For the First Time at Sundance: A Panel on Faith and Films

Posted on January 28, 2015 at 3:37 pm

Copyright 2014 Paramount
Copyright 2014 Paramount

The acclaimed Sundance Film Festival, where ground-breaking films and indie favorites often premiere, will have its first-ever panel discussion of faith and films this week. “Hollywood reflects society, society reflects Hollywood, and each needs the other,” Tim Gray, founder and president of Gray Media said of unprecedented panel discussion. “Years in the making, this conversation will challenge storytellers’ notions of faith in films and inspire filmmakers to next levels.”

Copyright 2014 Sony Pictures
Copyright 2014 Sony Pictures

On January 29, 2015, the 4 p.m. panel will open in a one-on-one with Devon Franklin, now president/CEO of Franklin Entertainment. At MGM and as SVP of Columbia Pictures, Franklin produced “Pursuit of Happyness,” “The Karate Kid 2,” “Heaven is for Real,” and “Annie.” He is the author of Produced by Faith: Enjoy Real Success without Losing Your True Self.  This will be followed by a panel moderated by Gray, featuring Franklin along with Adam Hastings, Pure Flix Entertainment director of marketing and operations, whose 2014 “God’s Not Dead” earned more than $60 million domestic box office; Bill Reeves, founder of Working Title Agency, behind faith-market groundbreakers “Fireproof,” “Courageous,” “Soul Surfer,” “Heaven is for Real” and more; and Julie Fairchild of Lovell-Fairchild Communications, whose film work ranges from “Fireproof” to “Get Low,” “20 Feet from Stardom.” and “Heaven is for Real.”

This is an important step forward, and I hope it becomes an annual tradition — and, unless they want to change the name to “Some Sects of Christianity and Films,” that future panels include a broader range of faith traditions.

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Spiritual films Understanding Media and Pop Culture

Wrong About Critics, Wrong About Movies, Wrong About Faith

Posted on October 20, 2014 at 2:36 pm

I am not going to give the people behind the idiotic and offensive press release I recently received the recognition of identifying them by name, but the claim that they make is one I have heard often enough I need to respond. The headline: Film Critics Don’t Get Faith Films. This shows no understanding of critics, movies, or faith. It disingenuously uses Rotten Tomatoes’ audience score to “prove” that audiences can like a film even when critics do not, overlooking two key points. First, the audience score will always be higher than the critics score because by definition the people who buy tickets are already interested enough in the film to make a commitment of time and money and once having done so, are even more likely to be fans. Furthermore, the audience score can be influenced by relatively few numbers, especially if the filmmakers get their friends to cast positive votes.

Films like “The Identical” and “Left Behind” do not get bad reviews because critics don’t “get” faith-based films. They get bad reviews because they are awful films. These films are not just decidedly below average by any standard of drama or aesthetics; they are also bad theology. Referring to a couple of Bible verses and omitting sex and bad language is not enough to make a film “faith-based.” And, more important, it is not enough to make a film spiritually challenging or nourishing. “Faith-based” movies should be held to the same standards of critical review as any other film. And it is fair to expect them to meet or exceed those standards.  Note that critics for faith-oriented publications have given bad reviews to these films as well.

I love to see movies that inspire audiences to make a deeper connection with God or to live a more humble and compassionate life. But too many “faith-based” films have the shakiest of theologies and are more interested in perpetuating a narrow, claustrophobic, smug brand of Christianity than they are to exploring the teachings of Christ.

I object to the notion that “faith-based” refers to only one narrow segment of Christianity.  Even within that category, however, many of the movies fail in what should be their primary purpose: to challenge viewers to become better Christians. Unfortunately, instead too many of these films serve only to congratulate the audience for their superiority or promote a culture of victimhood. Instead of inspiring generosity toward others, they fuel divisiveness and prejudice.

I have found a lot to admire in some “faith-based” Christian films like Christmas with a Capital C, The Grace Card, and Brother White.  Other films engage with religious beliefs beyond that covered by the “faith-based” media industry.  And of course many films that do not market themselves as “faith-based” have powerful lessons for both faithful and seekers.

I encourage everyone to read the thoughtful essay by Steven D. Greydanus, a longtime critic for Catholic publications, called Do atheists and agnostics make the best religious movies? His excellent list omits my favorite movie about Jesus, however, The Gospel According to St. Matthew, made by an atheist, Pier Paolo Pasolini, beautifully simple and one of the most moving and inspiring religious films I have ever seen.

https://www.youtube.com/watch?v=L0vynmCABnA

“Faith-based” should apply to any movie that seeks to deepen our connection with the divine. And “faith-based” or not, all movies should be evaluated on the quality of their story-telling.

