Adventureland

Posted on August 25, 2009 at 8:00 am

We all have at least one, a summer when everything changes, when we first start to become the person we truly are. Every writer tries at least once to tell the story of one of these summers and the best of them connect us to our own stories as we laugh and cry along with them.

Director Greg Mottola’s last film was the box office smash “Superbad,” and like that, this is the story of young people at a turning point, told with sex, drugs, rock and roll and with some surprising sweetness. The mix is much more on the sweetness side in this frankly autobiographical film; don;t let the ad campaign mislead you that this is another wild and raunchy story.

For one thing, this movie’s lead is four years further along. James Brennan (“The Squid and the Whale’s Jesse Eisenberg) has just graduated from college and things are not going the way he planned. His parents have had some financial reversals. Not only is his planned trip to Europe with his friends canceled so he can stay home and get a job but there’s no money to pay his tuition at graduate school, and his parents seem disturbingly callous about how this affects him. He finds to his distress that an undergraduate degree in literature does not qualify him for pretty much anything, so he ends up getting a job for which no qualifications of any kind are necessary — working at a decrepit amusement park called Adventureland.

We know what to expect, of course. In just about every summer job, summer camp, and summer trip movie ever made there will be a girl of great sensitivity and insight and a girl of great hotness. There will be a bully or menace of some kind and a boss who is clueless or evil or both. But the humiliating lessons are more in the painful twinge than wake-up-in-the-middle-of-the-night-20-years-later-in-a-cold-sweat category. The bosses (SNL’s very funny Bil Heder and Kristin Wiig) are not evil and not really clueless. They just have the requisite benign obtuseness that enables them to continue to run a business that (1) relies on children in unleashed frenzy mode as customers and (2) relies on teenagers in major hormonal crisis mode as staff. Mottola manages to avoid the cliches and create characters with warmth and specificity and — that rarest quality in movies of this genre — some grace.

X Games 3D: The Movie

Posted on August 20, 2009 at 5:58 pm

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for extreme sports action and accidents
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Intense sports action and accidents, reference to serious injuries
Diversity Issues:	None
Date Released to Theaters:	August 21, 2009

Kids, don’t try this at home.

3D is X-treme film-making and thus well suited to the X Games, hyper-intense, hyper-dangerous, hyper-what are they thinking? sports that are closer to stunts. Young men compete on skateboard, snowboard, and on dirt bikes and motocross to defy the laws of physics. One of them says he feels about gravity the way some people feel about evolution: “It’s just a theory.”

Adolescent testosterone-friendly sponsors like Play Station, Taco Bell, Red Bull, and the Navy have helped make the X Games into an enormous and high-stakes event. Some of its most stunning images are of the homes these young men have purchased with the money they make breaking their bones to do these tricks.

And X can also stand for something else. At one point, a selection of one competitor’s past x-rays of injuries flash on the screen.

The stunts are astonishing and the 3D effects are so intense that you will feel like wiping the dirt kicked up by the motocross bike off your face. But there is more to the film. It has some important lessons about passion, commitment, being willing to ask “what if it is possible?” and being willing to fail in order to achieve ultimate success. The climax of the film comes in a three-way competition that includes one man coming back from a wipe-out the year before and one who is badly injured early on and insists on continuing to compete. The respect and affection between the competitors is genuinely touching and the way they ride their boards back and forth to the medical facility to check on the injured athlete is affecting. They are barely aware of how organic their attachment to the boards has become.

Hannah Montana — The Movie

Posted on August 17, 2009 at 8:00 am

B+

Lowest Recommended Age:	All Ages
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Mild comic violence, pratfalls
Diversity Issues:	None
Date Released to Theaters:	April 9, 2009
Date Released to DVD:	August 18, 2009
Amazon.com ASIN:	B002BIULQ2

Think of it this way. Hannah Montana is to Miley Stewart what Superman is to Clark Kent. Audiences of all ages but especially children and teenagers are always taken by stories of secret identities and hidden sources of power and mastery. It is a way of organizing their thoughts about themselves as unsure but constantly developing citizens of a world run by adults who have a power and ability that they look forward to. It is also a world they can feel themselves getting closer to, so it gives them a way to calibrate and understand their own changes and their progress. And it gives them a chance to think about the kind of adults they want to be.
So when Miley Stewart (played by Miley Cyrus) said she wanted the “best of both worlds,” to be a singer and a “normal kid,” the way to do it was to create a separate identity. With the wig and sparkles she is Hannah Montana, superstar. Without it, she is just plain Miley, who knows that her friends like her for who she is and not because she is famous. And many of the television show’s episodes focus on the challenges of keeping these worlds separate.

But as this movie begins, it is not just the logistics that are colliding. Miley Stuart is becoming a bit of a diva. After an hilarious brawl with uber-diva Tyra Banks over a pair of expensive shoes, Miley’s father (real-life dad Billy Ray Cyrus of “Achy Breaky Heart” and mullet fame) decides it is time for Miley and Hannah to have a reality check. He takes her to their home in Tennessee and tells her that after two weeks he will let her know whether it is time for Hannah to retire.

