Despicable Me

Posted on December 13, 2010 at 8:00 am

A-
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for rude humor and mild action
Profanity: Some crude schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Cartoon violence including explosions, shark, crashes, peril, but no one hurt
Diversity Issues: None
Date Released to Theaters: July 9, 2010
Date Released to DVD: December 14, 2010
Amazon.com ASIN: B0042U94UQ

We usually just take it for granted that the villain wants to rule the world without worrying too much about why. But one of the many charms of this utterly delightful film is that we get a glimpse that is both funny and satisfying of what it is that makes not one but two super-villains so intent on being despicable.

We even get a flashback of our anti-hero, Gru (voice of Steve Carell with a Boris Badenov accent) as a child, confiding his dreams of being an astronaut to his mother (voice of Julie Andrews as Natasha!). She crushes his hopes with a cruel insult. So decades later, he is still trying to earn her respect, now as a super-thief. No matter how audacious his capers, however, she is still unimpressed. He has stolen the Jumbotron from Times Square and the Eiffel Tower and Statue of Liberty (okay, those last two are the replicas from Vegas). But he still needs to make that one heist that will show her he can earn her respect. He could not be an astronaut and fly to the moon. So, maybe he could steal it.

And then there’s the anti-anti-hero, who has just adopted the villain name Vector. He may have a nifty name and even niftier equipment, his lair guarded by everything from heat-seeking missiles to buzz saws and a shark, and he may have just pulled off the theft of one of the Seven Wonders of the World, but it turns out he has some trouble pleasing his parent, too.

So it’s a race between Gru and Vector to see who can steal the moon, which first involves stealing the shrink ray they need to make it small enough to carry home. And, adorably, this requires the involvement of dozens of little yellow “minions” who look like oompa-loompas made out of marshmallow peeps and three little orphan girls who live with a Miss Hannigan-style harridan as they hope someone will give them a real home. Maybe made of gummi bears.

The resilience of the three girls (the oldest voiced by Miranda Cosgrove of “iCarly” and “School of Rock”) is a sublime counterpart to the unhappiness and insecurity of Gru and his arch-rival Vector (voice of Jason Segal), showing us that even the rottenest of circumstances does not have to make you overly vulnerable or mean. When Gru brings them home as a way of getting into Vector’s compound (his security system features missiles and a shark but he can’t resist the girls’ cookies), he is so clueless he puts out candy in a dog bowl and newspapers on the floor. But as we have glimpsed in his interaction with the minions (I loved the matter-of-fact way he knows all the names of the almost-identical horde), he is susceptible to being liked and trusted. And he slowly begins to learn that it wasn’t that he didn’t want to care; he was scared to.

Brilliant production design contrasts Gru’s goth with a touch of steampunk lair in the middle of a street of identical homes with Vector’s sleek, Apple-eseque, creamsicle-colored high-tech headquarters. The expert pacing keeps things fresh, funny, and exciting. And a twist on the usual race-to-the-big-event-to-show-your-new-found-values reminds us all that the great thing about families is you can always have a second chance.

It looks like 2010 will go down in history as the year 3D animation kicked the stuffing out of all the live-action releases. Pixar opened the door and it is a thrill to see studios like Illumination showing what they have to bring to audiences ready to accept animation as art and as heart-warming family entertainment.

And here’s a special glimpse of one of the extras on the new DVD release:

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3D Animation Comedy Crime DVD/Blu-Ray Pick of the Week For the Whole Family

The Tempest

Posted on December 9, 2010 at 8:43 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some nudity, suggestive content and scary images
Profanity: None
Alcohol/ Drugs: Characters get drunk
Violence/ Scariness: Shipwreck, fighting, threats of murder
Diversity Issues: None
Date Released to Theaters: December 10, 2010
Date Released to DVD: September 12, 2011
Amazon.com ASIN: B004M9ZI0M

Director Julie Taymor (Broadway’s “The Lion King”) has a gorgeous visual imagination and a love of spectacle, both lavishly on display in the latest version Shakespeare’s final play, the story of a sorcerer’s revenge. But she uses it to enhance, not distract from the real magic of dazzling language spoken by magnificent actors.

The play’s Duke-turned wizard Prospero now becomes Prospera (Dame Helen Mirren), the wife of the Duke who was so distracted by her study of magic that her position was usurped by her husband’s brother, Antonio (Chris Cooper). She escaped with her daughter Miranda, with the help of the king’s adviser, Gonzalo (Tom Conti). For twelve years, they have been living on an island, cared for by a sprite named Ariel (Ben Wishaw) and the son of a witch named Caliban (Djimon Hounsou). Miranda barely knows that any other world exists.

