and Jody goes to Fodderwing to ask him to name the deer. Fodderwing has died, but his father tells Jody he once said that if he had a deer, he would name it Flag, and that is the name Jody chooses. Jody loves Flag, and does everything he can to keep him, even building a high fence to keep Flag out of the corn crop, which is essential to the family’s livelihood. But Flag cannot stop eating the crop and has to be destroyed. Ma shoots him, and then Jody has to put him out of his misery.

Jody runs away, but returns. His father notes approvingly that Jody “takes for his share and goes on,” and tells Ma that “He’s done come back different. He’s taken the punishment. He ain’t a yearling no more.”

Discussion: This is a classic story of loss, not just of a beloved pet, but of the innocence and freedom of childhood that Flag symbolizes. Pa says to Jody: “Every man wants life to be a fine thing, and easy. Well, it’s fine, son, powerful fine. But it ain’t easy. I want life to be easier for you than it was for me….A man’s heart aches seeing his young ‘uns face the world knowing that they got to have their insides tore out the way his was tore.” All parents want to protect their children this way. And yet, all parents realize that having one’s “insides tore out” is a necessary part of growing up, that no one ever learns how to make responsible choices without these painful experiences. Pa tells Jody that life is “gettin’, losin’, gettin’, losin’.”

In the last moment of the film, as in the book, the boy and the deer run off together in Jody’s imagination. In part, this means that Jody’s innocence is gone with the deer. But it also means that a precious part of his spirit, the part that loved the deer so deeply, will be with him always, and will be a part of everything that he does.

Questions for Kids:

· Who is “the yearling?”

· What do you think of Pa’s strategy for trading his dog for a gun? What did he mean when he later said that his words were straight, but his intentions were crooked?

· What do Jody’s friends Fodderwing and Oliver tell you about him?

· Why was it hard for Ma to show affection? How can you tell?

· How was Jody different when he came back home?

Connections: Mature teenagers may be interested in “Cross Creek,” a fictionalized account of Rawlings’ life, including the writing of The Yearling, and “Gal Young ‘Un,” a film based on one of her short stories, about an exploitive husband his wife and his girlfriend.

Activities: Middle school kids will enjoy the book.

I Know Where I’m Going

Posted on December 13, 2002 at 5:17 am

Plot: As a baby, as a five year old, as a school girl, and as a young woman, Joan Webster (Wendy Hiller) always knows exactly what she wants. And whether it is “real silk stockings” instead of synthetic or dinner in an elegant restaurant instead of an evening at the movies, she insists on getting it. As the movie begins, she tells her father she is about to marry one of the richest men in England, and that she is leaving that night for his island off the coast of Scotland. At each step of the trip, one of her fiancé’s employees is there to make sure things go smoothly, but once she gets to Scotland the fog is so thick she cannot take the boat to the island. That night she wishes for a wind to blow away the fog, and the next morning she finds that she has been too successful — the wind is so strong that no boats can get to the island. Stuck where she is, she meets some of the people from the community, including Torquil MacNeil (Roger Livesey), a Naval officer home on leave.

“People are very poor around here,” she comments to Catriona, a local woman who is a close friend of Torquil’s. “Not poor, they just haven’t got any money.” “Same thing.” “No, it isn’t.” While waiting for the wind to die down, Joan has a chance to see something of the life she would have as the wife of Sir Robert Bellinger. She meets his bridge- playing friends and hears of his plans to install a swimming pool on the Kiloran estate he is renting. (It turns out that he is renting it from Torquil, who is the Laird of Kiloran.) She visits a castle where Torquil’s ancestors lived, and where it is said that any Laird of Kiloran who goes inside will be cursed. She goes to the 60th wedding anniversary party of a local couple, still very much in love.

Even though it is still not safe to take the boats out, she is desperate to leave, telling Torquil, “I’m not safe here…I’m on the brink of losing everything I’ve ever wanted since I could want anything.” She pays a young man to take her out in the boat, and Torquil goes along. The boat almost sinks, and she loses the bridal gown she had planned to be married in. When it is finally safe to go, Joan and Torquil say goodbye. He asks her to have the bagpipes play for him some day, and she asks him for a kiss. They part, but she returns with three bagpipe players and joins him in the castle, where it turns out the curse provides that any Laird of Kiloran who enters will never leave it a free man. “He shall be chained to a woman until the end of his days and he shall die in his chains.”