Miley is not yet an actress. She is so relentlessly sunny that she can’t quite manage the brief scenes where she is supposed to be pensive or unhappy. But she has an immediately engaging presence on screen and is so clearly enjoying herself that it impossible not to enjoy her, too. The script wisely plays to her strengths, giving her lots of chances to sing both as Miley and as Hannah and lots of chances to show off her high spirits and gift for physical comedy.
She is ably supported by Emily Osment as her best friend, Margo Martindale as her warm but shrewd grandmother, and Lucas Till as a handsome young cowpoke. Taylor Swift and Rascal Flatts show up for some musical numbers. Cyrus has a sweet duet with her dad and a cute hoedown dance.
The story may not have many surprises, but it will help kids think a little bit about growing up and dream a little bit about all the possibilities before them. Best of all, the movie will satisfy Cyrus fans and give their families a sense of why they love her so much.

(more…)

Bandslam

Posted on August 13, 2009 at 5:58 pm

B+

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for some thematic elements and mild language
Profanity:	Mild language
Alcohol/ Drugs:	None
Violence/ Scariness:	Sad deaths, tense confrontations, bullying
Diversity Issues:	Diverse characters
Date Released to Theaters:	August 14, 2009

A little edgier than the “High School Musical” series and a little smarter than the usual tween fare, “Bandslam” is a refreshing late-summer treat for tweens, teens, and their families from the always-welcome Walden Media, a top provider of quality family entertainment.

Will Burton (Gaelan Connell), an Ohio music-loving loner who knows his Thin Lizzie from his Velvet Underground and has mental conversations with David Bowie, is relieved and delighted when his single mother (Lisa Kudrow) tells him that they are moving to New Jersey. He is often picked on, with no friends, and he looks forward to starting over in a new school.

Though he fears it will be just like Ohio (“Different kids, same me”), the new school is different. A music group competition called Bandlam is “Texas high school football big.” A confident and popular senior named Charlotte (“Aly & AJ’s” Aly Michalka) invites him to help her take care of the day care kids, and they become friends. Once a part of the school’s champion band Glory Dogs, Charlotte and some other musicians are forming a new group. Before he knows it, Will is their manager, naming them for a line from “Waiting for Godot” — “I Can’t Go On, I’ll Go On.” Will is in “uncharted territory,” making friends, separating from his mother, and even developing feelings of more than friendship for the winsome Sa5m (“The 5 is silent”) (HSM’s Vanessa Hudgens).

There are heartaches, misunderstandings, and setbacks (this is high school, after all), but there is music and there is a public apology (this is a romance, after all), and triumph (it is a movie for kids after all).

Hudgens, unfortunately, is saddled with a character who speaks in monotones. It would be nice to see her in a role that gives her more of a chance to show her spirit. Newcomer Connell is able, especially in his scenes with Kudrow, who makes the most of her underwritten mom role. Michalka has the most challenging role and handles it very capably. The characters talk rock but sing pop. Only Michalka has a rocker’s attitude. But these characters have more depth and believability than most movies in this genre. Director Todd Graff, who made “Camp,” again shows his sympathetic understanding for kids who want to perform. And, most important, this movie has a strong foundation in its understanding of classic rock that does as much as any of the writing, directing, or performers to keep us rooting for Will’s group to go on.

17 Again

Posted on August 11, 2009 at 8:00 am

There’s nothing new in the storyline, which mixes a little “Freaky Friday” with a bit of “Back to the Future,” but it is a lot of fun to watch Zac Efron take center stage with plenty of star power in his first real leading role.

Efron plays Mike, a high school basketball star whose future plans are derailed when his girlfriend becomes pregnant. When he gets to middle age (played by Matthew Perry) he is losing his job, separated from his wife, and estranged from his teenage children. He is also losing his sense of who he was and estranged from his sense of who he wants to be. And he is living with his only friend, the nerdy, inappropriate, but devoted, wealthy, and very funny Ned (Thomas Lennon of “Reno 911”).

A bit of hocus-pocus from a kindly old janitor (Brian Doyle-Murray) and suddenly Mike is, well, the title says it all. It is a bit disconcerting to find himself dealing with hormones but he relishes the extra energy and the ability to eat endless amounts of junk food. At first he thinks the transformation is going to give him a chance to have a different outcome for himself, maybe get that basketball scholarship this time, but then he realizes the purpose of the transformation is to give him a second chance with his family. Mike is soon re-enrolled in high school (as “Mark”), where he gets a very different perspective on his son (Sterling Knight) and daughter (Michelle Trachtenberg). He begins to see his wife (Leslie Mann) differently, too. Only she thinks he is her son’s high school friend and is a little freaked out by the way he seems so familiar — in both senses of the term.

Various complications and mix-ups ensue, especially when Ned falls for the high school principal (“The Office’s” Melora Hardin). But other than overdoing some Oedipal situations and a few crude jokes, the movie veers away from the most obvious avenues for humor. There’s very little about changes in culture and it’s fairly light on slapstick and humiliation. Instead, it relies primarily on charm and unabashed sweetness that perfectly suits Efron’s easy grace. In an early scene, he jumps from the basketball game into a cheerleader routine, filled with the pleasure of joining in, and having so much fun it is impossible not to smile.

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