Returning home by ship after a wedding, Antonio, Gonzalo, the King (David Straithairn), and their courtiers encounter a storm called up by Prospera, and they are shipwrecked and separated, each fearing all the others have died. Promising Ariel and Caliban their freedom if they help her, Prospera directs — and misdirects — the bewildered survivors. She puts Miranda in the path of the king’s son, Ferdinand (Reeve Carney), and they fall instantly in love. Prospera is delighted, but pretends to be angry and orders him to hard labor: “this swift business I must uneasy make, lest too light winning make the prize light.”

Meanwhile, the king and Gonzalo are searching for Ferdinand, with Antonio and the king’s brother, Sebastian (Alan Cumming), who realize that if they can kill the other two, Sebastian will be king. Prospera stops them with magic.

And then there is Trinculo (Russell Brand), the jester and Stephano (Alfred Molina), the drunken butler. They find Caliban, who is happy to switch his allegiance to them, especially when they give him his first taste of liquor.

Mirren is fiery and magesterial, holding her magic staff to the sky and commanding Ariel and Caliban. But she shows us Prospera’s devotion to Miranda and recognition that she contributed to her fate by allowing herself to be too caught up in magic to notice that Antonio was betraying her. She understands that the price for this greatest display of her art and her gifts so that she can return home will be to give it all up forever. The young lovers are a little bland, but the rest of the cast is exceptional — and surprisingly organic, considering that it includes classically-trained British stage actors like Mirren, Cumming, and Molina with American performers Cooper and Straithairn, three-continent Honsou and all-around wild child Brand. The visual touches perfectly evoke the themes of order and chaos, with Escher-esque steps vertiginously reaching bannister-less up the walls, found object-based props, and Prospera’s final costume, a fabulous mixture of natural material and tight, civilizing straps and stays.

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Based on a play DVD/Blu-Ray Pick of the Week Fantasy Remake Romance

Trailer: The Tempest

Posted on October 15, 2010 at 3:59 pm

I am very excited about the upcoming release of “The Tempest” (described here as “Shakespeare’s final masterpiece”), starring Helen Mirren and directed by Julie Taymor (forever known as the woman behind the stage version of “The Lion King”). “The Tempest” is the story of a sorcerer named Prospero who was once a king, but, distracted by his study of magic, was deposed and exiled by his brother to a remote island, accompanied by his daughter Miranda. Mirren takes the lead as “Prospera,” who uses her powers to shipwreck her brother’s boat, bringing them to her island to right the wrongs of the past, with the help of spirits Ariel and Caliban. The cast includes Alan Cummings, Alfred Molina, Russell Brand, Tom Conti, and Djimon Hounsou.

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Trailers, Previews, and Clips
Get Him to the Greek

Get Him to the Greek

Posted on September 28, 2010 at 10:00 am

getgreekpost1.jpg“English rock stars don’t die,” explains record company CEO Sergio (Sean “P. Diddy” Combs, who almost steals the film with a slyly witty performance). He has evidence: Keith and Mick are still with us, and even the guys from Led Zeppelin. And of course exhibit A is Aldous Snow (Russell Brand), who has survived more than a decade of sex, drugs, rock and roll. And, barely, he has survived his most recent release, the disastrously awful “African Child,” deemed by a reviewer to be third only to war and famine in the list of the most tragic events that have been inflicted the African continent.
And now Aaron (Jonah Hill), a shy, sincere young executive at Sergio’s company, has proposed that Snow revitalize his career on the 10th anniversary of his legendary live performance that made him a star, and return to the Greek Theater in Los Angeles. So Sergio has sent him to London with 72 hours to deliver Snow to the theater, with a stop in New York for the Today Show and a detour to Las Vegas on the way.
It’s the classic buddy-road trip structure. A repressed character and a raging id go on a journey and to give us the best of both worlds we get both all kinds of bad behavior and then at the end some lessons learned. Aaron is introduced to many, many substances through at least two orifices. And Aldous is re-introduced to a few things he’s missed for a while, like performing, feelings, consciousness, and, what’s that other thing? Oh yes, reality.
But all of that is just there to make us feel better about the wild ride along the way. Brand is a believable rock star (and a believable mess). He keeps Snow interesting and appealing by not letting him be too much of a narcissist or an idiot. He has some self-awareness and in his own way he is constantly sparring with the world, testing those around him even if it’s just for his own amusement. He maintains enough control to keep up a sharp running commentary, almost to himself.
Hill is a strong performer who makes Aaron more than a nebbishy pushover. The script, by director Nicholas Stoller, has some hilarious detours (I was ready to stroke a fuzzy wall) and guest cameos (Lars Ulrich gets a good sport award, Meredith Viera looks appropriately appalled, and it’s always a treat to see a Nobel Prize-winning economist show up in a in movie featuring giant sex toys, a Rat Pack tribute band, a song about venereal disease, and a near-lethal drug concoction called Jeffrey). Rose Byrne’s performance as Snow’s ex (her child is, of course, named Naples) is a comic gem. Much of the laughter is of the “Oh, no, they didn’t say/do that” variety, but the energetic bad taste is part of the show — just like a real rock concert.

(more…)

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Comedy
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