Hollywood’s Inaccurate Portrayal of Religious Practice

Posted on October 2, 2008 at 8:00 am

E! Online has a column about Hollywood’s inaccurate portrayal of religious practice. A reader wrote in to complain about the treatment of Mr. Eko, who pretends to be a priest in “Lost.”
According to E!, Tod Tamberg, communications director of the Los Angeles Archdiocese is the man who usually answers Hollywood’s questions about Catholicism ritual, belief, and practice, but no one checked with him about Mr. Eko.
Pretty much every religion offers at least one consultant to keep pertinent films honest. One of them happens to have served as Hebrew coach for an A-list star…But unless Hollywood actively reaches out to such people–and not at the last minute, either–there’s little that religious consultants can do to ensure authenticity.
It was heartening to see the faith-group-produced “Fireproof” do modestly well last weekend, but accurate portrayal of religious practice and sincere faith is rare in Hollywood movies. I was pleased to that in this week’s light teen romantic comedy, “Nick and Norah’s Infinite Playlist,” a character briefly but movingly explains the Jewish tradition of tikkun olam (“healing the world”) as the spiritual purpose of life. It is nice to see something Jewish in a movie that is not bagels, oy vey, or guilt!
For more about the portrayal of religion in the movies, see this bibliography and this religious studies syllabus.

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Commentary Understanding Media and Pop Culture

Religion in film: characters, themes, resources

Posted on March 3, 2008 at 8:00 am

Beliefnet’s Kris Rasmussen has a list of 10 positive Christian characters in recent films. I was pleased to see Amy Adams’ performance in Junebug included, though for me the most spiritually touching moment in the movie was when Alessandro Nivola, as her character’s highly secular brother-in-law surprises his new wife by getting up at a church dinner to sing a hymn. The list is an excellent one, including historical characters like Sophie Scholl and James J. Braddock and fictional characters like Spider-Man‘s Aunt May.

An online film festival called “One Nation, Many Voices” announced the winners of its competition for authentic, non-stereotyped portrayal of Muslim-American characters.

Adherents.com has an excellent spiritual guide to movies that includes the religious affiliations of the most influential film-makers and critics’ lists of the best Catholic and Jewish movies.

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Spiritual films

Major Barbara

Posted on December 13, 2002 at 5:17 am

Plot: Major Barbara (Wendy Hiller) is a member of a mission devoted to saving souls, and she promotes temperance, non-violence, and socialism. Adolphus Cusins (Rex Harrison), a classics professor, falls in love with her, but before she accepts his proposal, she insists that he must meet her family. He is surprised to find out that she is the daughter of a wealthy industrialist.

Her father, Andrew Undershaft (Robert Morley), a munitions manufacturer, returns to the family after an absence of many years. He tries to convert Barbara to his views by presenting her with an ethical dilemma. Will she accept large contributions to her mission from the makers of munitions and liquor, the very things she opposes? She cannot, and is disillusioned but understanding when her superior accepts the funds, reasoning that despite their source, the money will do some good.

Barbara visits the munitions factory and sees that her father is right about capitalism. It does not mean much when someone accepts her views in order to get food and shelter. But if she can persuade people simply by the force of her ideas, those are converts worth having. Furthermore, she can aid the poor by providing good jobs, good wages, and good benefits. Her father says that being a millionaire is his religion. Christianity is Barbara’s religion, but she will pursue it through capitalism.

Discussion: More directly political than “Pygmalion,” this provides a good opportunity for a discussion of what is now termed “corporate social responsibility,” and the role of the government, the church, and the corporation in meeting society’s needs.

Questions for Kids:

· How socially responsible should corporations be? How should they balance the interests of employees, customers, shareholders, suppliers, and the community?

· Who is in a better position to help society, government, religion, or business? Which kinds of help are each uniquely able to provide?

Connections: Robert Morley, age 32 when this movie was made, was only four years older than the actress who played his daughter. A very young Deborah Kerr appears as Jenny Hill, and Emelyn Williams, author of the autobiographical “The Corn is Green,” appears as Snobby Price. Wendy Hiller, picked by Shaw himself to appear in this movie and “Pygmalion,” also appears in “A Man for All Seasons” and “Murder on the Orient Express.”

Playwright and co-screenwriter Shaw was one of the twentieth century’s most brilliant writers, well known as a dramatist, essayist, critic, and social reformer. He was awarded the Nobel Prize for Literature in 1925. His play, “Pygmalion” (also filmed with Wendy Hiller) became the musical “My Fair Lady.” Among the many pleasures of his work are the superb female characters — strong, intelligent, and principled.

Activities: Teenagers may want to read or even act out some of Shaw’s other plays, including “The Man of Destiny,” “Misalliance,” “Caesar and Cleopatra,” and “Arms and the Man,” and will also enjoy his essays and criticism.

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Drama Romance

The Prince of Egypt

Posted on December 13, 2002 at 5:16 am

Dreamworks SKG’s first animated feature is a respectful retelling of the story of Moses, from the time he was found in the bullrushes and adopted by the Pharoh to the time he led the Hebrews out of Egypt to freedom. Presided over by former Disney-ite Jeffrey Katzenberg (“The Lion King”) the movie has some astonishing visual effects, particularly a chariot race that rivals “Ben Hur” and the parting of the Red Sea. The movie takes some liberties with the story, with Moses (voice of Val Kilmer) and Ramses (voice of Ralph Feinnes) raised as brothers who love each other deeply. But Moses learns that he was born a slave. More important, he learns that the man he loves and respects as his father, the Pharoh Seti (voice of Patrick Stewart), once ordered the murder of the slave babies. Struggling with his new understanding, he impulsively pushes aside a guard who is beating a slave, and the guard falls to his death. Ramses promises to pardon him, but Moses runs away.

He lives peacefully with nomads, marrying the spirited Tzipporah (voice of Michelle Pfeiffer), until he receives a message from God, telling him that he must return to Egypt and free the slaves. Ramses, by now Pharoh, is at first happy to see him, but refuses to grant his plea to “let my people go.” Felled by plagues that include locusts, boils, frogs, and, finally, the death of the first-born children, he finally agrees. But just as Moses is leading the Hebrews through the parted Red Sea, Ramses arrives with his army. The Red Sea closes over them, and Moses and his people are free.

This story, central to three great world religions, should be familiar to most children. The film-makers have done a good job of making it exciting and vivid while still being careful not to offend anyone. The musical numbers are largely forgettable, but the characters and the story remain compelling. Ramses, loving Moses, but terrified of being responsible for the end of a dynasty, is, if not a sympathetic character, a flawed but understandable one. Miriam and Tzipporah are strong, intelligent female characters. The themes of taking responsibility and the importance of freedom are well worth discussing. Families may wish to take a look at the web site to download one of the study guides developed by representatives of different religions.

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