The Sound of Music

Posted on November 8, 2010 at 8:00 am

A+

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Tension as the family escapes, Nazi threat
Diversity Issues:	A theme of the movie
Date Released to Theaters:	1965
Date Released to DVD:	November 9, 2010
Amazon.com ASIN:	B003VS0CX8

The Sound of Music is out in a gorgeous new 45th anniversary edition Blu-Ray/DVD combo. The beloved family musical is the fictionalized story of Maria von Trapp (Julie Andrews). It is an outstanding family film, filled with glorious music (“Do Re Me,” “My Favorite Things,” “Eidelweiss,” So Long, Farewell”), a real-life love story right out of Jane Eyre, a courageous moral choice, and a heart-stopping escape.

As a postulant, Maria is “not a credit to the Abbey.” While she means well, she is constantly in trouble. The wise Mother Abbess sends her away to be the governess for the seven children of a stern widower, Captain von Trapp. Obedient to their disciplinarian father, the children are uncooperative with Maria until she wins them over with her own high spirits, as well as her kindness. She also shares her love of music, and her joy in the beauty around them, and they become devoted to each other.

The Captain’s friend Max (Richard Hadyn) hears the children sing, and wants them to perform at the local festival. But the Captain refuses, thinking it is foolish and inappropriate. Meanwhile, the Captain is considering marriage to a titled and wealthy woman, and his oldest daughter, Leisel, is beginning a romance with Rolfe. And as the Nazis threaten control of Austria, the Captain knows that his military skill and experience will lead them to him. He knows that they will ask him to join them, and that they will not accept a negative answer.

Maria, realizing that she has fallen in love with the Captain, runs back to the Abbey. But the Mother Abbess counsels her to follow her heart, and she returns to the children. The Captain realizes that he loves Maria, and they are married in the Abbey. They return from their honeymoon to find that an invitation to join the Nazi navy is waiting.

Max has put the children on the festival program, hoping the Captain would relent. He forbids them to participate and makes plans to escape. But when the Nazis arrive to stop him, he explains that they are just on their way to perform at the festival. The Nazis escort them to the festival, where they win first prize, and use their encore number to camouflage their escape. On their way out of Austria, they are betrayed by Rolfe, now a Nazi, but protected by the nuns in the Abbey, and they leave for Switzerland, over Maria’s beloved mountains.

Discussion: A number of people in this movie must make important choices when they face challenges that are completely unexpected. Maria and the Captain both thought they had established what their lives would be like. Maria planned to be a nun, and to live in the Abbey all her life. The Captain expected to continue with the life he had, a loving but stern father to his children and a respected aristocrat and military leader. His family had always lived in Austria, and he expected his children and grandchildren would live there, too. Maria’s unexpected challenge comes from within herself. She is lucky to have the wise Mother Abbess to help her examine her heart to learn that she is better suited for a life outside the Abbey.

The Captain is used to being in control. It may be that his regimental approach to the children is as much prompted by a need to feel in greater control following the loss of his wife as it is by his military training. His original inclination to marry the Baroness seems to be led by his head rather than his heart; it feels more like an alliance than a romance. But he finds that he cannot resist Maria’s warm and loving heart.

Just as all of this is happening, every aspect of the life they had known in Austria is challenged by the Nazis. Unlike his friends, the Captain does not have the option of making a slight accommodation to the Nazis. He must fight for them, if he wants to keep his home. He gives up every material possession he has to get away, preserving freedom for himself and his family.

Everyone in Austria has to make a choice when the Nazis arrive. Rolfe becomes so committed to the Nazis that he is willing to betray the young woman he cared for. Even the nuns in the Abbey must make a choice. They decide to protect the Von Trapps and impede the Nazis, risking their own freedom. Children, especially young children, will need some background to understand what these choices involved and what the risks were. It is also worthwhile to discuss with them the sweet song that the Captain sings to Maria, telling her that he must have done something good in his past to deserve her love and the happiness she has given him.

Questions for Kids:

· Why does Maria have a problem fitting in at the Abbey?