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Commentary Critics

Interview: Kirk Cameron on “Unstoppable”

Posted on August 13, 2013 at 3:59 pm

Kirk Cameron is one of the leading figures in faith-based and inspirational entertainment.  For the first time he has taken on the role of producer for a film he calls his most personal project.  It is the story of his own journey to discover the answer to one of the central questions of faith and indeed of human existence: Why do bad things happen?  The film is called “Unstoppable,” and it will be shown in theaters on a special one-night event on September 24. The trailer was initially misidentified as spam on YouTube and Facebook. After protests from a couple of million people, they apologized and put it back up with full access and, according to Cameron, “tickets are flying off the shelves.”

Cameron was nice enough to talk with me about “Unstoppable” and about his new project to help fathers guide their sons to manhood.

Is this a documentary or a feature film?  It’s kind of mysterious.

Cool, I like mysterious!  That’s great.  People think of documentaries as dry, informational, fact-finding kinds of stuff.  This is similar to what I did last year, “Monumental,” a journey with an exciting story, lots of artistic re-enactments of things that have taken place.  It delves into the question: Where is God in the midst of tragedy and suffering?  Why does God let bad things happen to good people?  We’re discovering the answer to that question in a documentary, but it is done in a very dramatic, action-packed narrative story.  It’s hard to slip it neatly into either one of those categories.  I just call it my new film.

You’ve called this your most personal project ever.

It is a personal journey and I know it will be for everyone who watches it, not because I know everyone but because it is a universal question.  It is in the top five questions in the world for everyone, atheist, Christian, Jew, Muslim, Hindu, Buddhist, everyone is rocked by this question.  Where is God in the midst of tragedy?  If He can heal me, why doesn’t he?  Is He not listening?  Is He not there? Are the atheists right?  This is personal for me.  We’ve been volunteering for 25 years at a place called Camp Firefly, for children who are seriously ill.  My own family members are experiencing tragedy.  I have skin in the game.  I have a horse in this race.  I want to understand why my 15 year old friend Matthew died. That sent me on this personal, transparent journey, to his funeral, to his burial, and then back to the Scriptures to understand the character of God, a God who would flood the world, who would pronounce a death sentence for the human race, who would allow tragedy and suffering, who would allow his own son to die on the cross and still say He is a God of love, mercy, and grace.  I want to understand that.

Where do you begin?

I did not call Deepak Chopra, Rick Warren, Oprah Winfrey or any of the go-to guys for a lot of folks .  I didn’t just want an academic answer to the problem.  I can do that.  I can solve the problem of evil logically, rationally, philosophically, theologically.  I can wrap an atheist up in a bow and put him up on a shelf if he thinks I will question my faith with an argument like that.  But that doesn’t solve the heart-crushing pain of a mother who is watching her child die of cancer.  I wanted to take a journey into the heart and character of God and the only way I know to do that is by reading the book that He wrote, where He tells us the hows and the whys, going back to the Garden of Eden and the very first tragedy.  That was not a fairy tale in a cartoon book.  These were people making choices, and this is when tragedy and pain and fear entered the world.  Then a brother murders a brother and then a whole culture becomes wicked and corrupt and God flooded the world and started over with a new man and a new woman and a new family and a garden and a promise that God would fix and change all of this.  And that takes us to Moses, and then to Christ, the crucifixion and resurrection and then the destruction of the temple in Jerusalem.  I’m taking a narrative story approach to this God who allows pain and suffering and steers all of it, to use what He hates to accomplish what He loves.  All of this will work to the good for those who love Him.  Ultimately, my authority is the Holy Bible.  Everyone else is second banana.

What do you hope to accomplish with this film?

I want to do it this way so that everyone will watch it together, same night, same time, and then let the conversations begin, with atheists, believers, people from all different backgrounds.  I hope people come out of the theater and say, “I love God!  He is good and I can trust Him!  He never takes His hand off the wheel, even though I am experiencing trials at the moment.”  I want people to ask “Why?”  Some people say you shouldn’t ask, or it’s not ours to ask.  But if you don’t ask the questions, you miss out on the faith-building answers.  The whole Book of Habakkuk would not have been written if she had not asked the question “Why?”  It begins “Oh God, why do the heathen rage?  Why is it that the wicked seem to prosper and Your people seem to be buried under tragedy?”  It’s a fantastic book that starts with the question, “God, where are You?  Why is this happening?”

How has being a dad influenced your feelings about these issues?

When you’re a teenager, you can say, “I love kids; I want to be a camp counselor.”  When you have kids of your own, you say, “What did I let myself in for?”  But there’s this deepening of love and compassion as a human being when you’re a parent because you’re responsible for this little soul.  They look to you for everything.  They trust you.  They depend on you.  When my friend called and told me that his 15-year-old was lying in the bed, dying of cancer and saying, “Daddy, can you fix me?” the only thing he could say was that God was the only one who could heal him.  He could say, “I’m praying like a wild man that He will, but He knows what’s best.”  As a father, that shreds you up.  This has affected me very deeply as a father.

