Slate’s Tribute to the Worst Christmas Television Specials

Posted on December 16, 2009 at 3:37 pm

Han Solo hugs Chewbacca? Fat Albert meets a baby in a sort of urban manger? He-Man learns about Christmas from two annoying little kids?

But bad Christmas specials can inspire good responses. This is a classic from Tom Shales of the Washington Post about a Kathie Lee Gifford special he did not find so special.

What’s the difference between the 24-hour flu and a Kathie Lee Gifford Christmas special? Twenty-three hours. The actual title for this year’s exercise in false piety, faked sentiment and aerobic grinning was “Kathie Lee Gifford: Christmas Every Day,” an appalling prospect any way you look at it. This is the kind of television to be watched not from the couch, as it were, but while peering out from behind it and using it as a shield, as if perhaps an air raid or some other sort of massive bombing were in progress.

“Kathie Lee: Home for Christmas,” Kathie Lee Gifford’s second annual CBS Christmas special, is perhaps even worse than her first — a sickeningly saccharine vanity production that should really have been titled “O Come, Let Us Adore Me.” That ghastly Gifford grin, ear to ear and back again, seems steeped in self-esteem and almost blinding in its show biz phoniness.

Kathie Lee Gifford sings songs like she’s mad at them. What did they ever do to her? Maybe she was frightened by a song as a child. And by Christmas, too, because each year on television she wreaks a bit more revenge.

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Shorts Television
Miles Davis at the Movies

Miles Davis at the Movies

Posted on August 28, 2009 at 8:00 am

I love this Slate article by Kim Gittleson on the best and worst uses of the classic jazz album, Kind of Blue, by Miles Davis, in film and television. The list includes an action film with real-life jazz-lover Clint Eastwood (“In the Line of Fire”), a romantic comedy with Julia Roberts (“The Runaway Bride”), and an underrated fantasy film (“Pleasantville”), as well as a television series about a serial killer (“Dexter”) and a high-class cop show (“The Wire”).

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Music Television

Meryl’s accents

Posted on August 11, 2009 at 3:59 pm

Slate has put together a magnificent compilation of some of Meryl Streep’s best accents but what I think of when I watch this is the astonishing range of the performances behind them. It is almost impossible to imagine that it is the same person playing the steely nun, the Holocaust survivor, the Australian mother accused of killing her child, the Danish writer, the barfly. Look at the difference between her portrayals of two women with Irish accents, one Irish, one Irish American. The stunning achievement of her performance as Julia Child is not the accent, or even her ability to appear to add six inches of height, but the way she creates a complete and true character within the larger-than-life and very caricature-able personal characteristics so familiar to so many people. It is a clever trick of writer/director Nora Ephron to include in “Julie & Julia” a clip of Dan Ackroyd’s “Saturday Night Live” parody of Child’s television persona as a compelling contrast to the subtle and endearing character Streep is able to create from the same raw material. Charlie Rose had a marvelous interview with Ephron and Streep about the film, where Ephron said that two of the movie’s best moments, so immediate and effective that both appear in the trailer, were both improvised by Streep. I was also very interested that Streep said she found it liberating when she decided her job was not to re-create the actual historical figure of Julia Child but to portray Child the way she was seen by blogger Julie Powell half a century later. This enabled her to bring in to the portrayal not just Child’s mannerisms but Streep’s own mother’s expansive and generous sense of joy.

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Actors Shorts

Slate’s Proposed Future Toy-Inspired Blockbusters

Posted on July 7, 2009 at 3:58 pm

Slate’s movie critic, Dana Stevens, invited readers to propose “Transformers”-like summer blockbusters inspired by action figures and other toys. The result was hilarious. My favorites were “Night of the Cabbage Patch Kids–This Time, Your Vegetables Will Finish You” and “Lego Ship Apocalypse: Menace of the Mom Expecting Company.” And there was a whole category for the Transformers’ downmarket rivals.

The second-banana status of Go-Bots, a cheap Transformers knockoff, was highlighted by several titles: Jeff Ryan’s “Go-Bots: Revenge of the Trademark;” Shawn McKinnon’s “Go-Bots: Waiting for Our Loud Overlong Movie that Critics Hate;” and Joe Trabucco’s heartbreaking “Go-Bots: Revenge of the Poor Kids.”

Check it out yourself for the magnificent double-feature titles that won the top prize.

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Understanding Media and Pop Culture

Quote of the Week: Dana Stevens on Michael Cera

Posted on June 20, 2009 at 8:00 am

Dana Stevens liked “Year One” more than I did and she nailed the Black-Cera chemistry with this beautifully written assessment:

has a way of stepping on the very end of Black’s lines with quickly blurted put-downs that gets me every time; it’s the comedy of passive-aggression, a tart counterpoint to Black’s oleaginous self-assurance. Cera’s critics complain that he always plays the same role, but I’ve said it before and I’ll say it again: We need Michael Cera to keep being Michael Cera. Nobody else knows how.

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Quote of the Week
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