Comic-Con: The Director Mash-Ups

Posted on July 24, 2011 at 11:45 am

One of the great pleasures of Comic-Con is hearing film-makers talk to us about their movies.  But it gets exponentially better when we get to listen in to them talk to each other.  The infinitely generous Guillermo Del Toro (he gave out his email address and invited fans to write to ask to visit him on set) shared the stage at Comic-Con’s largest venue in two separate events, one with Jon Favreau and one with protege Nicolas Winding Refn.

Del Toro co-wrote and produced a remake of the cult classic “Don’t Be Afraid of the Dark.”  The original, a 1973 made-for-television movie starring Kim Darby and Jim Hutton was about a young wife who discovers scary creatures in a house she has inherited.  In the new version, it is a little girl living with her father (Guy Pearce) and his new girlfriend (Katie Holmes) who hears the creepy rasp, “Saaaaaally, Saaaaaaally….”  In the first-ever Comic-Con event from impressive new studio Film District, he appeared to discuss the film with Danish director Refn, of “Drive,” also produced by Del Toro.  “It is our duty to produce first-time film-makers,” Del Toro, told the crowd.  He spoke about the power of fantasy.  His background was in special effects and creature fabrication and he speaks lovingly of the monsters he creates and the importance of details.  “Context is everything in a fable because every story has already been told.”  Refn said that “tracking is good, but still imprints on our brains.”  He loves the images where what matters is what is behind, when what is in the background engulfs the image.

Later, Del Toro appeared with Favreau to compare and appreciate each other’s approach.  Favreau, as shown in “Iron Man,” likes mechanical effects.  Del Toro (“Hellboy”) takes advantage of whatever illusions technology can provide. “There was not a single real thing in ‘Pan’s Labyrinth.'”   Favreau called in Del Toro for advice on some of the action scenes in “Cowboys & Aliens.”  And he urged us all to be on the lookout for a new book about Del Toro’s “Bleak House,” his very own haunted mansion.  Speaking of which, one thing these two directors have in common is forthcoming films based on Disney theme park attractions.  Favreau is working with Michael Chabon on “The Magic Kingdom,” and Del Toro will direct “The Haunted Mansion,” which will do its job if it erases the memory of the Eddie Murphy version.  Del Toro assured us that this one will not be a comedy.

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Directors Festivals

Friends With Benefits

Posted on July 22, 2011 at 6:45 pm

“Shut up, Katherine Heigl,” says our heroine, as she passes by a wall of posters for another fungible romantic comedy that should be sued for deceptive advertising.  Jamie (Mila Kunis) is an executive recruiter who wants to believe in love but has had a series of relationships with guys who took her heart and stomped that sucker flat. Dylan (Justin Timberlake) is the hotshot design guy she recruited to move from a web job in California to GQ in New York.  While Jamie wants intimacy too much, Dylan wants to avoid it.

And while we all want a good, old-fashioned (but not too old-fashioned) date movie romantic comedy, we don’t want the same old Jennifers and Jessicas getting into the same old situations.  The problem is that it is harder and harder to find reasons for keeping the couple that the audience knows is destined to be together from having sex for a whole 100 minutes.  And so we get the second movie in seven months that tries to turn the usual story upside down.  Let’s let them have sex right away but then learn how much they love each other.  It works better here than in No Strings Attached because it has a cleverer script and better chemistry.  There’s a terrific beginning as we see Jamie and Dylan on the phone with her waiting in front of a theater and him explaining that he isn’t really late.  We think they’re talking to each other when it turns out they’re on opposite sides of the country and both about to be dumped (great cameos by Andy Samberg and Emma Stone).  So Dylan is recruited by Jamie for the GQ job and as she sells him on New York, complete with a flash mob in Times Square, they have the rhythms of a couple who are destined to be together.  But in the immutable laws of movie romance, both must learn important lessons (and look gorgeous while doing so) before they figure that out.  So they decide to have sex as friends without becoming boyfriend and girlfriend.