Tell me about the Boy’s Passage, Man’s Journey project.

It’s a plan to help fathers make a plan for transitioning their boys into manhood. The subtitle is “Destination: Manhood.” Ask your husband, “When did you become a man?” Some will say when they moved out of the house, or got married, or became a dad, or joined the military. A lot of guys don’t really know when they became a man; they just slid into it sometime in their 30’s. In a lot of other cultures, there’s a marked time, a very significant moment, usually in the community of other men. In our culture, we don’t usually have that. Kids sometimes do that by being initiated into a gang or fathering a child outside of marriage as a way of proving their manhood. This is a way for fathers to help their boys become men in a positive way.

 

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Actors Interview

Win a Free Copy of “The Solomon Bunch” DVD!

Posted on February 4, 2013 at 3:59 pm

The Solomon Bunch is a sweet, gently funny story of a group of children who ponder the meaning of Proverbs 18:13 “He that answereth a matter before he heareth it, it is folly and shame unto him,” but don’t fully understand it until they discover their own mistake in judging what they thought was criminal plot.  Its kids-view story-telling makes it family-friendly and its low-key lessons will provide a good opening for discussion of the difference between being smart and being wise and the importance of questioning your assumptions.  It is especially suitable for church groups and Sunday schools.

I have five copies to give away!  Send me an email at moviemom@moviemom.com with “Solomon” in the subject line and tell me about talent show you attended or participated in.  Don’t forget your address!  (US addresses only).  I will pick five winners at random on February 9.  Good luck!

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Contests and Giveaways Spiritual films

Interview: Rich Christiano of ‘The Secrets of Jonathan Sperry’

Posted on May 4, 2010 at 1:59 pm

I spoke to writer-director Rich Christiano about making — and marketing — faith-based films.
You were really a one-man show behind the scenes for this film.
We have a good production team and worked hard on the distribution. This the third film we’ve put out theatrically. We learned a lot doing it. It played over 300 screens. We lot local churches to sponsor the movie in their cities. The churches that put forth the effort did well. We also worked with Christian radio. In Dayton, Ohio we ran 22 weeks because the radio station got the word out. In another city there was a pastor who really got behind the film and we did really well there. Promotion is the hardest part of it. We made sure we had local groups pushing the movie.
Is there a big audience for faith-based films?
The inspirational films have a lot of upside. One-third of this country goes to church each week and that’s our marketplace. And they’re an under-served audience. If everyone who goes to church would see our movie, we’d have “Avatar” numbers. Our society has changed over the last 20 years. If I’d told you back then there would be a weather channel, you would not have believed it. The Christian consumer group is now becoming more and more a player. They audience wants to watch these films; they just need to know they are there.
What do you hear about the way audiences respond to this film?
We’ve had wonderful reactions. There’s an emphasis to read the Gospel of John in the film. I heard from a lady who said her eight-year-old came home from the movie and read the Gospel of John. Then he wanted to go to Bible study like the boys in the movie. Another woman said her husband had drifted from the Lord. But when he came home he said three words that really lifted her spirit: “Where’s my Bible?” A 60-year-old lady told me her sister was visiting from Scotland and that she’d never, ever seen her cry until she saw this film. One of our sponsors in Fort Worth, Texas took his daughter to the film. When she saw a character change in the film, she told her father she wanted to show that she had been changed. There’s a strong message of forgiveness in this film. We’ve shown it in prison. Several of the prisoners wrote me a letter.
What can a movie convey better than a book or a sermon?
The church needs to recognize how powerful the audio-visual really is. I spoke to a man who was a church-goer and asked him if he could remember what his pastor preached a month ago. He couldn’t. I asked him if he could tell me about “The Wizard of Oz.” Even though he had not seen it for 15 years, he could remember all of the details.
Movies manipulate us, affect us, influence us. Most movies influence people away from the Lord. I want to use them to influence people for the Lord. There’s a spiritual battle going on and the Message of Christ is always being snuffed out. Movies are an entertainment medium, but every movie is religious because every movie has standards, every movie has a message about those standards. We’re trying to put forth films that are entertaining but put forth a message for the Lord, to inspire, to challenge thinking, to provoke spiritually, to make people think about eternity.
It was nice to see the film set in 1970 because that lends it a simplicity that suits its themes.
There’s no cell phones, no text messaging, no X-Box. I showed opening credits over pictures like old-school film-making. It’s like Mayberry with Bible study. It’s a throwback. It’s not edgy. It’s simply shot, no visual effects. It’s story-driven. It’s not an action film. It’s got laughs. And it’s got heart.

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Directors Interview Spiritual films
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