Discussion: Like “I Love You Again,” this movie falls into the category of “the life I didn’t know I wanted.” Joan thinks she knows what she wants and where she is going, but she is given the gift of a chance to see the alternatives. She learns that, while the people from the community miss having money, there are other things they care about more. And she learns that she can fall in love with someone who is is going in a very different direction from her ideas of “where I’m going.”

This movie provides a good starting point for a discussion of how we make decisions about what we want out of life, how we pursue those goals, and what we do when we are presented either with obstacles or with new information. And it is a good starting point for a discussion of what is important, and how we determine what is important to us.

Questions for Kids:

· The title of this movie is taken from a famous old folk song. Why did the filmmakers choose it? Why did they insist on an exclamation point at the end?

· Does Joan know where she is going? When does she know? Where is she going?

· What makes Joan change her mind? What do you think her life will be like?

· What is the meaning of the “terrible curse”?

Connections: The little girl who seems so much more mature than her parents is played by then-child actress Petula Clark, who became a pop star in the 1960s (“Downtown”) and appeared in the musical version of “Goodbye Mr. Chips.”

Activities: The bagpipe plays an important role in this movie. Children might enjoy hearing more bagpipe music, especially if they can see it performed live. Look up the Hebrides, where this movie takes place, in an atlas or encyclopedia. Find out if your area has any legends like the ones described in the movie.

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Drama Romance

Seven Brides for Seven Brothers

Posted on December 13, 2002 at 5:17 am

Plot: Handsome backwoodsman Adam Pontabee (Howard Keel) strides into town, singing “Bless Your Beautiful Hide” to his future wife “whoever she may be.” He has given himself one day to find a wife to take back to his ranch. He meets Milly (Jane Powell), a spirited waitress, proposes, and she accepts. He neglects to tell her that back at the ranch are his six brothers, and that he is bringing her back to cook and clean for all of them.

She is hurt, feeling that he wanted a housekeeper more than a wife, and she is horrified when she meets the brothers, who are boorish slobs. The next morning, she informs the brothers that they must learn to behave. They come to love her for her courage and values, and begin to long for wives of their own. She brings them to a barn raising, where they each fall in love. Back at the ranch, they long for their girls. Adam tells them they should go into town and steal them, just as in the story of the “Sobbin’ Women” (the ancient Roman tale of the Sabine women). They do, but the women are furious, and won’t have anything to do with them, even though they are snowed in at the ranch until the spring thaw. Milly is so angry with Adam for telling the brothers to kidnap the girls that he leaves to spend the rest of the winter in a hunting cabin, not knowing that Milly is pregnant. The girls soften toward the brothers, and by spring, are ready to marry them, in one big ceremony. And Adam returns, realizing how much Milly means to him.

Discussion: This movie includes some of the most thrillingly energetic dances ever put on film, including the classic barn-raising number (which unfortunately suffers on the small screen). Based on a short story by Stephen Vincent Benet, it is almost an icon of America as it saw itself in the 1950s — brash, energetic, adventuresome, and cocky. Some critics have complained that the movie all but promotes rape, but that is unfair. Even though the girls are very attracted to the brothers, they are very angry at being kidnapped, and the brothers are banished to the barn. They must earn their way back into the girls’ affections by treating them with courtesy and respect, and ultimately it is very much the girls’ own decision to stay and marry them. With the help of youngest brother Gideon, Milly teaches Adam that even though she accepted his proposal quickly, she is still worth earning.

Questions for Kids:

· How does the barn raising dance number help to tell the story?

· Milly and Adam get married very quickly without talking about what they want. How does that create problems?

· How does Milly show how important family is to her?

· Why is it hard for Adam to realize how important Milly is to him?

· How does Milly show how important family is to her?

· Why is it hard for Adam to realize how important Milly is to him?

Connections: Handsome baritone Howard Keel starred in a number of movie musical classics, including “Kiss Me Kate,” “Showboat,” and “Annie Get Your Gun.” Jane Powell starred in “Royal Wedding” and a number of lesser musicals. Russ Tamblyn appeared in “West Side Story” and “tom thumb.” Ephraim is played by ballet superstar Jacques D’Amboise, whose work with kids was later featured in the Academy Award winning documentary “He Makes Me Feel Like Dancing.” Dorcas is played by Julie Newmar (then called Newmeyer), whose autographed photo provided the title for the 1995 release, “To Wong Foo With Love, Thanks for Everything, Julie Newmar.”

