Chaz Ebert Carries Roger’s Legacy Forward

Posted on January 12, 2014 at 2:10 pm

My friend Chaz Ebert is profiled in today’s Chicago Tribune as she prepares to go to the Sundance Film Festival for the first time since Roger’s death last April.  This time, she is not going as the wife of a critic.  She is attending on behalf of the new documentary about Roger, based on his book, Life Itself: A Memoir, directed by Steve James, whose Hoop Dreams was one of Roger’s all-time favorite films.  In the article, Chaz talks about her wide-ranging projects to carry Roger’s legacy forward.

His website, RogerEbert.com, is growing its readership, reports his wife of 20 years, Chaz Ebert, while it employs dozens of film critics and writers, mostly as freelancers. “Hoop Dreams” director Steve James’ documentary based on the late critic’s 2011 memoir “Life Itself” premieres next Sunday at the Sundance Film Festival, also where eight aspiring film critics will receive mentorship and see their work published on Indiewire and RogerEbert.com in a collaboration between the independent-film website and what Chaz is calling the Roger Ebert Film Critic Scholar program….Meanwhile, the 16th annual Roger Ebert’s Film Festival (formerly Roger Ebert’s Overlooked Film Festival and commonly referred to as Ebertfest) will take place April 23-27 in Champaign’s Virginia Theatre. This will be the first Ebertfest without Roger’s direct involvement, although festival director Nathaniel Kohn and Chaz Ebert say he left behind a long list of films he wished to see programmed down the line.

She is even in talks about a Siskel and Ebert musical.

As the art of film criticism has suffered from the avalanche of new media and the loss of newspaper space, it is wonderful that so many of us who were inspired and supported by Roger can help to bring his professionalism and his passion for movies and writing to another generation.

 

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The Surprisingly Tender Story of An Actor’s Kindness to the Critic Who Hated Hated Hated Hated His Movie

Posted on October 9, 2013 at 3:59 pm

Chaz Ebert wrote to Rob Schneider to ask him about a story that was mentioned in many of the tributes to her late husband, Roger Ebert.  Roger loathed Schneider’s movie “Deuce Bigelow: European Gigolo.”  He memorably wrote that the film “is aggressively bad, as if it wants to cause suffering to the audience. The best thing about it is that it runs for only 75 minutes…..Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.”  That last comment inspired the title of one of Ebert’s collections of bad reviews.

Chaz asked Schneider some questions, including:  “When Roger was in the hospital you sent a beautiful selection of flowers with a sweet note. That melted our hearts. Roger talked about that for a long time. Not just the flowers, but the very act, and what one act of kindness can do to transform human relationships. He said it gave him a glimpse into what kind of person you were and it was humbling. What was your thinking behind sending the flowers and the get well wishes?”

Schneider’s response was thoughtful, personal, and very moving.  He said that Ebert’s review was “mean but fair.”  And that it made him reconsider some of his choices. ” s a Zen Buddhist I know there is no such thing as a one-sided coin. Every coin has two sides and it is our choice to decide if we only want to focus on one side or the other. Or we can choose to see that both sides are inseparable and part of the same coin. The other side for me was finally being free of the studio system and all its constraints and expectations….When Mr. Ebert’s book, “Your Movie Sucks!” came out I admit to feeling sore about it. You have to build a somewhat thick body armor to survive in show business. But the strange thing was, when I heard Roger was sick I felt terrible and my heart ached. Whatever bad feelings that were leftover melted away and all I remembered was thinking about how much I really admired and loved Roger Ebert and his work and how grateful I felt to him for introducing me to countless films from all over the world that became such an important part of my life and of my work.”

Most important, he said,

The day I heard Roger was sick, I decided that I would not be the person who thanked or remembered what someone meant to them only after they were gone. I asked the florist to make the most beautiful arrangement possible and I wrote a note to Roger from a real fan and grateful admirer and I think most importantly for him, a fellow lover of world cinema in all it’s varieties. I think I said simply, “Roger, thank you for sharing your love of cinema with all of us. I hope you are back doing what you love most soon, watching movies from your La-Z-Boy chair! Signed, Rob Schneider, your least favorite movie star.” And I am so very glad I did.