· What does the Captain learn from Maria?

· The same people wrote the song about “My Favorite Things” and “Whistle a Happy Tune” in “The King and I.” How are they alike? (Think about when it is that Maria sings the song.) If you were going to write the song, what would be on your list of favorite things?

· What is the difference between the way the Captain, Max, and Rolfe react to the Nazis?

· What does the song, “Climb Every Mountain” mean?

Connections: Sister Sophia is played by Marni Nixon, a rare onscreen appearance by the off-screen singing voice from “My Fair Lady,” “West Side Story” and “The King and I.”

Activities: Kids who enjoy this movie can read more about the real-life family in one of the books written by Maria von Trapp, and can visit the Trapp family’s lodge in Stowe, Vermont. Find Austria, Germany, and Switzerland on a map but do not try to trace the family’s escape route. If they had climbed over the mountains they took in the movie, they would have ended up in Germany.

Tinker Bell and the Great Fairy Rescue

Posted on September 20, 2010 at 7:00 am

Lowest Recommended Age:	All Ages
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Mild peril
Diversity Issues:	None
Date Released to Theaters:	2010
Date Released to DVD:	September 21, 2010
Amazon.com ASIN:	B003DT19F0

Tinker Bell has found her voice in a popular series of DVDs that give Peter Pan’s sidekick a chance for her own adventures in her home town of Pixie Hollow. She and her fairy friends Rosetta, Silvermist, Fawn and Iridessa help to make the four seasons vibrant and beautiful.

In this episode, for the first time Tink makes a human friend, Lizzy, played by Lauren Mote. Lizzy and her affectionate but distracted scientist father (voice of Michael Sheen of “Alice in Wonderland” and “Frost/Nixon”) move into a small house near the woods. Tinker Bell and Lizzy find a way to communicate with each other about their different worlds. And they have to help each other when Tinker Bell is at risk of being captured and Lizzy needs to find a way to remind her father that all work and no fun is, well, no fun, and not very healthy for families either.

The design is rich in texture and detail, showing the influence of Pixar head John Lasseter, who produced, and the story is charming, with top-notch voice talent and a sweet message about friendship, integrity, and family.

Toy Story 2

Posted on March 31, 2010 at 3:16 pm

Wow.

WOW!

“Toy Story 2” is stunning, witty, exciting, enchanting, and very moving. Amazingly, it is even better than the sensationally entertaining original.

The animation is better — the facial expressions of the main characters should qualify the animators for a “Best Actor” Oscar and the backgrounds are more authentically lived in. But most important, the script is better. It is very, very funny, with sly references to Star Wars, Close Encounters of the Third Kind, Jurassic Park and even Rear Window. But it is also insightful and touching, with a sort of “Velveteen Rabbit” theme about the importance a well-loved toy plays in the life of a child.

Woody (again voiced by Tom Hanks) is stolen by Al (voice of Wayne Knight) an evil toy store owner, who recognizes Woody as a valuable collectable. With Woody to complete the full set of toys from a 1950’s television show (deliciously re-created), Al can sell them all to a toy museum in Tokyo. Woody is delighted to find out his origin and value, and to meet up with “Woody’s Roundup” co-stars Jessie (voice of Joan Cusack), Stinky Pete (voice of Kelsey Grammer), and his faithful steed Bullseye. They tell him that he will be better off in the museum than waiting for Andy to outgrow him, and he starts to think they may be right.

Meanwhile, Woody’s friends from Andy’s house have organized a rescue mission led by Buzz Lightyear (again voiced by Tim Allen). After a series of hilarious and breathtaking adventures, they arrive to rescue a Woody who is not sure he wants to be rescued.