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Based on a book Classic Musical Romance

I Love You Again

Posted on December 13, 2002 at 5:17 am

Prissy, stingy Larry Wilson (William Powell) bores everyone aboard ship on his way back to the United States from a business trip. When Ryan, a fellow passenger, falls overboard, Larry is accidentally knocked overboard trying to save him. Hit on the head, he comes to as George Carey, a smooth con man whose last memory is of a train ride nine years before, when someone stole the money he was taking to bet on a fight. He has no recollection of his life as Larry, in a small town called Habersville. When he finds “Larry’s” bank book with a substantial balance, he and Ryan decide to visit Habersville to get as much of it as they can.

At the dock, they are met by Larry’s wife, Kay (Myrna Loy). Carey is smitten with her, but she has come to get him to agree to a divorce. They go back to Habersville together, where Carey and Ryan plan an elaborate swindle, with the help of Carey’s former partner, Duke. Constantly confronted with people and questions he cannot remember, Carey manages to fake his way through, even on a hilarious hike with a Scout-like troop of boys. Kay begins to warm to him, and, when she finds out the truth from Ryan, she remains loyal. Carey tries to call off the swindle, and when that does not work, resolves everything with his last con job, happily looking forward to staying in Habersville with Kay.

Powell and Loy appeared in more films together than any screen couple since the silents, and this delightful romantic comedy is one of their best films. Carey’s horror as he finds out more and more about his life as “Larry” is balanced by Powell with smooth maneuvering to keep everyone from finding out that he can’t remember anything about his life in Habersville. Loy is, as always, “the perfect wife,” witty, wise and loyal — she sees the essence of the truth and is adorably charmed by it.

Amnesia of this kind occurs only in the movies (and in soap operas). Even though it makes no sense medically, it does make sense dramatically. When Carey was hit on the head in a robbery nine years before, he became Larry, the boring businessman. It had to be because, at some level, a part of him wanted a “respectable life.” At the end, he is neither Carey nor Larry, but a synthesis of both, ready to stay in Habersville with Kay and live happily ever after. Kay’s motives are also justified. She married a bore like Larry because, as she says, she saw something exciting behind his eyes. She was the only one who glimpsed Carey inside of the stiff and proper Larry. And she also sees Carey at his best. When she says he is noble and honest, she turns out to be right.

Questions for Kids:

· What does Carey do to convince everyone that he is Larry, and that he remembers his life in Habersville?

· When is he closest to being found out, and how does he handle it?

· How does he con Duke into letting him out of the swindle?

· What do you think will happen after Duke leaves with the money?

· Will Carey be at all like Larry in the future? How?

Connections: As in “The Music Man,” this is a story about a con man who comes to a small town and is redeemed by love. Another movie with a funny scene involving a counterfeit Scout leader is “It’s a Wonderful World,” with Jimmy Stewart and Claudette Colbert, and also directed by W.S. Van Dyke. A romantic drama about amnesia is “Random Harvest,” in which Greer Garson marries Ronald Coleman, who has forgotten his past, and loses him when he remembers it.

Any of the Powell and Loy movies are a pleasure to watch, especially “The Thin Man” series and “Libeled Lady.” Harkspur, Jr. is played by Carl “Alfalfa” Switzer of “Our Gang.”

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Comedy For the Whole Family Romance

Spartacus

Posted on December 13, 2002 at 5:17 am

Plot: Spartacus (Kirk Douglas) is a slave in the Roman empire, about 70 years before the birth of Christ. A rebellious and proud man, he is sentenced to death for biting a guard but rescued by Biatius (Peter Ustinov), who buys him and takes him to his school for training and selling gladiators. Slave women are provided to the men as rewards. Varinia (Jean Simmons), a British slave, is given to Spartacus. He is awestruck by her grace and beauty, but when he sees that Biatius is watching them, he screams, “I am not an animal!” and will not touch her.

Crassus (Laurence Olivier), a Roman dignitary, visits Biatius’ home with two spoiled and decadent women, who insist on seeing a fight to the death. Spartacus is paired with Draba (Woody Strode), an Ethiopian, who fights with net and trident. Draba corners Spartacus but refuses to kill him, and intstead rushes toward Crassus, who slits his throat. Crassus buys Varinia, and when a guard taunts Spartacus about her, Spartacus kills him, and leads the other slaves in a revolt.