….

There is never only light or never only dark. But light-dark and dark light. These shades are the universe’s way of challenging us and testing us in this great game of life. Where hopefully we come to realize we are each a part of the whole, and the whole a part of each of us. In the big bang 14.5 billion years ago in some very real way, we were there.

That’s pretty cool I think. Maybe someone could make a movie about that.

If only.

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Tribute: Roger Ebert

Posted on April 4, 2013 at 5:29 pm

Today, just one day after announcing he was taking a “leave of presence” to deal with a recurrence of cancer, Roger Ebert died at age 70.   His influence, like his greatness, is incalculable.

Ebert was a great critic, a great writer, and a great man.  No one will ever come close, in part because the world has changed so dramatically and no one critic will ever have his depth, range, and influence again, but more because no one can ever have Roger’s unique combination of passion, erudition, pugnacity, and, increasingly evident in recent years, a truly extraordinary depth of humanity and generosity of spirit.

There is no greater evidence of that than his response to his illness.  As it became more and more difficult for him to interact with the world physically, he became a pioneer in social media.  Decades before he was the first to bring a national film criticism show to television and his testy debates with Gene Siskel elevated the way we all talked about the movies we saw.  And so it was not surprising that he was one of the first major journalists to establish a presence on Twitter, Facebook, and a blog.  They opened him up to a new category of fans.  More important, they opened him up to the robust conversations of online media.  Unable to speak, he wrote.  And he listened.  He engaged with his audience as fully and generously as he had always engaged with films.  His interactions with talented writers around the world led to the creation of his Far Flung Critic team and later, his Demanders, who wrote about non-theatrical releases.  He gave his thumbs up — and his audience — to a new generation of critics.

Roger was a champion of the best in film.  Watch “Citizen Kane” with his shot-by-shot commentary and analysis and you will never look at that classic or indeed any other movie the same way again.  No one was fiercer when a movie was bad, and my favorites of his books include the trilogy devoted to truly awful movies, with titles like Your Movie Sucks and I Hated Hated Hated Hated This Movie.  But he was a devoted champion of what was best in film.  His great love was the annual film festival he created in his home town of Champaign-Urbana, Illinois, which will have its 15th anniversary next week.  Unlike other film festivals, this was not about unreleased new films.  Now called Ebertfest, it was originally called the Overlooked Film Festival.  It was Roger’s chance to give the neglected treasures a second look.  More important, unlike other festivals where participants race between screenings and agonize over the long lines and one-upsmanship of “What did I miss?” Roger’s festival was so civilized that there was just one film at a time.  We all watched everything together.  And then we all ate together and talked about what we had seen. 

Roger was a brilliant writer.  I loved his description of the “saturated ecstasy” of Gene Kelly’s dance in “Singin’ in the Rain.”  Over the past few years, as he was no longer able to eat food, his sense memories became even more alive.  His more intimate connection to his readers inspired him to open up with thoughts about current events and richly detailed memories of his past.  His autobiography became a best-seller.  He wrote about what he had learned: “‘Kindness’ covers all of my political beliefs. No need to spell them out. I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn’t always know this and am happy I lived long enough to find it out.”

It is impossible to write about Roger without including the love of his life, Chaz.  The great transformation of his last two decades came from the opening of his heart as he fell deeply in love and understood the joy of being loved in return.  In an interview, he said he understood that was the purpose of his life.  In that, he will always inspire me.  I loved, loved, loved, loved, that man.

 

 

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A Free Issue of Roger Ebert’s Newsletter

Posted on February 1, 2013 at 3:18 pm

I have been a proud and happy subscriber to Roger Ebert’s wonderful newsletter, always filled with intriguing trailers and commentary and much more.  Check out this free issue of the Ebert Club Newsletter and sign up for the teeny price of $10 a year here.  Well worth it!

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