In these days when 8 year olds can talk knowledgeably about the extra value a mint tag adds to a Beanie Baby auction on Ebay or the market value of 20 different kinds of Pokemon cards, it is enormously valuable to think about the issue Woody must face. Should he have a brief but satisfying life as the beloved friend of a child who will eventually grow up and leave him bereft? As Jessie says with some bitterness, “Do you expect Andy to take you on his honeymoon?” Or should he remain perfectly preserved and perpetually honored as a museum exhibit? Ultimately, Woody concludes that “I can’t stop Andy from growing up, but I would not miss it for the world.” And Buzz agrees: “Life is only worth living if you’re being loved by a kid.” This is an enormously satisfying and meaningful point for a child — or a parent, especially as we face the holiday season avalanche of ads and gifts. Just as it is important for the toy, it is important for the child to love and respect the few toys that are really precious and think about what it is that makes them so special. As The Little Prince says, “It is the time you have wasted on the rose that makes it so important.”

P.S. As I type this, my Raggedy Ann and Andy, given to me on my 10th birthday, are smiling at me from across the room.

Changeling

Posted on February 17, 2009 at 5:00 pm

Radiantly beatific, Angelina Jolie glows with mother love in bright red lipstick and a series of divine cloche hats as Christine Collins, a devoted single mother, in this fact-based drama directed by Clint Eastwood. In 1928 Los Angeles, while she was at work, her son Walter just disappeared. Months later, the police told her they had found him, but the boy they gave her was not her son. She was pressured by corrupt cops to accept the new boy as hers. When she persisted in pointing out that not only was this boy physically different from Walter but that his dentist and teacher were on her side, she was committed to a mental institution and told she could not leave until she dropped all efforts to prove that her son had not been returned.

Eastwood’s meticulous direction and the sheer outrageousness of the story make for absorbing drama, though the very strangeness of the underlying facts makes the material seem overpacked (the running time is almost two and a half hours) and its discursive unfolding diminishes the dramatic effect.

It is impossible not to bring Jolie’s public role as a devoted mother of six to her performance here. Once Hollywood’s most notorious wild child, Jolie has transformed her public persona into a sort of earth Mother Courage on behalf of her own multi-cultural brood and on behalf of all the world’s poor and neglected children with her work for the United Nations. All of that blends in to the ferocity she brings to this role, diminishing the power of the story. The stand-out performances here are Ryan as the indomitable inmate and Jason Butler Harner as the man who probably knows what happened to Walter.

An additional distraction is the effort to put three separate stories into one long drama. The first act is the boy’s disappearance and the horrifyingly absurd attempt to persuade Collins that another child is her son. The second is a “Snake Pit”/”One Flew Over the Cuckoo’s Nest” diversion after she is thrown into the state mental hospital, where she is subjected to abuse but meets another inmate (the always-outstanding Amy Ryan) whose honesty and courage helps sustain her hope. And then there is a third act, where Collins all but disappears as the crime drama plays out and we find out what happened to the boy and what happened to those responsible.

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Flash of Genius

Posted on February 17, 2009 at 8:00 am

Americans do love our underdog stories and this one has the ingredients. There’s a David — an engineering professor named Robert Kearns (Greg Kinnear), who had a “flash of genius” and invented a gadget that all the geniuses in Detroit had been trying to figure out — an intermittent windshield-wiper to provide better clarity of vision when driving in the rain. Jackpot, right? No, there’s also a Goliath, and no giant is bigger and no overdog is overdoggier than the Detroit auto industry, circa 1960’s. And it really happened. Kearns sued Ford Motor Company for stealing his idea and pursued them for decades, representing himself in court. When they offered him millions of dollars but refused to give him credit for the invention, he turned them down. Integrity and pride, those are important elements of the underdog story, too.

Director Mark Abraham gives the film a gritty authenticity, evoking the era without overdoing it. And he gives the story its grittiness, too, showing us the price Kearns and his family pay for his dedication and stubbornness. Lauren Graham is a pleasure as Kearns’ wife. No one on screen today does a better job of portraying an intelligent, warm, sexiness. Kinnear shows us Kearns’ honesty, stubbornness, pride, and vulnerability. The courtroom scenes are exceptionally well done.

If there’s a fine line between genius and insanity, there’s an even finer one between genius and obsession. This film is a thoughtful, sympathetic, but clear-eyed portrayal of what Kearns gained but also what he lost.

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Based on a true story Courtroom Drama