They escape to the countryside, and other slaves join them as they make progress toward the sea, where they hope to escape. Varinia and Antoninus (Tony Curtis), a slave singer and magician, escape from Crassus, and join the slaves. The Romans send troops to capture them, but the slaves defeat them, sending back the message that all they want is the freedom to return to their homes. Crassus uses the slave revolt to gain political power, by promising “order” if he is given complete control. When he is successful, triumphing over his political rival, Gracchus (Charles Laughton), he cuts off the slaves’ access to ships, and surrounds them with troops. Many are killed on both sides, and the slaves are recaptured. Crassus promises them their lives if they will just give him Spartacus. As Spartacus is about to step forward, each of the slaves cries out, “I am Spartacus!” The Romans crucify them all except for Spartacus and Antoninus, lining the Appian Way with 6000 crucifixes.

Crassus takes Varinia and her new baby back to his home. He wants her affection, as the ultimate triumph over Spartacus. Spartacus and Antoninus are ordered to fight to the death, with the survivor to be crucified. Each tries to kill the other, to save him from the slow death of crucifixion. Spartacus is successful, killing Antoninus out of love and mercy, and then he is crucified. Before he dies, he is able to see Varinia and his son, now both free, thanks to Gracchus.

Discussion: This epic saga of the price of freedom is thrilling to watch, the struggles of conscience as gripping as the brilliantly staged battle scenes. When we first see Spartacus, he strikes out at an oppressor almost reflexively. He does not care that the consequence is death; as he later says, for a slave death is only a release from pain.

His life is spared when he is purchased by Biatius. His training as a gladiator gives him his first chance to form bonds with fellow slaves. His exposure to the guards and to the degenerate women from Rome, who insist on watching muscular men kill each other, shows him that power is not based on worth. When he shouts, “I am not an animal!” he is saying it to himself as much as to Biatius. When he strikes out again, he is armed not only with the fighting skills he has learned, but also with an ability to lead, founded in a new sense of entitlement to freedom.

The characters in this movie are especially vivid and interesting. Varinia has a wonderful grace and a rare humor, which adds warmth to her character. She is able to shield her emotional self from the abuse she is forced to endure without deadening her feelings. Gracchus conveys the essential decency of a man who has made many compromises, political and spiritual.

Both the author of the book and the screenwriter were blacklisted during the McCarthy era, and families should discuss how that influenced their approach to the story. Kids may also be interested to know that this was among the most popular movies show in the former Soviet Union, and should consider what it was that appealed to the communists.

Questions for Kids:

· Why was it important for the Romans to spread the rumor that Spartacus was of noble birth?

· What did Biatius mean when he said he had found his dignity? How was he changed?

· What did it mean when Gracchus responded that “dignity shortens life even more quickly than disease?”

· Why did Crassus say he was more concerned about killing the legend than killing the man?

· Why did each of the slaves claim to be Spartacus?

Connections: The movie cuts back and forth between the speeches given by Crassus and Spartacus to inspire their followers. Compare the speeches to each other, and to the most famous such speech in literature, Henry V’s “we few, we happy few” speech, delivered by Olivier (who also played Crassus) in the 1945 version of “Henry V,” and delivered with a very different interpretation by Kenneth Branagh in the 1989 version. The sense of community and loyalty of the slaves is reminiscient of similar scenes in “The Adventures of Robin Hood.”

This was the first screen credit for scriptwriter Dalton Trumbo after he was jailed for refusing to cooperate with Senater Joseph McCarthy’s House Committee on Un-American Activities, though he wrote under other names during that period, and even won two Oscars for best screenplay under other names.

Peter Ustinov won an Oscar for his performance as the slave dealer who runs the gladiator school. He is a rare actor who is able to keep his character as interesting after becoming (at least comparatively) virtuous as he was before.

All of the performances are outstanding. Jean Simmons can also be seein in “Guys and Dolls” and “Great Expectations.” Charles Laughton can be seen in “Witness for the Prosecution,” and “Advise and Consent.” The movie also won Oscars for art direction, costume design, and cinematography.

In 1991, an expanded version of the film was released, restoring scenes that had been cut for the original release, including a bathing scene with Cassus and Antoninus with an implication of sexual interest. Because the original soundtrack was not available and Olivier was dead, his voice was dubbed by Anthony Hopkins.

Activities: Kids who like this movie might enjoy the novel by Howard Fast, also the author of a novel about the American revolution, April Morning.

Related Tags:

Classic Drama Epic/Historical Tragedy