It’s a movie with a couple of references to “Seinfeld,” but apparently everyone missed the 1991 episode called “The Deal,” in which long-time exes-turned friends Elaine and Jerry decide they can have sex without an emotional attachment or romance.   It doesn’t work, and there is something a bit off-putting about characters who think it can.  Elaine and Jerry were famously “no learning, no hugging” people who were hilariously superficial and self-involved.  But Jamie and Dylan are supposed to get us on their side and talking and behaving like people for whom sex does not mean anything creates a hurdle we have difficulty getting over.  While the film avoids some of the pitfalls of the romantic comedy formula, it falls into others, with sketchily-drawn back-stories and distracting detours like an un-funny part for Shaun White and a silly repeated joke about whether pilots are important in landing a plane.  Kunis and Timberlake are as great on screen as individuals and as a team and there are some funny and entertaining moments, especially when Dylan explains his childhood affection for Kris Kross.  Ultimately, though, it is as formulaic as the movie-within-a-movie they watch together.  That one stars Jason Segal and Rashida Jones and has a sly dig to the fake NY locations filmed in LA and some outtakes over the end credits.  It — or something just like it — should be in theaters soon.

(more…)

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Comedy Romance
Comic-Con 2011

Comic-Con 2011

Posted on July 20, 2011 at 3:55 pm

I’m on my way to Comic-Con 2011, this year featuring the first glimpses of Twilight’s “Breaking Dawn — Part 1” along with Steven Spielberg’s “The Adventures of Tintin,” the Colin Farrell remake of “Total Recall” and “In Time,” a thriller with Justin Timberlake and Amanda Seyfried.  You haven’t heard about some of these?  That’s the fun of it; Comic-Con is where it all begins.  It’s not just movies.  “True Blood,” “Lost,” and “Glee” got the word out via Comic-Con and this year we will see get updates on longtime fan favorites like “Buffy” and hear about the new projects from some Comic-Con regulars like Kevin Smith and Joss Whedon.

Entertainment Weekly points out in the current issue that back in 1976 a film no one had ever heard up sent a rep with a card table to sell the Con’s first promotional posters for a movie whose release was still a year away.  Those posters are now sold (if you can find one) for $3000 and this year, that same film will be saluted with an elaborate booth in support of its six-movie Blu-Ray release with never-before-seen footage: Star Wars: The Complete Saga (Episodes I-VI). What will this year’s attendees know about before anyone else?  Stay tuned for my reports — and of course my always-popular pictures of the attendees in costume.

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Festivals

Progress in Efforts to Cut Back on Smoking in Movies for Kids

Posted on July 18, 2011 at 3:37 pm

MedPage reports that smoking is down in movies rated G, PG, and PG-13.

Overall, there were about 72% fewer on-screen appearances of smoking and tobacco products in G, PG, and PG-13 movies in 2010 than there were in 2005, according to Stanton Glantz, PhD, of the University of California San Francisco, and colleagues…

For the three studios that had actual written policies to reduce tobacco use in their movies, there was an average drop of 95.8% in tobacco appearances, compared with a fall of just 41.7% for the three major studios and some independent film companies that had no such policies.

Among the three with anti-tobacco policies, 88.2% of their top-grossing youth films never featured smoking or tobacco, compared with 57.4% of those from companies without policies.

“This finding indicates that an enforceable policy aimed at reducing tobacco use in youth-rated movies can lead to substantially fewer tobacco incidents in movies and help prevent adolescent initiation of smoking,” Glantz and colleagues wrote.

Advocacy groups have urged film studios not to make smoking look glamorous and sophisticated.  The study relied on scenesmoking.org, which has detailed documentation of  the frequency and context of smoking in movies and the impact it has on young viewers.  The World Health Organization has recommended an automatic R rating for any movie with tobacco smoking, except for those like “Good Night and Good Luck,” where the smoking is included for historical accuracy.

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