The ‘Friends’/HSM connection

Posted on August 15, 2009 at 8:00 am

This week, there are new releases in both theaters and on DVD pairing “High School Musical” stars with alumnae from “Friends.” It’s a little disconcerting to see our “Friends” playing parents of teenagers, however. Lisa Kudrow is the mother of the main character who likes Vanessa Hudgens in “Bandslam” and Matthew Perry plays the father of two high school students who is magically transformed into his 17-year-old self, played by Zac Efron. It’s great to see both Kudrow and Perry on screen and their impeccable timing and ability to make an instant connection to the audience is evident in both films. And it is nice to see them passing the baton to such worthy young performers.

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Life Lessons from Saturday Morning Cartoons

Posted on August 9, 2009 at 8:00 am

Be sure to read Paul Asay’s entertaining and enlightening discussion of the lessons we learned from Saturday morning cartoon shows like “Scooby-Doo” (be careful of strangers) and “Fat Albert and the Cosby Kids” (television can teach moral lessons). I especially like this discussion of the lessons from Road Runner:

Wile E. Coyote was the show’s primary professor, and he taught his young students dozens of pragmatic lessons: Don’t horse around near dizzying precipices. Don’t strap yourself to large explosive rockets. Don’t paint false train tunnels onto the faces of cliffs. But, through his boundless trust in (and inexhaustible account with) the Acme Corporation, Mr. Coyote also offered an important, if little heeded, message: You can’t catch happiness through the accumulation of “stuff,” no matter how much of it you buy. Sure, sometimes it’ll seem tantalizingly close…but it’ll always speed away again with a “beep-beep” and tongue waggle.

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Television

Law on Television: the ABA’s Top 25

Posted on August 8, 2009 at 8:00 am

The magazine of the country’s largest organization of lawyers, the American Bar Associaton has published its list of the 25 all-time greatest legal television shows from enduring classics like “LA Law,” “Law & Order,” and “Perry Mason” to some quirkier choices like the animated “Harvey Birdman, Attorney at Law” and the short-lived divorce lawyer drama “Civil Wars.” The list includes a comedy (“Night Court”) and genre-expanding, even surreal (“Ally McBeal”). Some focus more on civil litigators with controversial cases like “Owen Marshall,” “Boston Legal,” “The Practice,” and “The Defenders,” while others focus on the military (“JAG”), civilian prosecutors (“Law & Order”) or defense attorneys — almost always with innocent clients, of course — (“Perry Mason”). Sometimes, the focus is on the judge (“Judging Amy”).
Drama requires confrontation, and putting on a trial is always about telling a story, or rather telling two competing stories and letting the judge and jury decide which one they believe. And the law is where people go in the direst of circumstances, often when they have already tried to come to an agreement and failed. Only certain parts of the story are relevant in a courtroom, but it is always intriguing to find out what goes on behind all of that party of the first part and let the record show. So courtrooms and law offices are always a good place to look for good stories. Real-life lawyers like Erle Stanley Gardner (creator of Perry Mason), barrister John Mortimer (creator of “Rumpole of the Bailey”), Terry Louis Fisher (co-creator of “LA Law”), and Fred Thompson (co-star of “Law & Order”).
In an interview in the magazine, Sam Waterston of “Law & Order” reminds us that there is a fantasy element to even the grittiest legal drama on television. The cases brought to conclusion in one episode would take months or years to resolve in real life. “We tell stories about what’s fair and what’s just so we can get our minds around them, or just get to know them. In reality, conclusions are muddy, there are no final curtains, and life just goes on.”

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WordGirl Interviewed by Jim Lehrer

Posted on August 4, 2009 at 1:53 pm

Thanks to Siva Vaidhyanathan for sharing this delightful interview with the newest PBS superhero, WordGirl, who keeps the world safe from bad guys and poor word choices! Here’s to vivid and grammatically correct speech, and to PBS and WorldGirl.

Do Reality Shows Abuse Children?

Posted on July 20, 2009 at 3:59 pm

The Wrap has a provocative column by Domnic Patten about the impact of reality television programs on the children who participate in them.
One problem is a loophole in the law. If children are working as actors on a film or television show, there are very strict limits on how many hours they can work. They are required to have a teacher and a parent or guardian with them. But if it is a “reality” show, it is not considered a job; the theory is that they are just going about their lives and being filmed.

“Jon & Kate Plus 8’s” treatment of the Gosselin children is now being investigated by the Pennsylvania Labor Department.

…

At the core of the investigation is whether the Gosselins’ Wernersville, Penn., home constitutes a formal TV set, where the children are being instructed and directed. If so, it would bring the production under the state’s child labor laws.

If not — if it’s considered merely a domestic environment where they are being observed and filmed with little direct interaction with producers and crew – the state would have no grounds for violation and the investigation will be closed.

Therapist Drew Pinsky (better known as “Dr. Drew”), put it directly:

“Children can’t give informed consent by definition, only the parents can do that — and reality shows generally don’t cast adults who have the highest level of mental health. They are severe narcissists who are obsessed with celebrity.”